hollywood – The Life and Times of Ben Weinberg

‘The Terminal’ – Film Review and Analysis

“Perhaps that is what endears Viktor so much to the audience in this film is that he does not give up hope, makes the best of the awful situation he is in, and even starts to befriend other airport workers who are often ignored, underpaid, or even mistreated at times by both customers and their employers.”

A lot of us know what it is like to wait in an airport and have to stay overnight at one because your flight runs into an unexpected delay whether it’s due to a plane’s mechanical issue, or there are weather complications, or if a global pandemic cancels your flight unexpectedly. Whatever the cause of your delay, I am sure you never have had to live in an airport for months on end let alone for more than a day. The questions you should ask yourself though if you could put yourself in this following hypothetical scenario: What if you couldn’t leave the airport upon arrival in a new country? What if the country you just left, your home country, underwent significant political changes or even revolution overnight leaving you stranded? The very underrated yet enjoyable ‘The Terminal’ movie asks these unique questions.

A mix of fiction and non-fiction, a concoction of drama, comedy, and a little bit of tragedy all together, ‘The Terminal’ is a 2004 American film directed by Steven Spielberg and starring Tom Hanks and Catherine Zeta Jones. The premise may seem out there of someone being stuck in an airport for months or years but ‘The Terminal’ is partly based on the true story of a real-life refugee. Mr. Mehran Karimi Nasseri, an Iranian refugee lived in Terminal 1 of Charles de Gaulle Airport and was considered ‘stateless’ for many years and was denied entry into France while also not being expelled from the airport. In total, he lived in the de Gaulle airport for over 18 years and only left from there in 2008 when he was moved for medical treatment and then a Paris shelter.

Nasseri, like ‘The Terminal’s main character have that premise in common of not being able to enter their new chosen destination but also having the right to live in the airport without being expelled. Viktor Navorski (played by Tom Hanks) is on his way to New York City from the fictional Eastern European country known as ‘Krakozhia’ looking to fulfill a personal mission, which is unknown to the viewer right away. We see images of him arriving at JFK along with thousands of others looking to visit America from far-flung countries. However, a routine Visa check and Passport stamp ends up as a nightmare for poor Viktor.

While Viktor was flying into John F. Kennedy International Airport in New York City, his country underwent a political revolution and civil conflict leaving him without international recognition of his Passport since Krakozhia no longer has a recognized government. Since his passport is no longer valid, he cannot enter the United States because the U.S. does not recognize the country anymore due to the ongoing civil strife. Viktor is now ‘stateless’ as he cannot return home and he cannot leave the airport rendering him stranded there. Viktor is forced to remain in the international transit lounge and is not given much help by Frank Dixon (played by Stanley Tucci) who would much rather Viktor leave the airport to get arrested so he becomes someone else’s problem. Mr. Dixon, the Acting Field commissioner for the U.S. Customs and Border Protection agency, gives Viktor only a handful of food vouchers and a calling card but not much else to get by on.

Viktor has a destination in mind for his New York City trip but has limited English skills when he arrives and is only able to tell the CBP officer the name of a local hotel but does not go into much detail about why he is going there and what the purpose of his stay might be. Without his passport and his return ticket, Viktor’s life shrinks down to the international transit lounge at JFK airport where he spends his days collecting luggage carts to order Burger King, accidentally breaks a young girl’s luggage, and slips, falls when he runs to see news about Krakozhia because the Indian American janitor enjoys seeing people slip for his only entertainment.

Eventually, Viktor becomes accustomed to living in an airport and at first, while both daunting and scary to the stateless refugee, he adapts to his new living conditions with some ingenuity and perseverance. He constructs his own bed by dismantling the arm rests of the seats at an abandoned terminal, he learns English through travel guides and by watching the scroll of news information come across the screen to keep up to date with what is going on with his beloved Krakozhia and can both shower and shave somehow when using the airport bathroom.

Human beings have an innate need to adapt to our surroundings even when they are unfamiliar, foreign, or stressful for us. Perhaps that is what endears Viktor so much to the audience in this film is that he does not give up hope, makes the best of the awful situation he is in, and even starts to befriend other airport workers who are often ignored, underpaid, or even mistreated at times by both customers and their employers. The power of perseverance in the face of obstacles makes ‘The Terminal’ a heartwarming and memorable film. Instead of getting down on life and giving up on his situation, he turns the tables on Frank and the border agents by not falling into their traps that they set for him. He makes his own happiness. One of the best moments of this film is when a random gentleman is shaving alongside Vikor, stops for a second, and says to Viktor, “Do you ever get the feeling that you’re just living in an airport?”

