2004 – The Life and Times of Ben Weinberg

‘The Terminal’ – Film Review and Analysis

“Perhaps that is what endears Viktor so much to the audience in this film is that he does not give up hope, makes the best of the awful situation he is in, and even starts to befriend other airport workers who are often ignored, underpaid, or even mistreated at times by both customers and their employers.”

A lot of us know what it is like to wait in an airport and have to stay overnight at one because your flight runs into an unexpected delay whether it’s due to a plane’s mechanical issue, or there are weather complications, or if a global pandemic cancels your flight unexpectedly. Whatever the cause of your delay, I am sure you never have had to live in an airport for months on end let alone for more than a day. The questions you should ask yourself though if you could put yourself in this following hypothetical scenario: What if you couldn’t leave the airport upon arrival in a new country? What if the country you just left, your home country, underwent significant political changes or even revolution overnight leaving you stranded? The very underrated yet enjoyable ‘The Terminal’ movie asks these unique questions.

A mix of fiction and non-fiction, a concoction of drama, comedy, and a little bit of tragedy all together, ‘The Terminal’ is a 2004 American film directed by Steven Spielberg and starring Tom Hanks and Catherine Zeta Jones. The premise may seem out there of someone being stuck in an airport for months or years but ‘The Terminal’ is partly based on the true story of a real-life refugee. Mr. Mehran Karimi Nasseri, an Iranian refugee lived in Terminal 1 of Charles de Gaulle Airport and was considered ‘stateless’ for many years and was denied entry into France while also not being expelled from the airport. In total, he lived in the de Gaulle airport for over 18 years and only left from there in 2008 when he was moved for medical treatment and then a Paris shelter.

Nasseri, like ‘The Terminal’s main character have that premise in common of not being able to enter their new chosen destination but also having the right to live in the airport without being expelled. Viktor Navorski (played by Tom Hanks) is on his way to New York City from the fictional Eastern European country known as ‘Krakozhia’ looking to fulfill a personal mission, which is unknown to the viewer right away. We see images of him arriving at JFK along with thousands of others looking to visit America from far-flung countries. However, a routine Visa check and Passport stamp ends up as a nightmare for poor Viktor.

While Viktor was flying into John F. Kennedy International Airport in New York City, his country underwent a political revolution and civil conflict leaving him without international recognition of his Passport since Krakozhia no longer has a recognized government. Since his passport is no longer valid, he cannot enter the United States because the U.S. does not recognize the country anymore due to the ongoing civil strife. Viktor is now ‘stateless’ as he cannot return home and he cannot leave the airport rendering him stranded there. Viktor is forced to remain in the international transit lounge and is not given much help by Frank Dixon (played by Stanley Tucci) who would much rather Viktor leave the airport to get arrested so he becomes someone else’s problem. Mr. Dixon, the Acting Field commissioner for the U.S. Customs and Border Protection agency, gives Viktor only a handful of food vouchers and a calling card but not much else to get by on.

Viktor has a destination in mind for his New York City trip but has limited English skills when he arrives and is only able to tell the CBP officer the name of a local hotel but does not go into much detail about why he is going there and what the purpose of his stay might be. Without his passport and his return ticket, Viktor’s life shrinks down to the international transit lounge at JFK airport where he spends his days collecting luggage carts to order Burger King, accidentally breaks a young girl’s luggage, and slips, falls when he runs to see news about Krakozhia because the Indian American janitor enjoys seeing people slip for his only entertainment.

Eventually, Viktor becomes accustomed to living in an airport and at first, while both daunting and scary to the stateless refugee, he adapts to his new living conditions with some ingenuity and perseverance. He constructs his own bed by dismantling the arm rests of the seats at an abandoned terminal, he learns English through travel guides and by watching the scroll of news information come across the screen to keep up to date with what is going on with his beloved Krakozhia and can both shower and shave somehow when using the airport bathroom.

Human beings have an innate need to adapt to our surroundings even when they are unfamiliar, foreign, or stressful for us. Perhaps that is what endears Viktor so much to the audience in this film is that he does not give up hope, makes the best of the awful situation he is in, and even starts to befriend other airport workers who are often ignored, underpaid, or even mistreated at times by both customers and their employers. The power of perseverance in the face of obstacles makes ‘The Terminal’ a heartwarming and memorable film. Instead of getting down on life and giving up on his situation, he turns the tables on Frank and the border agents by not falling into their traps that they set for him. He makes his own happiness. One of the best moments of this film is when a random gentleman is shaving alongside Vikor, stops for a second, and says to Viktor, “Do you ever get the feeling that you’re just living in an airport?”

