steven spielberg – The Life and Times of Ben Weinberg

Movie Recommendations – Volume V

“Colder weather and shorter daylight hours mean it’s premium movie watching season again.”

Colder weather and shorter daylight hours mean it’s premium movie watching season again. Whether it is in the movie theater or at your home theater, this time of the year is best not just for Christmas movies but for watching new releases in general. Between the streaming services, new theater movies, or even documentaries, there are a lot of excellent movies coming out to close out 2022. I recently saw four movies that I would recommend to others with three of them being watched at home and one in the theaters. Even if some of these movies are not in theaters, I would recommend checking them out through Apple TV+ in this case for a short-term subscription.

The Fablemans

A semi-biographical film about one of the greatest filmmakers of the 20^th and perhaps 21^st century, ‘The Fablemans’ is an intricate tale of a genius who discovers his calling slowly but surely through his own ingenuity, his family’s encouragement, and with a little bit of luck. Steven Spielberg may not be named as the main character, but this is his life story told through his eyes and what it was like being a Jewish kid growing up in New Jersey, Arizona, and later California in the post-World War II era as his parents struggle to provide for him and his two sisters.

While Spielberg has this innate talent for filmmaking, he wasn’t always set on doing it for a living and struggled with his own doubts. His parents, while supportive, did not always see where his dream could go and were distracted by the issues in their own marriage that caused a divorce to occur. On top of that, having to move for his father’s work in the dawning of the computer age to communities out west not as friendly to American Jews, Spielberg’s ‘The Fabelmans’ covers the ugliness of antisemitism rearing its head and how Spielberg as a teenager was forced to confront it and the bullies who continue these vile tropes.

While not exactly a feel-good story, it is an excellent semi-biographical tale on how The Fablemans as well as The Spielbergs made his dream work and were crucial to the man who would become the most famous director in the world. It is an immensely personal movie with both its tragic and triumphant moments. It is a story that I believe a lot of us can relate to these days on how to overcome setbacks and trials in the pursuit of a life’s goal or dream.

2. Causeway

Not all wounds of war are physical. If I had to sum up the movie, ‘Causeway’ starring Jennifer Lawrence and directed by Lila Neugebauer, it would highlight how post-traumatic stress disorder highlights those wounds that are mental but brought on by physical trauma. Jennifer Lawrence plays the role of Lynsey, an American Army Corps of Engineers specialist who suffers a traumatic brain injury from an Improvised Explosive Device (IED) that causes her not just physical pain but PTSD as well. Her memory suffers, her eye and hand coordination, and even her ability to form complete sentences is affected. It is a long road to recovery but luckily, she meets people along the way including a home health aide who cares for her upon her return to the States doing backbreaking work to give Lynsey the chance to get her mental and physical faculties together.

Even after the physical recovery seems to be going well, Lynsey suffers from the PTSD that the explosion caused and the horrific memories of seeing her fellow soldiers die in front of her eyes. While the home health aide and physical therapy helps, as a returned soldier, all she wants to do is get back to the front to continue the work she was doing in Afghanistan. She sees that people including her own mother, who was neglectful to her as a child, while she cares about Lynsey, has moved on without her and doesn’t understand quite what she’s been through. Lynsey finds a job cleaning rich people’s pools in New Orleans where she’s from but doesn’t see it as worthy of her skills she acquired while on active duty in Afghanistan. Lynsey has an older brother as well who is away and out of her life due to his involvement in drugs, so she does not have him around either as a steadying influence.

The one person she does relate to is a man named James who has been through his own trauma involving a car accident that left him with an amputated leg. They’ve both seen more than they would care to in life and they are able to bond with each other despite the difficulties of their past. In a world where both feel increasingly isolated and distant, the bond they share as friends may sustain them for the future and keep them from turning to despair. ‘Causeway’ is a great film that really shows you the reality of what it can be like to return to home from war and the mental and physical scars a soldier can take with him or her that never fully heal.

