A Premonition from Wall-E

“You cannot argue against the fact that the creators of Wall-E were trying to warn the adults in the audience that this vision for humanity is a lot closer to reality than we would like to imagine.”

The beauty of Pixar movies is that they are not only for children to enjoy but adults as well. Many Pixar movies from Toy Story to Finding Nemo to The Incredibles carry important lessons regarding how to be caring, how to look out for one another, and how to stand up to injustice. Children enjoy the characters and the visuals while adults enjoy the lessons behind the main storyline. We understand how it can be painful to give up childhood toys in ‘Toy Story’, we understand the value of a new friendship earned as in ‘Finding Nemo’, and we deeply get the humdrum of the 9 to 5 day job that’s unfulfilling, but you need the money to survive or to feed a family as in ‘The Incredibles.’

The most powerful example of Pixar bringing adult anxiety and familiarity to life would be in its central ‘premonition’ in their hit film, Wall-E. What the movie ‘Wall-E’, released back in 2008, did was essentially predict where we are heading in 2021 potentially and where we could be by mid-century even though the movie is set in another eight centuries in the 2900s. The central ‘premonition’ or prediction that the film Wall-E makes is about the state of our beloved Planet Earth in the far future although that future in 2021 seems a lot closer to our collective reality than it was even thought of back in 2008. In the Pixar film, the Earth has become a garbage-strewn, hopelessly polluted planet with corporate greed, blatant consumerism, and environmental collapse being the norm rather than the exception. On top of all that, there are robots who do 99% of the labor that humans used to do.

In a particular scene that has stuck with me over the past decade is the sight of exceedingly overweight people in electric motor-scooters being hypnotized by their screens, totally oblivious to the environmental damage and neon advertising signs now in their periphery. In this bleak vision of the future, humans have let themselves go while robots have picked up the slack. Robots steer the ships through space and like Wall-E, they are forced to find a planet for recolonization that can suit humans now that the Earth has become an open-air garbage dump. Poor Wall-E.

Although you could say that this vision is a bit nonsensical in that everyone on Earth has become hopelessly dependent on robots, screens, and consumer goods to make it through the day, you cannot argue against the fact that the creators of Wall-E were trying to warn the adults in the audience that this vision for humanity is a lot closer to reality than we would like to imagine. 

While the film does not mention how did the Earth get so polluted where it’s become inundated with garbage everywhere or how did humans get so overweight, you can tell the writers were using a possible worst outcome scenario if we don’t try to look after ourselves better and to look after the planet that we love. ‘Wall-E’ takes the dystopian vision of the future to the extreme, but I would say that they are trying to take us to the worst-case scenario to make it clear how bad things could still get if we don’t start cleaning up our own act.

In 2021, who could argue with the fact that there are some sadly overweight people who cannot get around without motorized scooters, the fact that there are certain people who interact more with screens than other human beings, and that the fact that there are certain areas of the planet that have ceased to be livable because they are indeed open-air garbage dumps. The brilliance of a premonition is that it is essentially one vision of the future, and it does not necessarily mean that it will come true. This premonition of the movie Wall-E is not just a dystopian vision but a warning to humanity. Even back in 2008, we were warned that if we don’t start taking care of ourselves and the planet, life as we know it in the future will be worse. To those of you reading this article who would say, “It’s just a Pixar movie and is just fiction! Why should we take a fictional Pixar movie seriously?”

To that critique, I would say that there is often truth found in fiction and just because it’s not a true story and is an animated movie does not mean we should not take the film’s central message seriously. If you see the entire film, the average viewer should realize the main message of Wall-E is to always take responsibility for one’s actions because if one person doesn’t in terms of neglecting their health, their lack of care for others and the planet, and to obsessed with the latest technology, that one person’s behavior causes ripples throughout society causing life for everyone to get progressively worse.

The first part of the premonition where we can change our actions so that this warning does not come true is to stay active, eat healthy, and exercise. To end up like a person who is carried around on a motor scooter and can’t even walk around or push buttons anymore is no good way to go through life. Many people today live sedentary lifestyles and are less physically engaged than previous generations. Each person really must work at it to stay physically active if their work or lifestyle does not encourage it. Hopefully, Wall-E encourages more people to take the initiative to take their health seriously because being tied to technology, to consumer goods, and to the latest food fad can end up causing this part of the premonition to become a reality for more and more individuals.