Being stuck in an airport terminal means a lot of time on your hands too. Viktor spends his almost limitless time in waiting by honing his skills as a carpenter and a painter even getting himself a job that allows him to earn money ‘under the table’ as a contractor mostly so he can eat. He befriends the CBP officers he sees each day even though they continue to deny his tourist visa due to his invalid passport. One CBP officer whom he gets to know very well is Dolores who Enrique (Diego Luna) has a massive crush on and would like Viktor to ask her questions to start an eventual conversation with her.

In return, Enrique gives him some extra airplane meals that he delivers on to the planes. Gupta, the janitor who at first makes fun of Viktor for slipping and not seeing the ‘wet floor’ sign eventually gains respect for Viktor because he makes him feel less lonely. Viktor befriends other transit lounge employees, plays card games with them over ‘lost’ items never picked up by passengers, and is able to win the admiration and possible affection of Amelia, a wayward flight attendant who ends up caught in a ‘love triangle’ between Viktor and another man.

While Amelia is always on the go and can’t seem to stand still in her relationships or in her job, Viktor is the exact opposite in that he can’t go and must always stay. Tom Hanks and Catherine Zeta-Jones have real chemistry in this movie and represent how different their characters are from each other but can bond over their shared humor, interests, and lust for life even if they are opposites in an ironic sense with where they are in their lives, one stuck in limbo and the other always on the go.

The main mystery that I will not spoil for you is why Viktor flew halfway around the world to be in New York and what exactly is in the Planters peanut can, which he won’t let go of even after being in the airport for nine months. More important than his passport or return ticket, the closed Planters can contain the reason for Viktor’s trip and how he ended up this limbo state even though he has a place to go to before he returns to Krakozhia.

By the end of the film, you and the rest of the audience are rooting for a happy ending for Viktor and even for perhaps with Amelia as well. You also see heartwarming stories of Viktor helping a fellow Krakozhian in need of translation help, aiding Gupta with staying in his job and the U.S., as well as getting Enrique and Dolores to successfully date and marry each other.

‘The Terminal’ is perhaps Spielberg’s most heartwarming, underrated, and emotionally uplifting movie in his storied career as one of the world’s greatest directors. With great acting and an impressive accent by Hanks, lovely humor and touching romantic scenes with Zeta-Jones and the excellent Stanley Tucci who plays a man who can be cruel but also compassionate in the same scene but ends up as the film’s antagonist. This film has a little bit of everything and will make you laugh, cry, and even cheer at the ending.

‘The Terminal’ is a reminder that we are all waiting for something or someone in the winding road that is life itself. Sometimes, we get sidetracked, turned around, or even stuck in an airport for days or months even, but we always can find a way to make the best of our new surroundings, even find happiness or love in the place where we least expect it. Viktor Navorski as I would say is a real mensch who finds himself in a terrible situation, one not of his own making, but is able to create an odd life out of being given nothing and is able to help others and become a favorite of the JFK international transit lounge, which is a place that people want to get out of as soon as possible. He can’t leave but he ends up enjoying the long stay thanks to his compassion, kindness, and genuine warmth as a good person.

‘Sideways’ – Film Review and Analysis

notdrinkingmerlot — “Miles is not drinking any Merlot!”

Sideways (2004) is an excellent film about the topsy-turvy nature of middle-age life and how to cope with the curveballs that life throws at us to challenge us. Critically acclaimed at the time and nominated for many awards, Sideways, directed by Alexander Payne is a good tale about male friendship, how to deal with mid-life problems, and finding love and purpose during difficult times.

The very title of the film ‘Sideways’ is symbolic of the best way in which wine bottles should be preserved by being laid on its’ side in order to age properly. Also, men and women who are going through their mid-life ‘sideways’ must embrace the challenges that lie ahead and the changes that come to them with this part of life in order to grow and mature as a person.

The basic premise of the film ‘Sideways’ involves two middle-aged men who are close friends, Miles Raymond (played by Paul Giamatti) and Jack Cole (starring Thomas Haden Church) that decide to take a week long Bachelor’s trip up to the wine country of Napa Valley in California to celebrate Jack’s upcoming wedding and the end of his singledom. Both of these men are in their forties and have a sinking feeling that the best of life is behind them.

Miles is in a depressive state due to the fact that he feels like a failed writer due to the uncertain future success of his yet-to-be published book. While he has a steady job as a high school English teacher, he feels unfulfilled by his life and wants to achieve greater success as a novelist but has yet to break through. On top of that, he has gone through a recent divorce that he has yet to recover from fully and is newly single.

