‘Extrapolations’ – TV Series Review and Analysis

“Recent wildfires in Canada that have caused the worst air pollution in decades across the Northeast U.S. this week have made me think about how our lives are becoming more and more impacted by the effects of climate change.”

Recent wildfires in Canada that have caused the worst air pollution in decades across the Northeast U.S. this week have made me think about how our lives are becoming more and more impacted by the effects of climate change. Growing wildfires, powerful hurricanes, sea level rise, melting glaciers, species extinction, and more acidic oceans are all causes for concern for people around the world and no country or people is likely to be exempt from at least one of the effects that have already been documented. What happens though in the next 50 years when we don’t take enough action now and in the past to reverse a possible future of no return?

That question is the premise for the first mainstream drama to focus on a future where climate change wins the battle that we are currently on track to lose if we don’t make drastic changes to our impact on the world around us. ‘Extrapolations’ is not a run of the mill documentary about climate change nor is it a disaster film that has become popular in Hollywood regarding disastrous storms. Instead, it is a rather intelligent take on the world soon when humanity cannot prevent global temperatures from staying at or below a 1.5-degree Celsius increase. The show covers what happens when humanity fails in its objective to keep the warming of the planet to a tolerable level. What starts out as 1.5 degrees Celsius becomes 2 degrees than 3 degrees until we become way past the point of no return past mid-century when 3.5 – 4 degrees Celsius is where the planet is headed.

Throughout the show’s eight episodes, we see the effects on the planet from Miami, Florida to New York City to London to Tel Aviv, Israel to Mumbai, India. From sea level rise wiping out the most popular nightlife areas in Miami including a historic synagogue to the constant wildfires that engulf Israel and the Middle East to limited outdoor time in Mumbai each day due to the overbearing heat and polluted air that causes deleterious effects to one’s health, the writers paint a grim yet realistic picture on what will happen if our climate change efforts fail miserably. More so than just the settings that are portrayed accurately in terms of how these popular cities may face their own negatives based on their geographic location, the characters in ‘Extrapolations’ have fully developed backgrounds, and you really get to know each of them over the course of the TV series.

There is a wide berth of society who are represented in this show from the wealthy billionaire who is interested in maximizing profits and takes advantage in his corporation from a dying planet to the Rabbi who is trying to wrestle with his faith in God as his synagogue slowly floods from the rising sea. What ‘Extrapolations’ does well is that it acknowledges that no one is purely innocent or purely guilty because of how badly climate change has warped the planet. Everyone is responsible in their own way, some more than others, but humanity is to blame for how we did not act quickly or unite fast enough to overcome our differences to reverse the worst effects to come.

The human effects of climate change are also explored such as how we are affected when we cannot go outside or must stay indoors to avoid heart or lung issues, why the extreme heat can prevent any work or leisure to take place, and how loneliness, depression, and atomization becomes more common when we despair at the worsening state of the planet.

My favorite episode in the eight-part TV series is ‘2066: Lola’ where we see how much augmented and virtual reality has come by then so that people are paid essentially to pretend to other people as a gig job and earn credits or money that can help improve their lives and insulate themselves more from climate change’s effects. The desire to connect with other people to distract ourselves from a dying planet is truly the TV series’ most impactful episode and makes you think about how much the emergence of augmented reality will make us both lonelier than ever and wanting to connect with others in untraditional and sometimes unseemly ways.

‘Extrapolations’ as a show really gets the A-list attention for a futuristic take on climate change’s effects on humanity with movie stars like Meryl Streep, Forest Whitaker, Kit Harrington, Edward Norton, Matthew Rhys, Gemma Chan, David Schwimmer, etc. All eight episodes are boosted by a stellar cast who really pour their hearts into the performances they give. I believe that they all truly cared about the project and how important it is to have a show like this become the center of attention. While Apple has been rightly condemned for some corporate practices that are harmful to the planet, it is a major TV show and movie distributor and should be commended for being the first major studio to have a series that doesn’t shy away from the brutal honesty of where we are headed if we don’t mitigate the worst effects of climate change to come.

If you are reading this article in 2023, you already know that the sea levels are starting to rise, wildfires are growing in both size and scale, bigger and stronger hurricanes that are also becoming more powerful, and deadly heat waves are becoming more common. While the first episode in this series takes place in 2037 and the last one ends in 2070, climate change is already here in 2023 as recent news events make clear and it has been affecting us for quite some time.