Being stuck in an airport terminal means a lot of time on your hands too. Viktor spends his almost limitless time in waiting by honing his skills as a carpenter and a painter even getting himself a job that allows him to earn money ‘under the table’ as a contractor mostly so he can eat. He befriends the CBP officers he sees each day even though they continue to deny his tourist visa due to his invalid passport. One CBP officer whom he gets to know very well is Dolores who Enrique (Diego Luna) has a massive crush on and would like Viktor to ask her questions to start an eventual conversation with her.

In return, Enrique gives him some extra airplane meals that he delivers on to the planes. Gupta, the janitor who at first makes fun of Viktor for slipping and not seeing the ‘wet floor’ sign eventually gains respect for Viktor because he makes him feel less lonely. Viktor befriends other transit lounge employees, plays card games with them over ‘lost’ items never picked up by passengers, and is able to win the admiration and possible affection of Amelia, a wayward flight attendant who ends up caught in a ‘love triangle’ between Viktor and another man.

While Amelia is always on the go and can’t seem to stand still in her relationships or in her job, Viktor is the exact opposite in that he can’t go and must always stay. Tom Hanks and Catherine Zeta-Jones have real chemistry in this movie and represent how different their characters are from each other but can bond over their shared humor, interests, and lust for life even if they are opposites in an ironic sense with where they are in their lives, one stuck in limbo and the other always on the go.

The main mystery that I will not spoil for you is why Viktor flew halfway around the world to be in New York and what exactly is in the Planters peanut can, which he won’t let go of even after being in the airport for nine months. More important than his passport or return ticket, the closed Planters can contain the reason for Viktor’s trip and how he ended up this limbo state even though he has a place to go to before he returns to Krakozhia.

By the end of the film, you and the rest of the audience are rooting for a happy ending for Viktor and even for perhaps with Amelia as well. You also see heartwarming stories of Viktor helping a fellow Krakozhian in need of translation help, aiding Gupta with staying in his job and the U.S., as well as getting Enrique and Dolores to successfully date and marry each other.

‘The Terminal’ is perhaps Spielberg’s most heartwarming, underrated, and emotionally uplifting movie in his storied career as one of the world’s greatest directors. With great acting and an impressive accent by Hanks, lovely humor and touching romantic scenes with Zeta-Jones and the excellent Stanley Tucci who plays a man who can be cruel but also compassionate in the same scene but ends up as the film’s antagonist. This film has a little bit of everything and will make you laugh, cry, and even cheer at the ending.

‘The Terminal’ is a reminder that we are all waiting for something or someone in the winding road that is life itself. Sometimes, we get sidetracked, turned around, or even stuck in an airport for days or months even, but we always can find a way to make the best of our new surroundings, even find happiness or love in the place where we least expect it. Viktor Navorski as I would say is a real mensch who finds himself in a terrible situation, one not of his own making, but is able to create an odd life out of being given nothing and is able to help others and become a favorite of the JFK international transit lounge, which is a place that people want to get out of as soon as possible. He can’t leave but he ends up enjoying the long stay thanks to his compassion, kindness, and genuine warmth as a good person.

The Whiskey Philosopher

“In a year of ‘red lights’, it’s been both enlightening and refreshing to read a book by a man who has spent his first fifty years on the planet chasing ‘greenlights.’ That phrase of catching ‘greenlights’ is also the formal title of Matthew McConaughey’s memoir / autobiography / personal growth tale that quickly draws the reader in.”

In a year of ‘red lights’, it’s been both enlightening and refreshing to read a book by a man who has spent his first fifty years on the planet chasing ‘greenlights.’ That phrase of catching ‘greenlights’ is also the formal title of Matthew McConaughey’s memoir / autobiography / personal growth tale that quickly draws the reader in. I first heard about Mr. McConaughey’s book when he appeared on the ‘Joe Rogan Experience’, Joe Rogan’s popular podcast. Mr. Rogan coined the book as being ‘whiskey philosophy’ with McConaughey being the philosopher over a glass of whiskey.