Luckily or unluckily for Miles, he has a friend, Jack, who is hoping to have a good time for his last few days as a single man. Jack Cole, Miles’ friend is an actor who may be past his prime. While he used to be a TV soap opera star years ago, now, he is mostly relegated to doing voiceovers for silly commercials and seems to be getting tired of the acting business. Jack loves his fiancé but has the problem of not being able to control him when it comes to women.

Unlike Miles, Jack is not a big wine connoisseur and is more into playing golf and hooking up with a local woman before he takes those fateful steps down the aisle. Jack is hoping to not screw up his marriage but he obviously misses the single life while his friend, Miles dreads being single again. Jack may love his fiancée but he is also hoping to get involved with the real estate business that his soon-to-be father-in-law is running in Los Angeles, which Jack wants to be apart of in order to get away from acting once and for all.

Beyond just writing novels and teaching his students, Miles’s true passion in life is wine, which is why he proposes Jack that they go to Napa Valley to drink some great wine, play some golf, and eat some good food together. While Jack enjoys all of those activities, he has other plans in mind for his last days as a single guy leading to hilarious and disturbing results for the both of them. Before Jack wants to get married, he wants one last fling as a ‘single’ guy before he becomes the husband to his wife. In the meantime, Miles encounters a woman he never expected to meet.

Maya, (played by Virginia Madsen), is a kind and intelligent waitress at a local restaurant in Napa Valley known as ‘The Hitching Post II.’ She is someone who Miles has encountered before during his previous solo trips to Napa Valley. While they were friendly to each other, it’s only on this Bachelor’s trip to the wine country where Miles with the help of Jack’s support gets to know Maya better. Maya and Miles really hit it off with each other especially over their shared love of good wine and they start to develop a relationship.

Luckily for Jack, Maya knows a local wine keeper, Stephanie, (played by Sharon Oh), who has a lot of the characteristics that Jack likes in a woman. The two men end up dating and hooking up with both women but with unforeseen and negative consequences. Jack’s adulterous philandering almost catches up with him and causes Miles a lot of unneeded stress. Miles also suffers during this trip from the lack of hope for his novel in finding a publisher to sell and advertise it.

He also struggles to give up on his ex-wife, Vicki, who he did cheat on leading to their divorce and breakup. The almost breaking point for Miles comes when he finds out that his ex-wife, Vicki, got re-married and has a newborn daughter causing him to regret his divorce from her. While his wife has moved on from him, he still struggles with the fact that his book is going nowhere, he is single in his 40’s, and has no legacy or children at the moment.

Despite all of mid-life struggles that both Miles and Jack go through during the film, they remain loyal and true friends despite the pain and suffering they cause each other. Miles and Jack are almost complete opposites of each other in terms of their personality and character. Miles is serious yet forlorn and an intelligent, well-spoken man while Jack is a cocky womanizer who never really grew out of his teenage years.

However, despite their differences from each other, they do help lift each other out from their problems. Jack gives Miles encouragement to keep working on his novel and to self-publish it if he has to. He wants Miles to succeed at starting a relationship with Maya and really gets him to start going out with her. Miles saves Jack from himself multiple times throughout the film and even though Jack’s integrity is compromised, Miles is there to clean up the damage and makes sure that his friend follows through on his marriage commitment to his fiancée, Stephanie.

Every character in this film is flawed in some way and even though each of them, both men and women, are in their forties, they still have some growing up to do and don’t have everything figured out when it comes to life. Each of these characters has their own personal demons with Miles having depression and a lack of success in his passion and Jack being an adulterer and a compulsive liar.

While they are not perfect men and the women they are involved with make that clear to them, they are still good guys at heart and want to do the right thing. Life has thrown them ‘Sideways’ and they are trying to keep up with all of the curveballs that they must dodge and move forward against. It is really no surprise to me that similar to ‘Lost In Translation’, this film has become a cult classic that can warrant multiple viewings.

While it may not be your typical feel good movie, it’s a ‘real’ film about ‘real’ people who are trying to succeed both personally and professionally against the odds. If you decide to watch ‘Sideways’ for the first time, you’re going to be rooting for each of these characters to find happiness. They are endearing to us as the audience because they make mistakes and have setbacks just like those of us watching the film. In addition to the brilliant acting especially by Virginia Madsen, Paul Giamatti, and Thomas Haden Church, the adapted screenplay is brilliantly written and thought out.

Even though most viewers would consider it a dark, morose film, it also has a lot of comedy in it and some great lines about wine. There are a lot of moments in ‘Sideways’ that will make you sad, happy, angry, and even make you relate to the characters themselves. A great film overall directed by Alexander Payne, Sideways was released way back in 2004 but still remains a popular and heart-warming film that will leave you satisfied. I highly recommend checking ‘Sideways’ out when you get the chance and to remember after watching the whole film to never order a tall glass of Merlot again.