Camera: Samsung Galaxy J2 Core
Location: Pelourinho; Salvador, Bahia, Brazil
Camera: Samsung Galaxy J2 Core
Location: Pelourinho; Salvador, Bahia, Brazil
‘The Last Samurai’ (2003) is an epic drama film that takes place in a unique period of Japan’s history and highlights the conflict between modernization and tradition, between cultures, and also between different styles of warfare. However, it is not just the conflicts that are highlighted in this film but also the cooperation and the understanding that can happen as well in certain aspects such as between cultures. While this film is not specifically based on a true story, it is based on a number of true events that took place in the latter half of the 19th century for Japan and highlights the role of Western influence in Japan during the period of the Meiji Restoration or Reforms.
The main character, Nathan Algren (played brilliantly by Tom Cruise) is a Captain in the United States Army of the 7th Cavalry Regiment. Nathan is a veteran of the American – Indian Wars and perhaps the Civil War as well. He is a bitter man who is suffering from trauma related to the atrocities committed against the Indian tribes during these brutal battles. When the film starts, we can see that Nathan is an alcoholic who is regretful over the orders that he had to follow and what happened to innocent Indian women and children whose lives were disregarded by his commanding officers.
However, for lack of purpose or money, or perhaps both, Nathan is recruited by his former commanding officer, Colonel Bagley, whom Nathan still resents for his role in the Indian massacres, to help train Japanese soldiers in the Western way of combat to put down the Samurai rebellion, which is ongoing in Japan. Algren is dealt a bad hand as he has to train peasants and not actual soldiers who are firing guns for the first time and would be better suited to the farms than to the battlefield.
In addition to that, he is expected to lead them soon into battle against the Samurai for which they do not have enough time to prepare. One of themes of this film is how good men are often corrupted by following misguided orders by their superiors and often end up harmed, captured, or killed for the negligence or ignorance of those with a higher rank. Nathan is a good soldier, but he cannot train peasants into soldiers in the time that is given to him especially when he is not familiar with the ways of the Samurai and how lethal they can be compared to his peasant conscripts.
In the battle between his soldiers and the Samurai, the Samurai end up killing most of them through surprise attacks and then an ambush in a refusal to fight the way of the ‘modern’ army that Nathan has assembled. One of Nathan’s fellow American army colleagues is killed in the battle while most of his army is decimated. Undeterred and with nothing to live for, Nathan fights the Samurai ferociously and is able to hold his own. Instead of killing him, the Samurai’s leader, Katsumoto, decides to capture Nathan instead and hold him as their prisoner. Unbeknownst to Nathan, Katsumoto sees something in Nathan and believes that he is a good warrior, who although tries to kill the Samurai, may be one of them due to his capacity to fight to the last breath.
At first, Nathan is not treated kindly by the Samurai given that he is a former enemy and that he also killed the husband of Katsumoto’s sister who resents Ethan’s presence in their village. Nathan also has his preconceptions and stereotypes regarding the Samurai and their culture. Over time though, Nathan starts to acclimate to his new life as a prisoner. He embraces the Japanese language and culture as well as earns the respect of the other Samurai by learning swordsmanship as well as how to train with others.
He also finds he has an affection for Katsumoto’s sister and ends up befriending her son as well. While it is not easy, he gains an appreciation for the Samurai and their way of life. He even begins to resent the modernity and the loss of the tradition that is being imposed on them by the imperial Japanese government. In this way, ‘The Last Samurai’ does an excellent job what it means to ‘go native.’
When you live in another country for long enough, you start to really embrace certain aspects of the culture and also if you take a liking to the language, you may realize you may want to stay there now that you’re acclimated rather than return to a home culture or country whose flaws become so visible to see when you were blind before to them. This movie does a great job of showing ‘Stockholm Syndrome’ and how powerful it can be over time especially if you have a romantic interest in a woman or a man after a long enough period of time.
Algren is also no longer haunted by the nightmares of what he experienced during the Indian wars and has also forgone alcohol as he has found other ways to sustain himself while living with the Samurai. Perhaps most importantly, he develops a friendship with the Samurai’s leader, Katsumoto, who explains to Nathan their worldview and while preserving their 1000-year heritage is so important to them all. Nathan agrees with them and starts to see how important the ways of the Samurai are to Japanese culture and customs themselves.