3. Emancipation

There have been multiple movies about the Civil War and about Slavery, but ‘Emancipation’ is an excellent recent film starring Will Smith as an escaping slave in Louisiana yearning to be free and reunite with his still enslaved family. Antoine Fuqua’s directing is on point in this one with sweeping views of civil war battlefields, old plantations, and muddy swamps with a unique choice of filming ‘Emancipation’ in black and white with red being the only other color represented usually by a character’s blood being spilt. This film does not sugarcoat anything and is based on true events and the real-life story of an escaped slave of Gordon or ‘Whipped Peter’ who was whipped repeatedly before escaping from a Louisiana plantation after killing two of the slave drivers before running towards where Lincoln’s army was fighting around Baton Rouge.

‘Emancipation’ does not hesitate to show brutality on screen as well as the violence of a Civil War battle where freed slaves would fight to liberate others from their enslavement. Some viewers may be turned off by the sheer violence of the film, but I thought that it was a rather accurate portrayal of the cruelty of slave owners, the terrible conditions that they were forced to do labor in, as well as the dogs, snakes, alligators, and muddy swamps that an escaped slave would have to go through to reach the Union Army. Many slaves like Peter who were able to escape were not treated that much better than the Union Army besides being free although they had no choice usually but to fight for the Union to free others and to hope to see their families again if they were able to liberate other plantations.

I would recommend this film due to Smith’s performance, the excellent cinematography, as well as the historically accurate nature of Peter’s experience in escaping from slavery, preventing himself from being captured again and fighting with other African Americans in the Union Army to end the horrors of slavery once and for all.

4, The Banshees of Inisherin

It is not every day where you’re able to watch a comedy and a tragedy take place in the same movie but ‘The Banshees of Inisherin’ succeeds on both accounts. Led by an excellent cast including Colin Farrell, Brendan Gleeson, Barry Keoghan, and Kerry Condon, the fictional island of Inisherin off the coast of mainland Ireland is made up of a real bunch of characters who live out a life of repetition, tomfoolery, and drinking, which is a bit of community unifier. Set against the backdrop of the real Irish Civil War of 1922-1923, most of the Inisherin population is ignorant of what happens on the mainland and choose to tend to farm, to shop, and to drink, often excessively, as part of their daily routines.

One of the main characters, Colm Doherty (played by Brendan Gleeson), is fed up with a life in Inisherin that would revolve around just that and as he gets older, wishes to be remembered for his music and his song lyrics rather than getting drunk each day. That is the premise of the falling out he has with drinking buddy and friend, Padraic, (played by Colin Farrell), and while Padraic is nice, he is not someone Colm wishes to hang out with him again even though they are bound to run into each other.

The friendship was so strong and close that one day when it goes away, Padraic refuses to give up on Colm even though he tires of never getting a straight answer out of him. The refusal to lose out on a friend in such a small community, which conflicts with his desire to remain a ‘nice’ guy in the community causes Padraic as well as his sister, Siobhan, a lot of consternation and disappointment leading Padraic to undertake drastic and even ruthless measures to get his friend, Colm, back.

‘The Banshees of Inisherin’ while a fictional movie taking place in a fictional island is one of the best films of 2022 and is well worth a watch. It will make you laugh out loud, hold a tear back or two, and think of a time where you had a hard time letting go whether it was of a former friend or even a family member due to some personal grievance or a difference that came up. The film ponders some philosophical questions and does not belittle the audience with simplistic answers. It is an excellent tragicomedy and one worth seeing especially for Mr. Farrell and Mrs. Condon’s performances.

‘The Terminal’ – Film Review and Analysis

“Perhaps that is what endears Viktor so much to the audience in this film is that he does not give up hope, makes the best of the awful situation he is in, and even starts to befriend other airport workers who are often ignored, underpaid, or even mistreated at times by both customers and their employers.”

A lot of us know what it is like to wait in an airport and have to stay overnight at one because your flight runs into an unexpected delay whether it’s due to a plane’s mechanical issue, or there are weather complications, or if a global pandemic cancels your flight unexpectedly. Whatever the cause of your delay, I am sure you never have had to live in an airport for months on end let alone for more than a day. The questions you should ask yourself though if you could put yourself in this following hypothetical scenario: What if you couldn’t leave the airport upon arrival in a new country? What if the country you just left, your home country, underwent significant political changes or even revolution overnight leaving you stranded? The very underrated yet enjoyable ‘The Terminal’ movie asks these unique questions.