The second part of the premonition where we can change our actions to stop this premonition is to lessen our addiction to technology. Screens are inevitably part of our present and our future, but we must continue to monitor our screen usage, encourage reading and other activities that are not done on screens, and to be able to take a day or more away from screens from time to time. In Wall-E, the people being carted around were staring at their screens continuously like zombies without being aware of the outside world. They didn’t even pay attention to Wall-E when he zips on by and he’s a living robot! I’m sure each of you reading this article has your own story of seeing someone on their phone as they walk across the street not aware of cars driving by or of someone else driving a car and staring at their phone screen rather than paying attention to what’s ahead of them on the road. Technology can help our lives out in many ways, but it is addictive, it is invasive, and it also can cause us to make deadly mistakes. Wall-E clearly warned us back in 2008 about the setbacks of being addicted to our screens.

The last part of the premonition that is most worrisome not just for individuals or for society but for the entire planet. Rampant pollution, poor air quality, lack of trees and vegetation are the main planetary problems highlighted by Wall-E. While the movie doesn’t cover how Earth became uninhabitable, it lays the blame squarely on human beings and our lack of care for the environment. The planet as depicted is filled with garbage, essentially having become an open-air landfill. Because of the Earth being ruined, Robots have must help humans find a new home but there is an underlying message there that how can we not ruin another planet when the Earth was not taken care of? When you can no longer breathe the air or drink the water, what good would a new planet do if the same mistakes are to be made? The environmental impact we are having on our planet has been known for decades and it was made known to the audience in Wall-E back in 2008 but it’s now getting late into 2021 and sadly, it seems as if environmental damage and climate change is getting worse, having greater impacts, and causing us to look more seriously at the fact that the planet might not be habitable for future generations to come.

When you look at Wall-E, you see an animated robot who is both goofy yet cares enough in trying to save Earth, which is seemingly past the point of no return in the movie. I hope we never get to the point in the far future when robots care more about the planet than we do to save it. Wall-E’s central premonition has come true in some aspects of life, but we do still have enough to change ourselves, our society, and our planet so that the premonition does not become a reality. There is indeed truth in fiction and Wall-E is an excellent film that shows us how if we don’t pay attention to the warnings laid out before us, we will make the same mistakes as the human characters do in Wall-E.

Iguazu Falls – Argentina Side

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Camera: Samsung Galaxy J2 Core, Canon PowerShot SX710 HS

Location: Las Cataratas del Iguazu, Misiones Province, Argentina

 

Anatomy of a Scene – The Letter

“For what it’s worth, it’s never too late, or in my case too early, to be whoever you want to be. There’s no time limit, start whenever you want. You can change or stay the same. There are no rules to this thing. You can make the best or worst of it, and I hope you make the best of it. I hope you see things that startle you. I hope you feel things you never felt before. I hope you meet people with a different point of view. I hope you live a life you are proud of. If you find that you’re not, I hope you have the strength to start all over again.”

-The Curious Case of Benjamin Button

Sometimes, you can watch an entire movie and not feel moved by it. Whether it’s a stirring of your emotions or being introspective about your feelings, few movies will touch the viewer personally. Luckily, The Curious Case of Benjamin Button is an exception to the rule, especially when it comes to the scene where the main character, Benjamin Button, writes a letter to his daughter, whom he barely knew in life.
With her mother on her death bed, the daughter finally opens and retrieves many letters from a father whom she barely knew and is startled to have a keepsake from someone who was rarely in her life.

Benjamin Button has a unique condition where instead of getting older like he the rest of us as he goes through life, the opposite happens to him and he gets younger and younger allowing him to experience life backwards. Still, despite this inconvenience he can live a full life and that is what this movie scene so special because he encourages his daughter to do the same. While he is not around to see her have her own adventures, he wants the best for her and wants to her to “live a life that she’s proud of.”

When we first are introduced to this scene, we see that Benjamin’s daughter realizes that he went to India and many other places years ago based on the kind of parchment that his letters are written on. There are many letters addressed to her from the time she was two years old and onward when he was not around to be with her. Despite the sadness and disappointed associated with that, she is relieved that he was writing to her and thought of her even when he was far away. For him to think of her while writing ‘the letter’ in such faraway places show that despite his curious condition, he loved her dearly and wanted to express that even after he passed away.

This movie scene is brilliant because it shows Benjamin travelling around India while narrating to his daughter that he wants her to ‘be whoever you want to be’ whether that’s a traveler or a janitor or a toll booth manager. You can make the ‘best or the worst of it’ as he states to her depending on your perspective on life, but he wants her to make the ‘best of it’ as he did. A father imparting this important message on to his daughter that it’s okay to ‘start over’ again in life is important for her to hear but also for the audience to understand.

If you find that you are not ‘living a life that you’re proud of’, then there is nothing wrong with changing it in order to finally be proud of. While he did a lot of travelling, there is still the humdrum of daily life involved such as cleaning your clothes, talking with the locals, and even drinking from a water hose. “There are no rules to this thing.” Sometimes, we tend to think of life as a narrow path when really there are going to be numerous zigs or zags, and when you become an adult, you have to make the rules for how you want to live, what is important to you, and what to care about.