I found this metaphor to be quite fitting for the book ‘greenlights’ as the author talks about his life foremost as an observer and a reflector who is able to take a step back and analyze his decisions, his perspectives, and his overall views on his life and how he got to be who he is today. You immediately feel comfortable with McConaughey’s narrative and his ability to tell stories like you were sitting with an old friend over a fire pit drinking whiskey and regaling each other with both good times and bad. Throughout the book, you feel welcomed in and embraced as if you were right there with Matthew having a chat.

What I do love most about ‘Greenlights’ is the raw honesty and the ability to peer into a life like his, which I would argue is different from your average celebrity. Instead of obsessing over the glitz and glamour of being famous in Hollywood, you spend more time with McConaughey in different places around the world. I, for one, did not know that he was an avid traveler ever since he took a gap year in high school to go to Australia on an exchange program. He has often felt the call to go out in the wild, to be secluded from others, and to meet new people along the way.

Surprisingly, the book takes us from the Chihuahua Desert of West Texas to the autobahns of Germany to the jungles of the Peruvian Amazon and across the ocean to the small villages of Mali. One story of Matthew’s that stood out in particular was his wrestling match with a local Malian villager who challenges him as the only white man who has shown up as a guest to wrestle together. It’s not clear to the reader who wins the match, but it doesn’t matter to the village who sees Matthew wrestle. What is most important to them is that he accepted the challenge and not about who won or who lost.

I find that this particular story resonates across Matthew’s life so far and his willingness to put himself out there. Whether it’s going up to ask the woman he eventually marries if he can make her a margarita to seeking his permission from his father to go into acting as long as he doesn’t ‘half-ass it’ to keeping his promise to become a father because that was the most important thing for him to do in life, McConaughey is always willing to accept a challenge and embrace the possibility of failure. His ten guiding goals of what he wanted out of his life back in 1992 when he begun to keep a journal and of which he details in the book of what they were shows the readers how he may have taken a few detours but was able to stay true to his values and his desires even though he’s still working on a few of them.

His main goals of being a father, meeting the woman who was best for him on Earth, putting family first, and even winning a Best Actor award did not happen automatically and he had to run through a number of ‘red lights’ in order to get his ‘greenlights’ eventually. While ‘red lights’ would dissuade a lot of people to keep pushing such as being placed in romcoms for over ten years like Matthew was or perhaps having a falling out with his mother due to his having children out of wedlock, these ‘red lights’ did not discourage him from staying committed to who he was as an actor and as a person.

I think the main message of ‘greenlights’ is to not let the inevitable ‘red lights’ stop you from pursuing your goals and once you see an opportunity, you have to run with it and work hard to turn those lights green. Another particular example from the book that stood out to me was Matthew’s insight to playing Ron Woodroof in the acclaimed film, ‘Dallas Buyers Club’, an immensely emotional role, which led McConaughey to win the Best Actor award for his performance. The role itself wasn’t probably the highest paying role for an actor nor was it going to be a huge box office hit like his previous romcoms.

I believe Matthew took the role because how moving the personal story of Woodroof was and how he was moved to tears talking to Ron’s family and learning about his life through Ron’s own personal journals. While the actor and the man portrayed are very different, they are both native Texans and avid journal keepers. Matthew details his intense diet of losing up to 50 pounds to play the role in the movie and how he had to put himself in the mind of a man quietly dying from the horrific AIDS virus, which was stigmatized at the time. Even if they had to do the film over-budget, it was being made because Matthew, like all good actors, knows a good passion project when he finds one and puts all of his effort into acting the role to make the film as good as it can be. In this case, he won the Best Actor award and made his father proud who tells him the book to not ‘half-ass it’ and those words of encouragement stuck with Matthew.

In addition to seeing Matthew’s life play out since he was a child growing up in Texas, you get to see his really well-written poems, notes, anecdotes, and short stories, which really do convey an intuitive wisdom to them. From discussing love to pleasure to pain to truth to meaning, these poems scattered throughout the book are refreshing to read and relate to his life as a whole. His scribbles, notes, and recollection of different events in life is quite impressive. I do believe even more so after reading ‘Greenlights’ how I should start keeping my own journal for the long-term. Matthew was successfully able to turn his journal full of notes, memories, poems, and stories in a really good book about self-discovery, personal growth, the stages of life from childhood through adulthood, and one’s journey in seeking out ‘greenlights’ even when they can be few and far between as they have been for many of us throughout 2020.