I encourage ‘Extrapolations’ to be watched by viewers with an open mind but also a commitment to do better for the planet. Do not shy away to act and make your voice heard regarding climate change after watching the series. You may think you know how bad it can get in the future from watching this series but ‘Extrapolations’ importance as a show is that it is as clear as day to where we will end up if we don’t hit the collective climate target goal of 1.5 degrees Celsius or keep as close to 1.5 degrees as possible.

While the show does mention possible stopgaps and solutions that can mitigate the damage, by that time in the 21st century, these solutions are risky with side effects on the planet that can only be speculated about. While the billionaire tycoon character was likely modeled after a few people who are prominent in our current age, as the show makes clear, the blame does not fall on him alone. We all can do our part by taking action to reduce our own carbon emissions, to encourage others to petition for policies and solutions now instead of 10 to 50 years down the line.

If the show has one central message after its eight impactful episodes, we all have stake in making sure this planet is livable for future generations. Even if you won’t be around to see the worst of climate change, we all should do our part, advocate for solutions now, and to hold people in power and of great wealth accountable if they do not action as well on a larger scale. The clock is ticking and as ‘Extrapolations’ highlights from 2037 to 2070, it can go downhill and get worse than what are experiencing already in 2023. Let’s not make the show a reality but keep it as a cautionary tale of what would have happened if we did not act strongly enough in these first decades of the twenty-first century.

I recommend ‘Extrapolations’ based on its great acting, stunning visuals, excellent writing, and interesting plots, but most importantly, because it focuses on the biggest issue of our time and one that we cannot ignore or downplay anymore.   

‘The Terminal’ – Film Review and Analysis

“Perhaps that is what endears Viktor so much to the audience in this film is that he does not give up hope, makes the best of the awful situation he is in, and even starts to befriend other airport workers who are often ignored, underpaid, or even mistreated at times by both customers and their employers.”

A lot of us know what it is like to wait in an airport and have to stay overnight at one because your flight runs into an unexpected delay whether it’s due to a plane’s mechanical issue, or there are weather complications, or if a global pandemic cancels your flight unexpectedly. Whatever the cause of your delay, I am sure you never have had to live in an airport for months on end let alone for more than a day. The questions you should ask yourself though if you could put yourself in this following hypothetical scenario: What if you couldn’t leave the airport upon arrival in a new country? What if the country you just left, your home country, underwent significant political changes or even revolution overnight leaving you stranded? The very underrated yet enjoyable ‘The Terminal’ movie asks these unique questions.

A mix of fiction and non-fiction, a concoction of drama, comedy, and a little bit of tragedy all together, ‘The Terminal’ is a 2004 American film directed by Steven Spielberg and starring Tom Hanks and Catherine Zeta Jones. The premise may seem out there of someone being stuck in an airport for months or years but ‘The Terminal’ is partly based on the true story of a real-life refugee. Mr. Mehran Karimi Nasseri, an Iranian refugee lived in Terminal 1 of Charles de Gaulle Airport and was considered ‘stateless’ for many years and was denied entry into France while also not being expelled from the airport. In total, he lived in the de Gaulle airport for over 18 years and only left from there in 2008 when he was moved for medical treatment and then a Paris shelter.

Nasseri, like ‘The Terminal’s main character have that premise in common of not being able to enter their new chosen destination but also having the right to live in the airport without being expelled. Viktor Navorski (played by Tom Hanks) is on his way to New York City from the fictional Eastern European country known as ‘Krakozhia’ looking to fulfill a personal mission, which is unknown to the viewer right away. We see images of him arriving at JFK along with thousands of others looking to visit America from far-flung countries. However, a routine Visa check and Passport stamp ends up as a nightmare for poor Viktor.

While Viktor was flying into John F. Kennedy International Airport in New York City, his country underwent a political revolution and civil conflict leaving him without international recognition of his Passport since Krakozhia no longer has a recognized government. Since his passport is no longer valid, he cannot enter the United States because the U.S. does not recognize the country anymore due to the ongoing civil strife. Viktor is now ‘stateless’ as he cannot return home and he cannot leave the airport rendering him stranded there. Viktor is forced to remain in the international transit lounge and is not given much help by Frank Dixon (played by Stanley Tucci) who would much rather Viktor leave the airport to get arrested so he becomes someone else’s problem. Mr. Dixon, the Acting Field commissioner for the U.S. Customs and Border Protection agency, gives Viktor only a handful of food vouchers and a calling card but not much else to get by on.