A mix of fiction and non-fiction, a concoction of drama, comedy, and a little bit of tragedy all together, ‘The Terminal’ is a 2004 American film directed by Steven Spielberg and starring Tom Hanks and Catherine Zeta Jones. The premise may seem out there of someone being stuck in an airport for months or years but ‘The Terminal’ is partly based on the true story of a real-life refugee. Mr. Mehran Karimi Nasseri, an Iranian refugee lived in Terminal 1 of Charles de Gaulle Airport and was considered ‘stateless’ for many years and was denied entry into France while also not being expelled from the airport. In total, he lived in the de Gaulle airport for over 18 years and only left from there in 2008 when he was moved for medical treatment and then a Paris shelter.

Nasseri, like ‘The Terminal’s main character have that premise in common of not being able to enter their new chosen destination but also having the right to live in the airport without being expelled. Viktor Navorski (played by Tom Hanks) is on his way to New York City from the fictional Eastern European country known as ‘Krakozhia’ looking to fulfill a personal mission, which is unknown to the viewer right away. We see images of him arriving at JFK along with thousands of others looking to visit America from far-flung countries. However, a routine Visa check and Passport stamp ends up as a nightmare for poor Viktor.

While Viktor was flying into John F. Kennedy International Airport in New York City, his country underwent a political revolution and civil conflict leaving him without international recognition of his Passport since Krakozhia no longer has a recognized government. Since his passport is no longer valid, he cannot enter the United States because the U.S. does not recognize the country anymore due to the ongoing civil strife. Viktor is now ‘stateless’ as he cannot return home and he cannot leave the airport rendering him stranded there. Viktor is forced to remain in the international transit lounge and is not given much help by Frank Dixon (played by Stanley Tucci) who would much rather Viktor leave the airport to get arrested so he becomes someone else’s problem. Mr. Dixon, the Acting Field commissioner for the U.S. Customs and Border Protection agency, gives Viktor only a handful of food vouchers and a calling card but not much else to get by on.

Viktor has a destination in mind for his New York City trip but has limited English skills when he arrives and is only able to tell the CBP officer the name of a local hotel but does not go into much detail about why he is going there and what the purpose of his stay might be. Without his passport and his return ticket, Viktor’s life shrinks down to the international transit lounge at JFK airport where he spends his days collecting luggage carts to order Burger King, accidentally breaks a young girl’s luggage, and slips, falls when he runs to see news about Krakozhia because the Indian American janitor enjoys seeing people slip for his only entertainment.

Eventually, Viktor becomes accustomed to living in an airport and at first, while both daunting and scary to the stateless refugee, he adapts to his new living conditions with some ingenuity and perseverance. He constructs his own bed by dismantling the arm rests of the seats at an abandoned terminal, he learns English through travel guides and by watching the scroll of news information come across the screen to keep up to date with what is going on with his beloved Krakozhia and can both shower and shave somehow when using the airport bathroom.

Human beings have an innate need to adapt to our surroundings even when they are unfamiliar, foreign, or stressful for us. Perhaps that is what endears Viktor so much to the audience in this film is that he does not give up hope, makes the best of the awful situation he is in, and even starts to befriend other airport workers who are often ignored, underpaid, or even mistreated at times by both customers and their employers. The power of perseverance in the face of obstacles makes ‘The Terminal’ a heartwarming and memorable film. Instead of getting down on life and giving up on his situation, he turns the tables on Frank and the border agents by not falling into their traps that they set for him. He makes his own happiness. One of the best moments of this film is when a random gentleman is shaving alongside Vikor, stops for a second, and says to Viktor, “Do you ever get the feeling that you’re just living in an airport?”

Being stuck in an airport terminal means a lot of time on your hands too. Viktor spends his almost limitless time in waiting by honing his skills as a carpenter and a painter even getting himself a job that allows him to earn money ‘under the table’ as a contractor mostly so he can eat. He befriends the CBP officers he sees each day even though they continue to deny his tourist visa due to his invalid passport. One CBP officer whom he gets to know very well is Dolores who Enrique (Diego Luna) has a massive crush on and would like Viktor to ask her questions to start an eventual conversation with her.

In return, Enrique gives him some extra airplane meals that he delivers on to the planes. Gupta, the janitor who at first makes fun of Viktor for slipping and not seeing the ‘wet floor’ sign eventually gains respect for Viktor because he makes him feel less lonely. Viktor befriends other transit lounge employees, plays card games with them over ‘lost’ items never picked up by passengers, and is able to win the admiration and possible affection of Amelia, a wayward flight attendant who ends up caught in a ‘love triangle’ between Viktor and another man.