At 285 pages, this is a great memoir and autobiography that doesn’t feel like its length. It is very much an easy page turner that doesn’t feel forced or slow-going. It really grips you for the ride and McConaughey’s life has been full of adventures, events, and precious memories up to year 50 where the book concludes. My only suggestion for improving the book or adding on to it in the future is to really focus more on the ‘red lights’ that happened in the author’s life and what specifically did he learn from those lean times as someone struggling as an actor or having family troubles or being tired of singledom.

I would be curious to learn more from Matthew about what advice he would give to someone during those ‘red lights’ times and how to make the most of them or how to best turn them green in the future. I did find that part to be missing from ‘Greenlights’ a bit too much as the ‘greenlights’ got a lot of the book space whereas I think it’s the ‘red lights’ in life that cause us to reflect more, learn more about who we are, and challenge us to be more creative in overcoming adversity.

In conclusion, ‘Greenlights’ by Matthew McConaughey is one of the best books of 2020. It is an engaging, emotional, and insightful look into a man’s life who has been one of the most important actors and entertainers of the past few decades. You learn a lot more about who Matthew is, what drives him, what’s important to him, how he views family, friends, his career, and what truly matters in life. I enjoy his whiskey philosophy and if I happened to be hanging out in Texas with anyone such as having a stiff drink and swapping stories together, it would be with Matthew McConaughey.

‘The Edge’ – Film Review and Analysis

“Whether it was ‘The Revenant’ with Leonardo DiCaprio or ‘The Grey’ with Liam Neeson, these films highlight man’s struggle to overcome the elements, the animals, and even his own demons. Many of these ‘man v. nature’ films focus on one main lead and a small cast of supporting characters but most of the film’s runtime is about the sole main character. ‘The Edge’ is different.”

I have always really liked Man vs. Nature type of films. Even though they have similar premises and conclusions, it really is a raw kind of film that grips you and leaves you wondering what you would do in a similar kind of situation. Whether it was ‘The Revenant’ with Leonardo DiCaprio or ‘The Grey’ with Liam Neeson, these films highlight man’s struggle to overcome the elements, the animals, and even his own demons. Many of these ‘man v. nature’ films focus on one main lead and a small cast of supporting characters but most of the film’s runtime is about the sole main character. ‘The Edge’ is different.

In ‘The Edge’ (1997), this survival film does something else by highlighting two men who have different intentions and different backgrounds. One is a wealthy man named Charles Morse (played by Anthony Hopkins) and the other is a photography presumably who take pictures of models and is very much a person of the city who is not used to nature or wildlife. Bob Green (played by Alec Baldwin) has ulterior motives in mind but comes off as affable and friendly enough in giving Charles a gift for his birthday in the form of a hunting knife. Charles is accompanied by his beautiful wife, a model named Mickey, who Bob takes pictures of as well as Bob’s assistant, Stephen, who is also new to being in wildlife. The small group are joined by a few friends in a cabin in the Canadian wilderness to celebrate Charles’s birthday.

From the beginning of this film, you can tell that Charles is more comfortable with his intellectual pursuits than with his friends. He loves Mickey, his wife, but he understands that he is more interested in books than in people. Charles is particular obsessed with a survival book / guide that he is reading and is fascinated by the natural surroundings that he has brought the group to and the people who hunt there for bears and other wildlife.

Charles’s fondness for nature and of survival are to come in handy later on in the film and is an excellent use of foreshadowing when things go haywire later on. During this birthday celebration, the viewer can also tell that Bob while he is kind to Charles is envious of him, his life, his money, and his wife. He openly flirts with Mickey and kisses her platonically. Charles can sense this animosity and is wary of Bob’s intentions.

Part of the reason why they all have come up to the Canadian wilderness besides Charles’s birthday is to find, interview, and take photographs of a famous Alaskan Indian hunter. During their flight, as Bob and Charles make small talk, Charles blurts out of the blue to him: “How do you plan to kill me?”. Before Bob has a chance to respond, a flock of birds come out of nowhere and strike the plane’s engines and its windshield killing the pilot and causing a downward crash.

The plane crash lands in the lake and all three men (Bob, Charles, and Stephen) are all shook up but survive the crash. The pilot does not but the men quickly realize they may be stranded for a while. Charles, given his survival skills knowledge, takes charge and encourages the other two men not to panic and to learn from him. Using his encyclopedic knowledge from his memory, he is able to make a compass to plot their course forward, make a small fire, and also give them advice about how to proceed.

