Category: hbo

Anatomy of a Scene – ‘How you been, ya know, besides work?’ (True Detective)

“However, they both are excellent detectives, dedicated to solving crimes, and are each other’s yin and yang by keeping the other one honest.”

True Detective, Season 1 on HBO aired over ten years ago but it’s still regarded as one of the best TV drama seasons of all time. Part of its lore lies in its storyline and direction, but a lot of credit also should go to the lead actors, Matthew McConaughey and Woody Harrelson. The two actors who play Rustin ‘Rust’ Cohle and Martin ‘Marty Hart’ respectively do an excellent job of showing these actors at different periods in their lives and careers as detectives with the Louisiana State Police. Both men appear to be opposites at the start and the friction(s) that they have intensify over the year. However, they both are excellent detectives, dedicated to solving crimes, and are each other’s yin and yang by keeping the other one honest.

Few shows since that season of True Detective or the seasons of the popular anthology series since the 1st season with Rust and Marty have achieved the same level of on-screen chemistry and presence. It helps that off-screen both actors are close friends and have known each other for decades. They’ve been quoted as almost being like ‘brothers’ sharing the same sense of humor, profession, and having different hobbies in common. While True Detective with Marty and Rust happened over ten years ago, there are rumors swirling around that both characters could come back in the future for another story by showrunner Nic Pizzolatto.

One scene on the show that really sums up their rocky relationship and occurs later in their troubled careers. Not only do they have unfinished business with each other in terms of reconnecting and perhaps getting over their troubled past but also to attend to possibly solving a murder mystery central to the season’s plot. At this point in the season, they are older, not on the force anymore as detectives, and life has both affected them in different ways including estranging them from their former family and friends.

Marty Hart, for example, is balding, lives alone after separating from his now ex-wife, and doesn’t have sole custody of his daughters anymore. He doesn’t cook much (it’s implied), likes to fish for a hobby, has trouble finding purpose in his current job, and has resorted to online dating (unsuccessfully so far) even though he insists it’s ‘casual’, but likely wants to have a new relationship via Match.com. Rust Cohle, has grown his hair and beard out, looks a bit older due to his smoking and drinking habit, owns a bar in rural Louisiana, is isolated but does seem to enjoy the quiet of living by himself and spending time watching the sunset each night while drinking a beer.

You can tell by the montage of this scene in the show that as the years gone by, they’ve lost connection not only to their purpose and to each other, but also to what made truly worth living. They may have other jobs and maybe some other things keeping them going, but they miss the work they did, the past relationships they squandered, and even each other begrudgingly.

While the montage showing them settling into middle age monotony may be unsettling, the short scene does give them a chance to reconnect again, get to know each other on a personal level outside of detective work, and work together to find a purpose again. In this case, there’s a murder mystery to solve and they cannot do it by themselves. Since they both are single, one divorced and the other non-committal to it, seemingly estranged from their current work and lacking purpose, they need each other ten years later more than they could ever know.

Life can get lonely without friends or family but especially if there’s no one around to help you find your purpose. I think that’s why this scene is so key within the show is that it shows Marty and Rust may feel like they’re alone, but they do have each other despite their past differences. Sometimes, you must go through some solitary times in life to find out what you really want to do or who you really want to spend your time with. Rust knows he is alone as the scene makes clear, but he has made peace with the loneliness even if he might wish for a girlfriend or a friend to drop by the bar after it closes. Marty had a marriage and a good relationship with his children but unfortunately, he was not able to balance it with his work life and his infidelity.

The scene’s montage shows the years have been a bit hard on Marty as he tries to rekindle what he once had but being unsuccessful at doing so. The montage shows you just how precious our situation can be with work, with love, and with family, and that you can’t go back and change the past. As much as you might wish to catch lightning in the bottle twice as is the case with Marty in terms of finding love or companionship, sometimes, those second chances never come around. The fact that they each have each other in their lives again, even with their storied pasts, is a good thing and shows that they still have an innate purpose regarding their work as detectives and that they are better off working together than being apart. In time, they will get back their skillset, work to solve the case, and even become friends again, which can help put their loneliness at bay.

While this scene of them living isolated lives may be looked on as depressing, I think it is a realistic look at how life can get as you get older. You may have to deal with periods of loneliness or getting swept up in a routine that grows stale. However, it’s important to remember for all of us watching is that life throws us curveballs sometimes and you never know who will appear in your life again or what kind of purpose and worth you can find in the most unlikely of places. For Marty, it was seeing Rust’s trust again on the road after ten years as they drove on the same road, and there was more to their story together, and they think they were both happy to find each other again and work towards getting their sense of purpose back together.

Anatomy of a Scene – ‘Family, Jimmy, Family’ (The Wire)

“This scene that I’ve titled, ‘Family, Jimmy, Family’ feels like it’s not just about the character, Jimmy McNulty, one of the leading roles of the show and a deeply flawed one at that but also could reflect on our own lives and who we prioritize in them.”