While Amelia is always on the go and can’t seem to stand still in her relationships or in her job, Viktor is the exact opposite in that he can’t go and must always stay. Tom Hanks and Catherine Zeta-Jones have real chemistry in this movie and represent how different their characters are from each other but can bond over their shared humor, interests, and lust for life even if they are opposites in an ironic sense with where they are in their lives, one stuck in limbo and the other always on the go.

The main mystery that I will not spoil for you is why Viktor flew halfway around the world to be in New York and what exactly is in the Planters peanut can, which he won’t let go of even after being in the airport for nine months. More important than his passport or return ticket, the closed Planters can contain the reason for Viktor’s trip and how he ended up this limbo state even though he has a place to go to before he returns to Krakozhia.

By the end of the film, you and the rest of the audience are rooting for a happy ending for Viktor and even for perhaps with Amelia as well. You also see heartwarming stories of Viktor helping a fellow Krakozhian in need of translation help, aiding Gupta with staying in his job and the U.S., as well as getting Enrique and Dolores to successfully date and marry each other.

‘The Terminal’ is perhaps Spielberg’s most heartwarming, underrated, and emotionally uplifting movie in his storied career as one of the world’s greatest directors. With great acting and an impressive accent by Hanks, lovely humor and touching romantic scenes with Zeta-Jones and the excellent Stanley Tucci who plays a man who can be cruel but also compassionate in the same scene but ends up as the film’s antagonist. This film has a little bit of everything and will make you laugh, cry, and even cheer at the ending.

‘The Terminal’ is a reminder that we are all waiting for something or someone in the winding road that is life itself. Sometimes, we get sidetracked, turned around, or even stuck in an airport for days or months even, but we always can find a way to make the best of our new surroundings, even find happiness or love in the place where we least expect it. Viktor Navorski as I would say is a real mensch who finds himself in a terrible situation, one not of his own making, but is able to create an odd life out of being given nothing and is able to help others and become a favorite of the JFK international transit lounge, which is a place that people want to get out of as soon as possible. He can’t leave but he ends up enjoying the long stay thanks to his compassion, kindness, and genuine warmth as a good person.

‘Munich’ – Film Review and Analysis

Can revenge be worth it and what are the consequences involved in carrying out acts of vengeance? ‘Munich’ (2005), a film directed by Steven Spielberg poses a number of moral quandaries regarding how can there possibly be lasting peace after so much violence and bloodshed has been spilt by both Israelis and Palestinians in a decades-long conflict. In addition to the historical narratives of both groups never seem to align, there is a violent undertone to how both groups see their struggle and what they are willing to do to ensure the success of their cause.

‘Munich’ is a film that is loosely based on the novel, ‘Vengeance’ by George Jonas, and takes a number of liberties regarding the historical events of the Black September terrorist attack on the Israeli national team during the 1972 Summer Olympics in Munich, Germany. While Spielberg’s adaptation may not be the most historically accurate, it brings the events of that tumultuous time of the Israeli-Palestinian conflict to life by attaching the names of the deceased to the tragic events that occurred.

While not commercially successful at the box office, ‘Munich’ was critically acclaimed and was nominated for five Academy Awards including ‘Best Picture’, ‘Best Adapted Screenplay’, and ‘Best Score.’ While it didn’t win any of those awards, it was given a lot of praise for its writing, direction, and cast of characters including Eric Bana, Daniel Craig, and Ciaran Hinds. In addition, the film is not just about the 1972 Olympics attack, but it dives into what the Israeli government’s response was to this act of terrorism and how the response is similar to the ‘eye for an eye’ ethos that reflects how governments react to violent acts of terrorism with an approach to seek vengeance primarily.

The main character of the film is not actually based on a specific person, but he is used as an amalgam of the Mossad agents of the Israeli intelligence service who were responsible for getting revenge on the Black September group of Palestinian terrorists. Avner Kaufman, played by Eric Bana, who after witnessing the tragic act of terror take place on national television alongside his wife, is subsequently thrust into service by Mossad, Israel’s national intelligence service, to run a counterterrorism operation and to lead a team of operatives whose main objective is to bring those men who plotted and orchestrated the attacks on the Olympians in Munich to justice, dead or alive.