“I hope you see things that startle you, I hope you feel things that you’ve never felt before…” This part of the scene is brilliant in showing the beauty of Benjamin’s travels and how he would sleep, brush his teeth, and move around by motorbike through beautiful mountain passes and rivers. Benjamin wanted his daughter to experience the world and for her to enjoy what it had to offer in her own life. Part of doing just that is adapting to the places you visit and to seek out the adventures yourself in order to make the most of it.

“I hope you meet people with a different point of view…” Benjamin encourages his daughter also to get to know other people, whether from another city or another country, and how it’s necessary to be open to them and to be kind. The locals help Benjamin fix his motorbike as he drives through their village on one of his journeys.
“I hope you have the strength to start all over again.” Benjamin’s last words to his daughter ask of her to be strong in not being afraid to change your life or decide that you want to live it a different way than before. The mother imparts at the end of the scene that “he had been gone a long time…”

Unfortunately, this scene shows both the beauty and tragedy of life in that sometimes, we can’t be there for the people we love but are with them in spirit. Benjamin could not be with his daughter in life but he wished that he had been there to wish her a happy birthday, to kiss her goodnight, to take her to her first day of school, to teach her to play piano, to chase away boys, and to be her Father. “Nothing he ever did would replace that.” Even after all the adventures that Benjamin had, the most important role he ever had was being her father and he wanted to make sure she knew that by leaving her with his diary.

Even in his absence, this scene shows us the power of a father’s love for his daughter and how he wanted the best for her and to live a life that would yield happiness and fulfillment for her. In one minute, this scene in ‘The Curious Case of Benjamin Button’ has more of an emotional impact than many movies do in more than two hours. Breaking down this narrative and the beautiful cinematography and filmmaking of travelling at its most challenging yet most rewarding was quite an achievement by the film’s director and crew. Not only would this movie scene have an impact on Benjamin’s daughter by also on the rest of us watching in the movie theater or at home. If you have a chance, watch this scene to appreciate the scenery, the message, and the power of love between a father and a daughter. A powerful movie scene worth a watch and a couple of re-watches as well.

‘Revolutionary Road’ – Film Review and Analysis

The epic saga of Jack and Rose continues in the form of two young, suburbanite lovebirds in Connecticut who discover that married life may not be what they thought it would be. If anyone has seen the movie ‘Titanic’, you’ll notice that ‘Revolutionary Road’ features the same actors, Kate Winslet and Leonardo Dicaprio as romantically involved but not as star-crossed lovers but rather as a newly married couple. While this is a totally different film and in a different time period, part of what makes ‘Revolutionary Road’ a great and memorable film is the acting by DiCaprio and Winslet.

Once again, they are the leading roles in a movie where the acting can make or break the film. Similar to their previous movie together in ‘Titanic’, ‘Revolutionary Road’ is a character-driven film with intense emotional moments and a message that stays with you deeply after the final credits roll. Michael Shannon, a very well-renowned actor almost steals the show from Leonardo and Kate as John Giving, the brilliant yet disturbed son of the Wheelers’ neighbors, the Giving’s. Helen Giving (played by Kathy Bates) and her husband help the Wheelers to buy their home at 115 Revolutionary Road in suburban Connecticut.

‘Revolutionary Road’, released in 2008, was directed by Sam Mendes who has also directed other classic American movies including ‘Road to Perdition’ and ‘American Beauty.’ Mendes is a talented director who does an excellent job finding the right actors to fit the character-driven roles that they have to sell to the audience. In a way, ‘Revolutionary Road’ seems like a period piece precursor to the movie, ‘American Beauty’ in terms of its’ suburban setting and overall themes of dissatisfaction of life and a yearning for change.

Similar to his other movies, Mendes enlists Thomas Newman, my favorite movie composer to conduct the powerful and moving score to the film. The cinematography also draws you in especially in the penultimate moments where you see Frank Wheeler (DiCaprio) running frantically out of remorse down Revolutionary Road after the climax of the movie. The movie’s title doesn’t give the audience too much detail on what it could be about or what the film focuses on. It is enough however to peak your curiosity especially with the two leading actors involved and the film does not disappoint in this aspect. Awarded with both Golden Globe and Academy Award nominations, ‘Revolutionary Road’ was a critical success even though it didn’t really light up the box office when it was released.

Unbeknownst to most, the film ‘Revolutionary Road’ was based off of the novel by Richard Yates of the same name. While the book was released in 1961, Yates wrote it as a referendum on the conformity of the 1950’s and how families across America were settling down in suburbs that were safe and secure yet did not leave much to the imagination. It’s a great work of fiction and the movie ‘Revolutionary Road’ sticks to the material quite well.