Charles is not perfect in his survival skills and he almost gets swallowed up by a river rapid that almost carries him away until Bob pulls him out. For most of the film, it is unclear to the viewer how the two men really feel about each other. Their survival and getting out of the wild takes first priority. This becomes even more pressing when they wander into the territory of a giant Kodiak bear who is a real ‘manhunter’ as Charles calls him.

Stephen injures himself while climbing and Bob mistakenly hangs up the blood-soaked clothes of Stephen later on at night around the fire drawing the bear to him. This costly mistake leads to the Kodiak bear tracing their scent and finding them. Instead of burying the clothes, Bob lets them hang above their campsite causing Stephen to be attacked and brutally killed by the bear. Bob and Charles barely escape and realize that if they want to survive this ordeal, they must band together to trick the bear and then kill him.

Food is also a concern for both men as they haven’t eaten anything since they crashed and will starve to death if they don’t kill the bear. This is another instance where Charles comes in handy as he is able to distract the bear while Bob goads the bear into falling into their trap. By working together as a team and using a hidden spear to impale the bear, Bob and Charles are able to kill the bear together even when they both end up wounded from the encounter.

This is a small victory in the long road to survival for both men as they are able to eat well, don bear skins, and even find a cabin where they can get supplies. However, this is not the end of their animosity or wariness of each other. Man’s most fatal enemy is not nature or animals but often his fellow man and that comes into play.

While Charles is a smart and dedicated man to have achieved his wealth and success, he may have been naïve to who Bob is and what his wife Mickey was doing with him. Bob is not a survivalist and relies on Charles to survive but with the bear vanquished and having reached a cabin with some ability to reside there for some time, does Bob need Charles anymore and will his wife Mickey miss him if he didn’t come back?

The viewer has a lot to absorb and while I don’t want to spoil the film’s ending, ‘The Edge’ is not just about survivalism, but the edge of our tolerance of one another or our shared cooperation when a woman or money or prestige comes between people. Both men are not perfect, and they gain more when they cooperate rather than try to kill one another. Bob has the negative traits of hubris, envy, and short-sightedness. He is not able to survive the woods without Charles but wonders how much he truly needs him now that they have conquered the bear. He also covets Bob’s wife and wonders if he could murder Charles and get away with it by making it look like an accident.

Charles is an avid survivalist but may be naïve about the people around him. He also knows that Mickey and Bob and other people may take advantage of him and he may not know if they truly love him for him or if it is for his wealth and influence. While Bob is a personable, fun, and outgoing, Charles is an introvert with a love for knowledge and learning. They are opposite personalities, which is why they clash at times during this film.

While being in a precarious, life-threatening situation can bring the best out of people, it can also bring the worst out of the people, which is why ‘The Edge’ is a great film. Survival films like it do not just focus on the brutal realm of the wilderness where our creature comforts and our money cannot protect us, but they can also focus on man’s cruelty to man as well as our ability to work together too. ‘The Edge’ does a good job of pointing out how we can rise to the occasion when our survival counts on it but also shows us how dark human nature can be when we feel compelled to act out of jealousy, rage, and deceit.

‘The Edge’ is a great and underrated film, which I do highly recommend. The vistas of the Canadian wilderness are brilliant shown through the cinematography. The Kodiak bear, which was played by a real bear, named Bart, does a great job of showing how terrifying and powerful a giant bear can be when it is attacking you. Anthony Hopkins and Alec Baldwin are respectively some of the best actors of their generations and they do a great job of highlighting the unique personalities of their characters. You really believe the scenarios that they could find themselves in having been stranded in the wilderness for weeks. It is a believable kind of film from being able to make a fire, to finding fish in the river, to being attacked by a bear, to climbing and hiking day after day in unknown territory.

‘The Edge’ is overall a very compelling and realistic film. It does a great job of blending elements of ‘man vs. nature’, ‘man vs. animal’, and most importantly ‘man vs. man’, which is an element missing from our survival films. I would be lying if watching ‘The Edge’ didn’t make me want to buy my own survivalist guide to learn about how to survive in the wild for days or weeks. A terrifying plane crash, a boat whose engine doesn’t start, or a car engine that goes dead is enough to make anyone panic.

I believe it is important to prepare like Charles did for that kind of horrible situation and not to panic or dwell with shame. As Charles says at the beginning of the film, “Those who get lost in the woods often die of shame because they were ashamed that it happened to them.” This is an important quote of his to keep in mind. When the chips are down, you have to use your knowledge, resources, and will to survive whatever the circumstances. The best time to start preparing for that kind of occurrence is now.