The biggest turning point in the film is when Nathan begins to fight alongside the Samurai against attacks by both Ninjas, which one of the coolest scenes I have ever watched still. It is an amazing scene when you have Samurai battling with Ninjas and it is a very powerful point in the movie to show Nathan help save Katsumoto’s life. The Samurai are so dedicated to their way of life that they will die or commit ‘seppuku’ (suicide) to preserve their honor.
Without giving away the rest of the film, we can see that the Japanese emperor is being betrayed by big business interests and Western nations in the rapid attempt to modernize. While Japan was right in that it needed to catch up in areas of commerce and warfare, it is also important to remember the ways of the Samurai and to remember their customs as well. It is not right to destroy an important part of their culture and erase it from the history books.
That is what the Samurai leader, Katsumoto, and also Nathan wanted to preserve even if they knew that they were fighting a losing battle. A culture’s customs must be remembered, and its history remembered by all even if the country is to go in a new direction. ‘The Last Samurai’ makes it clear that even if there are no more Samurai, their memory must be retained in the national consciousness and it is important for Japan to not be belittled or bullied around by other powers. Receiving western advice, arms, and goods was a paramount need at that time but not at the sake of destroying a part of Japan that made it a special nation to begin with.
‘The Last Samurai’ is a powerful film because it reminds us all how customs and traditions form the backbone of a country’s culture and its’ history. While nations shift and change, the traditions and customs should never be forgotten by its people. That is the main message of the film and why the Samurai fought and died to preserve their place in Japanese society rather than be changed into something they are not. Becoming ‘Western’ because they had to be was an insult to them and something, they were against in an effort to remain as ‘Samurai’ in whatever capacity they could in order to serve the emperor.
It is a powerful film and also shows the redemption of Nathan Algren who went from a drunken soldier without purpose to a powerful Samurai commander who was able to integrate himself as best as he could into a foreign culture and even earn the love of a woman whose husband’s life he had ended. ‘The Last Samurai’ has many themes to it and each one of them are powerful. Remembering traditions, seeking vengeance, earning one’s redemption are all themes to the film and make it stand out still today as one of the best films of the 2000’s and maybe of this young century still. I hope you will check it out soon and please always remember the Samurai.
Camera: Samsung Galaxy J2 Core
Location: Historical Museum of Japanese Immigration; São Paulo, Brazil
No one country does the festivities of ‘carnaval’ quite like Brazil. A festival that is just more than ‘Fat Tuesday’, it has become more than a month of celebrations beginning in early February and ending in early March even after ‘Ash Wednesday’ has passed by. The word ‘carnaval’ or ‘carnival’ comes from the Latin word ‘carnelevare’, which means to remove or to raise meat signifying how Roman Catholics would give up meat or poultry during the 40-day period of Lent before the Easter holiday. Because of the significance of Lent and not just for giving up meat but for other earthly pleasures as well, ‘Carnaval’ is a chance to enjoy some of those pleasures before the time of Lent and to revel in both culinary and cultural traditions.
Nowhere are these cultural traditions more proudly represented than in Brazil where the whole country has some form of celebration or observation of the Carnaval holiday. From the state of Pernambuco in the North to Bahia in the Northeast all the way down the Brazilian coastline to Sao Paulo and Rio de Janeiro, each year there is an informal competition to see which city can put on the best Carnaval and whose parades are the biggest.
Each city is different regarding how they celebrate Carnaval in Brazil but there are some similarities such as having huge street parades where crowds can dance and march to the bands and drum groups assembled as they go through the city. There are a huge variety of costumes, music styles represented but the most common one would have to be ‘Samba.’ In Brazil, Afro-Brazilian culture is heavily apart of Carnaval celebrations from the music being played to the design of the costumes. There are a number of variations of samba represented and they are all represented in the popular ‘samba schools.’
These small groups of performers sometimes prepare for the whole year before carnaval begins and are competing against each other in the ‘Sambadrome’, which are huge parade grounds and spectator events where these groups are being judged based on a number of factors against other schools. The biggest Sambadromes are in Rio de Janeiro and Salvador along with Sao Paulo and these competitions take places over a period of four nights at the height of the carnaval celebrations. Not only are these groups being judged on their music style and quality but also their coordination, their rhythm, the theme of their performance, and the costumes, which can be quite elaborate and also quite expensive.