Like most couples of that age, Frank and April Wheeler meet at a friend’s party in 1948. Frank is a longshoreman and a former soldier during World War II while April is an aspiring actress when they first get to know each other. Frank’s father worked for 20 years for a sales company known as Knox Machines and sees himself in the same position unless he can think of something else. Frank is someone who is bored by the monotony of his work and desires to do something bigger with his life. Ironically, the less he cares about his sales job, the more the bosses like what he’s been doing. Frank falls in love with April and they marry each other.

The courtship and how well they actually knew each other before marrying is not covered in the film but it’s clear that they were both young when they married. The audience is left to infer that they really didn’t know each other all that well and what they expected out of their lives. After they get married, it is mentioned that April is pregnant with the couples’ first child. Because of the cheapness of land and the need for more space like many other American couples in the 1950’s, the Wheelers move to 115 Revolutionary Road in suburban Connecticut.

When April and Frank move in to Revolutionary Road, they are first welcomed by the realtor, Helen Givings (played by Kathy Bates) and her husband Howard Givings. The new couple is deemed to be perfect for this idyllic suburban town by the Givings even though their son, John (Michael Shannon), is unhappy with the way the Wheelers are living to each other. Lacking an understanding of normal social cues, John rants about the ‘hopeless emptiness’ of suburban living and questions the soundness of their marriage in front of them.

While the audience can see John Givings as initially crazy, as the film goes on, he actually starts to make the most sense out of anyone in the film. To The Wheelers, their other neighbors, the Campbells, are what they would aspire to be as the perfect suburban couple. They are a friendly couple, content with their lives, and seemingly in love with each other. However, as we go through the film, we realize that each couple: the Wheelers, the Givings, and even the Campbells are putting on a mask.

Out of the three couples in this film, we do spend the most time with the Wheelers who it seems were never truly meant through each other. They may have connected initially but they seem to us as two very different people. April is very footloose, wanting to enjoy life, and experience the world while Frank is content with who he is, what his career will be, and his contentedness with being a father. They are also not quite settled in their livelihoods when we meet as April is struggling to gain traction as an Actress and Frank is bored stiff at his sales job. Instead of supporting each other through the tough times, it remains a point of contention that either person hasn’t succeeded as much as they would like. While it seems that they are both not content with living in the suburbs or being married, they also have their two children to think about.

Because they are married and have children, it’s nearly impossible for them to uproot their lives as April suggests. A running theme throughout the film is their desire to move elsewhere including Paris which April endorses immediately yet Frank sees as being unrealistic. When you have people who depend on you, bills to pay, and jobs that get in the way, it’s hard to move anywhere including overseas. Their collective boredom at living in the suburbs starts to manifest itself elsewhere as they start to get bored with each other by seeking out extramarital affairs, excessive drinking, smoking, etc. to dull their pain. Instead of trying to work out their marriage problems or seek ways to better their lives separately, they drag each other through the mud with shouting matches and other more extreme actions.

While Paris is an escape for the two of them from their jobs, their repetitive jobs, and their monotonous suburban lifestyle, it’s clearer that they want to escape and get away from each other. As John Lennon famously stated, “Life is while happens when you’re busy making other plans.” Frank and April Wheeler never truly accept that their lives are not truly their own and they do have to make compromises when it comes to money, children, lifestyle, etc. When they plan to actually move to Paris, April gets pregnant again and Frank is offered a lucrative promotion at his sales job. Instead of accepting their new reality together, they lash out at each other and cause a lot of pain and suffering in the process.

You can see from the film that Frank and April Wheeler were not compatible people in terms of their relationship or marriage. As April bluntly opines to Frank during one of their fights, “You were just some guy that made me laugh at a party once.” It becomes clear to the audience that they would be happier living separate lives with Frank living as a successful salesman at his father’s former company in New York City while April tries to make it on her own as an actress working in Paris or Los Angeles. Both of them are not cut out for the married, suburban lifestyle but they are also equally not cut out for each other. They can use the suburbs, their children, their job situations as excuses but at the heart of the issue is their flawed relationship.

American society in the 1950’s helped to put a lot of pressure on young couples like the Wheeler’s to get married, have children, and then move to the suburbs where it’s safe and secure. However, it’s clear that this type of lifestyle is not for everyone. Some people are not meant to be married or to have children. Others are meant to live in cities or travel for their work. I can imagine that the cultural attitude in the 1950’s shunned this kind of critical thinking and encouraged a more conformist lifestyle that stifled people’s personal hopes, wants, and ambitions. You could say that the following decade, the 1960’s, changed American life forever in its expectations of people and how they could and should live their lives.

In closing, this film is a realistic and sobering look at how relationships and marriages can fail sometimes and that it can be very painful to live a life that’s not in line with your personal wants and needs.