Viktor has a destination in mind for his New York City trip but has limited English skills when he arrives and is only able to tell the CBP officer the name of a local hotel but does not go into much detail about why he is going there and what the purpose of his stay might be. Without his passport and his return ticket, Viktor’s life shrinks down to the international transit lounge at JFK airport where he spends his days collecting luggage carts to order Burger King, accidentally breaks a young girl’s luggage, and slips, falls when he runs to see news about Krakozhia because the Indian American janitor enjoys seeing people slip for his only entertainment.

Eventually, Viktor becomes accustomed to living in an airport and at first, while both daunting and scary to the stateless refugee, he adapts to his new living conditions with some ingenuity and perseverance. He constructs his own bed by dismantling the arm rests of the seats at an abandoned terminal, he learns English through travel guides and by watching the scroll of news information come across the screen to keep up to date with what is going on with his beloved Krakozhia and can both shower and shave somehow when using the airport bathroom.

Human beings have an innate need to adapt to our surroundings even when they are unfamiliar, foreign, or stressful for us. Perhaps that is what endears Viktor so much to the audience in this film is that he does not give up hope, makes the best of the awful situation he is in, and even starts to befriend other airport workers who are often ignored, underpaid, or even mistreated at times by both customers and their employers. The power of perseverance in the face of obstacles makes ‘The Terminal’ a heartwarming and memorable film. Instead of getting down on life and giving up on his situation, he turns the tables on Frank and the border agents by not falling into their traps that they set for him. He makes his own happiness. One of the best moments of this film is when a random gentleman is shaving alongside Vikor, stops for a second, and says to Viktor, “Do you ever get the feeling that you’re just living in an airport?”

Being stuck in an airport terminal means a lot of time on your hands too. Viktor spends his almost limitless time in waiting by honing his skills as a carpenter and a painter even getting himself a job that allows him to earn money ‘under the table’ as a contractor mostly so he can eat. He befriends the CBP officers he sees each day even though they continue to deny his tourist visa due to his invalid passport. One CBP officer whom he gets to know very well is Dolores who Enrique (Diego Luna) has a massive crush on and would like Viktor to ask her questions to start an eventual conversation with her.

In return, Enrique gives him some extra airplane meals that he delivers on to the planes. Gupta, the janitor who at first makes fun of Viktor for slipping and not seeing the ‘wet floor’ sign eventually gains respect for Viktor because he makes him feel less lonely. Viktor befriends other transit lounge employees, plays card games with them over ‘lost’ items never picked up by passengers, and is able to win the admiration and possible affection of Amelia, a wayward flight attendant who ends up caught in a ‘love triangle’ between Viktor and another man.

While Amelia is always on the go and can’t seem to stand still in her relationships or in her job, Viktor is the exact opposite in that he can’t go and must always stay. Tom Hanks and Catherine Zeta-Jones have real chemistry in this movie and represent how different their characters are from each other but can bond over their shared humor, interests, and lust for life even if they are opposites in an ironic sense with where they are in their lives, one stuck in limbo and the other always on the go.

The main mystery that I will not spoil for you is why Viktor flew halfway around the world to be in New York and what exactly is in the Planters peanut can, which he won’t let go of even after being in the airport for nine months. More important than his passport or return ticket, the closed Planters can contain the reason for Viktor’s trip and how he ended up this limbo state even though he has a place to go to before he returns to Krakozhia.

By the end of the film, you and the rest of the audience are rooting for a happy ending for Viktor and even for perhaps with Amelia as well. You also see heartwarming stories of Viktor helping a fellow Krakozhian in need of translation help, aiding Gupta with staying in his job and the U.S., as well as getting Enrique and Dolores to successfully date and marry each other.

‘The Terminal’ is perhaps Spielberg’s most heartwarming, underrated, and emotionally uplifting movie in his storied career as one of the world’s greatest directors. With great acting and an impressive accent by Hanks, lovely humor and touching romantic scenes with Zeta-Jones and the excellent Stanley Tucci who plays a man who can be cruel but also compassionate in the same scene but ends up as the film’s antagonist. This film has a little bit of everything and will make you laugh, cry, and even cheer at the ending.

‘The Terminal’ is a reminder that we are all waiting for something or someone in the winding road that is life itself. Sometimes, we get sidetracked, turned around, or even stuck in an airport for days or months even, but we always can find a way to make the best of our new surroundings, even find happiness or love in the place where we least expect it. Viktor Navorski as I would say is a real mensch who finds himself in a terrible situation, one not of his own making, but is able to create an odd life out of being given nothing and is able to help others and become a favorite of the JFK international transit lounge, which is a place that people want to get out of as soon as possible. He can’t leave but he ends up enjoying the long stay thanks to his compassion, kindness, and genuine warmth as a good person.