While there are different types of samba music involved, there are also lesser known music styles that are represented in Brazilian carnaval. They include ‘Frevo’, which is originally from Recife and Olinda in the state of Pernambuco and ‘Axe’, which is originally from Salvador in the Bahia state which combines different popular Afro-Caribbean music genres together such as calypso, marcha, and reggae. All of these popular music types mentioned have their roots in African cultures and diaspora influences.
In the 19th century, it was quite difficult for Afro-Brazilians to dance, sing, or even parade through the streets of Brazilian cities during Carnaval to express their cultural heritage but today, these forms of song and dance are the heart of the Carnaval celebrations. To put it simply, you cannot have carnaval without samba or costumes or drumlines. In a way, Carnaval is not just a celebration of indulgence and pleasure but of expressing your culture and your heritage. I found Brazilian carnaval to be also about celebrating the diversity and unity of the country itself and how that can bring people together despite past historical injustices.
In order to celebrate Carnaval in Brazil, one does not have to go to a Sambadrome or to march in a formal parade or even wear an elaborate costume. You do have to sing, dance, and even drink or eat a little more than you normally would. The easiest way to celebrate especially as a foreign visitor is to check out some of the ‘blocos’ or block parties. They take place each and every day during Carnaval in different neighborhoods at different times. Each ‘bloco’ has different themes ranging from a celebration of ‘The Beatles’ to ‘R&B and hip hop.’ The blocos can also have ‘electric trios’ which are large trucks with huge sound systems where musicians on top of them sing famous samba or forro tunes to the crowd who often sing along with them as they cruise down an informal parade route.
These ‘electric trio’ trucks or floats can also include drum line groups or instrumental bands who walk down the parade route with these musicians. Each bloco has supporters who have specific shirts or costumes on to represent the theme of the block party as well. The trio truck or float is another symbol of Carnaval in Brazil similar to the block parties themselves, which can last from early in the morning until late at night.
While there is endless debate about where to go to celebrate Carnaval in Brazil, my hunch is that you won’t be disappointed if you go to either Rio de Janeiro, Salvador, or Recife. The great thing about Brazilian carnaval is each city is likely to have a different feel to it as well as different types of music as well as different kinds of blocos represented. Rio de Janeiro’s carnaval is the largest in the world but you may want to go with the carnaval in Salvador to see unique forms of samba and other music styles represented. If you want a somewhat more subdued carnaval experience, going to Sao Paulo may be what you’re looking for.
Carnaval in Brazil is not just about coastal cities as there are celebrations that are lower key and smaller in the state of Minas Gerais, located in the interior as well as in smaller cities such as Manaus, Porto Alegre, and Florianopolis. This month-long celebration has something for everyone and while I have celebrated carnaval before a few years ago in Colombia, I have never seen such a unifying event that brings a whole country together as it does in Brazil. If you are expecting to see a lot of tourist sites and enjoy some museums here, you may want to wait until after Carnaval to do just that. Instead, bring your best costume, study up on your Samba moves, and get ready to buy those tickets way in advance if you want to see the Sambadrome in all of its glory when you visit.
Experiencing Carnaval in Brazil is a really unique experience and opportunity that I would recommend to everybody who enjoys dancing, singing, listening to good music, and experience one of the most joyous celebrations in the world.
Feijoada: The National dish of Brazil. It is delicious, fulfilling, savory, and tasty. There are not enough adjectives in the English language to describe this scrumptious plate of goodness. While also prepared in other parts of the Portuguese-speaking world such as Portugal, Angola, Cape Verde, and Mozambique, Brazilian Feijoada is more than just beans and pork. It has a little bit of everything to make it a unique dish that has protein, carbs, and even sugar to satisfy one’s taste buds. The Brazilian Feijoada was born in Recife and developed in Rio de Janeiro but has now spread across the entire country reflecting its status as a beloved national dish.
From Salvador to Sao Paulo and from Recife to Rio, every Thursday and/or Saturday, the hearty Feijoada dish is prepared for families and friends to enjoy together. While there is some variation in terms of what is to be offered on your plate, you can definitely expect to find a big clay pot bubbling with black beans, different pork and beef parts including oxtail and tripe, as well as tongue perhaps. In the Northeast of the country, the clay pot can also include different vegetables such as kale, potatoes, okra, carrots, etc.