Sometimes, it takes a great work of fictional television to cause the viewer to do some soul searching themselves. ‘The Wire’ is not only an excellent crime drama and takes a critical lens to different facets of American society, but there are also multiple scenes that stand out for how they deliver truths to each of their characters for what they themselves are ignorant of or choose to forget. One of those scenes is short but whose succinctness of its message and point-blank delivery is something that you could do a deep analysis of. This scene that I’ve titled, ‘Family, Jimmy, Family’ feels like it’s not just about the character, Jimmy McNulty, one of the leading roles of the show and a deeply flawed one at that but also could reflect on our own lives and who we prioritize in them.

For a little bit of background before diving into the scene itself, which takes place in ‘The Wire’ Season 5, Jimmy McNulty is an obsessive workaholic and a functional alcoholic. His thirst for booze rivals his own thirst for self-satisfaction in being able to solve murders as a detective in the Baltimore Police Department. While he does crave justice, he craves adulation, admiration, and boosting his ego too because of his natural talents with regards to being a lead detective. However, without getting into too many details, the stress of the job, the clashes with his bosses, and the long hours cause him to drink heavily, carouse with random women, and cause him to lose control of his relationship with both his ex-wife and his children.

Jimmy loves being a detective, the purpose that comes with the badge, and the colleagues who he handles cases with. It’s also about the camaraderie that he finds in the work, the all-consuming nature of the work, and by outsmarting criminals and thugs who think they have successfully outwitted him and the police. The thing with letting work consume you is that it takes over your life and suffocates the rest of your identity with it. Jimmy is a great detective but throughout the show, the job takes a toll on his personal life and about separating work from his time out of work. When you have nothing but the job and the people in it, is it really a good life?

The scene I refer to titled, ‘Family, Jimmy, Family’ is instrumental in telling Jimmy McNulty what he needs to hear and what other workaholics need to hear: “The job won’t save you.” It takes five seasons but Beadie Russell, a Baltimore Port Authority police officer, introduced in season two, but for which her and Jimmy start to become romantically involved does what no one else in the show has the courage to do, tell Jimmy that the job isn’t everything.

“In the end, they’re not going to be there either.” Beadie sums it up in less than a minute with this scene but reminds Jimmy that the drinking pals at the bar, the workmates who he shares a patrol car with and shares stories, or even the girls he’s met for quick flings, they won’t be there when he really needs it. Yes, you can have fun, enjoy their company, and make the most of the work hours, but those people won’t be there for you when it comes to your health, wellness, and your overall fulfillment as a person. Beadie indicates to Jimmy that his workaholic behavior and his propensity for alcohol won’t save him and won’t give him the internal satisfaction he is always looking for.

“Family, that’s it. Family, and if you’re lucky, one or two friends who are the same as family. That’s all the best of us get. Everything else just…” Beadie pauses at the end of this scene and lets it all sink in for Jimmy. She knows she has reached him and lets him know that at your funeral or in your last days, you won’t have the girls you dated, the workmates or bosses, or the casual bar buddies you swap stories with there. If you’re lucky, you may have close family to care for you and maybe one or two close friends and that’s the truth of this scene not just for Jimmy McNulty of ‘The Wire’ but for all of us.

Beadie makes it clear that everything else goes away at some point once the job is done, the glasses are empty, and everybody goes their separate ways. Nothing is permanent but maybe your family will be there for you through most of it, thick and thin of life, if you’re lucky and until your dying day if you are truly blessed in that regard. Jimmy knows by the end of the scene that he needs to shift his priorities based on his body language.

He does not say anything back to Beadie, but he knows what she is saying as his new girlfriend is 100% true. It’s been a while since anyone has laid it out to him that clearly, but she gets through to him by telling him the unvarnished truth that he has refused to face up until that point. Like Beadie, we all need someone to cut through the nonsense and tell us what we really need to hear and if you watch this scene from ‘The Wire’, it’s not just Jimmy who this scene can reflect upon but maybe for our own lives too.

We all want to have productive work lives, make friends, and enjoy the fruits of our labor, but we must remember that it all does go away, and that family can be the most important and reliable thing we have throughout our lives if we’re lucky. Workmates, casual buddies and flings, and even friends come and go, but family can sustain us if we nurture those relationships and don’t let them atrophy and go away too.

Beadie reminds Jimmy to not let the work and the environment around his work consume him entirely. She saves him from himself to some degree but telling him what he needs to hear before he spirals out of control as a functioning alcoholic and workaholic. I think we all need a Beadie Russell in our lives to tell us what we need to hear rather than what we want to hear so that we can get that needed support to help reassess our priorities in life and change ourselves for the better.