This isn’t your average intelligence mission because it involves the probable use of deadly force to achieve the aims of the mission. Avner has to technically ‘resign’ from Mossad first and to disavow that he has any connection to the Israeli government in order to carry out this secret mission. Avner’s handler, Ephraim, also informs him that this team is an eclectic mix of Jewish volunteers from around the world who are not really assassins so much as bomb makers, drivers, and document forgers.

Luckily, this unique team of newly recruited Mossad agents has good chemistry and they work well together in tracking down the plotters of the Munich attack. They are able to carry out the first couple of assassinations against the terrorists with precision and without any ‘collateral damage’, meaning that no innocent civilians were not caught up in the crossfire. However, there are a few close calls where they almost end up killing the daughter of Mahmoud Hamshari in Paris which are they able to call off the bomb detonation calling off the attack at just the last moment. Also, the men who are being killed, while they are the masterminds of an older age, there’s a lingering sense in the film that the young militants who carry out these attacks are ready to take up arms given how righteous they feel the mission is of creating a free Palestine even if it means killing Israelis and Jews around the world.

In one scene, Avner, pretending to be a member of the German Red Army Faction (RAF), has a frank conversation with Ali, a member of the Palestinian Liberation Organization (PLO), about how ‘home is everything’ to the Palestinian peoples and how much they want the land back that they believe was taken from them in the creation of the state of Israel in 1948. Believing that the Arab states would have the back of the Palestinian people, Ali believes that “Israel will cease to exist”, which did not change even with the Yom Kippur War of 1973 and the invasion of Egypt and Syria against Israel. In this critical conversation of the film, Ali believes that it will take a few more generations but a free Palestine is inevitable given how poor the conditions are in the refugee camps and how the Palestinians will win due to demographics and the deep belief in their want for a ‘home’ and a state of their own separate from other Arab identities. “We want to be nations” is a belief that hasn’t changed in the past forty years and is an intractable fact behind how the Israeli-Palestinian conflict continues to this day.

With this chance encounter of Mossad agents and PLO, there seems to be a worry among the Israeli team how they are targets as well and there is a team looking to kill them as well in response for their attacks against the Black September group. While the group is successful in tracking down seven of the eleven men who plotted the 1972 Munich Olympics attack, there is growing frustration as to whether meeting their objectives will have any long-term importance since these terrorist group leaders are just replaced by new people, and the cause of Black September and the Palestinian Liberation Organization continues to recruit new and young members to join the fight against the Israeli government. Avner, the main character, also sees most of his team members die in retaliation attacks along with interference from the CIA with regards to protecting their own Palestinian asset, Ali Hassan Salameh. As Avner’s team loses members and aren’t able to kill Salameh, the violent actions that Avner undertook as well as his inability to protect his men from harm weigh heavily on his conscience.

“Why cut my fingernails? They’ll grow back…” Ephraim, Avner’s handler, makes clear that terrorists replace one another with ease and they must keep the cycle of violence going as long as it takes until ‘peace’ is achieved. Avner is disgusted with this argument and by the end of the film, is a morally conflicted Jew and Israeli, who realizes that this is not the way to have peace through an endless cycle of revenge and vengeance. Rather than continuing on as a Mossad agent in a mission that he no longer believes will change anything, Avner decides to quit. As one of his team members tells Avner during the last mission they take on together, “We are supposed to be righteous. That’s a beautiful thing. And we’re losing that. If I lose that, that’s everything. That’s my soul.” Avner and the other team members understand implicitly that the violent actions they take have consequences and that while their version of history is different from the Palestinians, they are both using violence and bloodshed to further their own people’s cause, but to what end?

The main theme of ‘Munich’ that Spielberg gets across to the audience quite well is that while the historical narratives may never overlap with each other, there has to be a recognition of the other side’s existence and to see a way to compromise without continuing the endless cycle of violence and revenge. What it comes down to fundamentally is recognizing the dignity, the hope, and desire for a better future of your fellow man and woman while putting aside the religious, cultural, and political differences to make peace now so that in the future young Israelis and Palestinians will not have to fight and die to preserve their nation’s existence.