The side dishes can vary across the country, but it is quite common to serve couve, a kind of collard greens dish that is chopped up and stir fried adding to its overall flavor. You also can have chicken steak with fried yucca (mandioca) as well as fried plantains (bananas) as a kind of dessert or sweet tooth necessity if you still have room. To mix with the black beans and the couve, you also have cooked white rice, which is nicely mixed together with the meats as well to create a beautiful plate of both Brazilian history and culture.
To clean your palate afterwards, some fresh orange slices can also be added to the plates offered in order to help with digestion. Beforehand, usually, you will be offered a cup of savory black bean broth, kind of like the soup, to slurp down ahead of the feijoada, which can also be added to the dish if you so choose to. Of course, you have baked pieces of bread as well that can soak up the juices and the broth to add on to an already gigantic plate of heavenly food.
What you need to keep in mind about Feijoada before diving in is that you need to eat it on an empty stomach and to clear your schedule for the day because chances are good that you will need a nap and a glass of water after diving in. For those of you who get the ‘meat sweats’, it’s good to take your time and eat slowly. The Feijoada dish is very heavy so it’s good to relax, have a beer or caipirinha, talk with your friends, and make sure you pace yourself since you will be likely not to do anything else for the rest of the day.
This is not a national dish for vegetarians and Brazil is not the easiest country to be a vegetarian in. You can have Feijoada without the pork parts and the beef stew, but it is really not the same in my opinion. Vegetarians can join in on this delicious dish, but they are definitely not getting the same experience as meat lovers sadly enough. I do love that Feijoada is only offered once or twice per week showing that it’s kind of a national pastime to have it specifically on a Saturday and then you can take the rest of the weekend off as you will probably need to after gaining a few pounds or kilograms.
You can have Feijoada for lunch or for dinner, but it usually is only eaten one day a week. The only thing you should really plan to do after eating Feijoada is perhaps watching the big football match of the weekend and perhaps relaxing with a few glasses of water. You can compare it to the Colombian dish of Bandeja Paisa in a way, but the amount of different foods represented in Feijoada is definitely impossible to beat. You could compare it to the ‘soul food’ cuisine of the Southern United States but there’s still no dish from the American South that quite compares to Feijoada. Similar to the traditions of ‘soul food’, there is a complicated and rough history behind the beginnings of Feijoada which just goes to show how resilient people in very difficult situations regarding food can make a beautiful, tasty dish out of almost nothing or the scraps made available to them on purpose. In order to really know Feijoada, it’s important to dive into the history of the dish as well and what exactly makes it unique to Brazil.
From what I have learned, the origins of Feijoada are up for date but since this kind of stew with pork and beans was quite popular among European settlers, it can be inferred that it was brought over by the Portuguese during the colonization period. However, it seems that the dish was expanded upon by the slaves in Brazil who would add other ingredients such as the couve, the arroz (rice), and the mandioca as these were other foods available to them. Gathering all of these foods together and putting them as a mixture on a big plate would be a hearty yet simple meal to have when it came time to preparing it before or after a long day of work in the fields or farms. While slaves were restricted to rice and beans, special occasions such as holidays allowed them to get different pork parts or beef parts considered less desirable by their masters and to throw them together in a stew to help them feed themselves and get more protein as they worked in the kitchens. From the kitchens to the fields to the cities, Feijoada has earned its status as the national dish of Brazil.
Feijoada is very much a creative and improvisational dish where you have to do the best you can with what you have and put it all together when you don’t have much time to prepare a flashier meal. What Feijoada lacks in flashiness, it more than makes up for it in the sheer number of flavors and food groups the dish makes up. Between the rice and beans, the meats, the greens, and the after-meal delight of an orange slice or a shot or two of cachaça and you will definitely be satisfied with one of the greatest meals you could ever have in Brazil.
Camera: Samsung Galaxy J2 Core
Location: Pinacoteca do Estado de São Paulo; São Paulo, Brazil
Camera: Samsung Galaxy J2 Core
Location: Beco do Batman; São Paulo, Brazil
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