Anatomy of a Scene – ‘At A Crossroads’

“Sometimes, the only way to move forward in life is to look for a sign or in this case, a person to help guide you in the right direction.”

“You look lost.” “I do?” “Where you headed?”, “Well, I was just about to figure that out.”

There are moments in life where the road ahead looks vague and uncertain, where we struggle to figure out what happens next or what should we do next. You can have a map with you, and you have an idea of where you want to go but there are four directions ahead and you’re not sure whether to go north, south, east, or west. Sometimes, the only way to move forward in life is to look for a sign or in this case, a person to help guide you in the right direction.

A brilliant movie in its own right, ‘Cast Away’ is about a man whose life is upended by mother nature and who will never be the same again. Without spoiling too much of the movie, Chuck (the main character) loses years away from his wife, his job, and his lifestyle and while he was away from it all, the world moved on without him. Most heartbreakingly, he cannot get back the time he lost working for FedEx or being with his wife or integrating back into his former lifestyle after having his life upended by mother nature.

Similar to how oftentimes in our lives, people move on without us. Friendships sometimes end, romantic partnerships fizzle out, and loved ones can grow distant from us on purpose or by accident. The message of the ‘Crossroads’ scene that I have included above is that life goes on with or without us and if we are still here on the planet, we cannot hold on too tightly to the past and must instead try to chart a new path forward even when that is often difficult to do.

This particular movie scene is one that a lot of us can relate to right away. You’ve finished your education, maybe you’ve quit a job, or you decided to retire and are wondering, ‘what’s next?’, which is an essential question of the human condition. It is hard to pause when you’ve had a routine upended or a part of your life just end one day, and you are not sure what will come next. You may have a couple of choices pulling you in different directions and you are looking for a sign of what to do next. Sometimes, that sign comes to you based on a significant item, object, or memory that pulls you in a certain direction but oftentimes, we just have to make the best decision that we have based on our thoughts and assumptions on the way forward. After making ‘crossroads’ decisions of my own in life, what’s important to realize is you have to make some choice and not stagnate in your own worries about what could happen. The worst decision would be to make no choice at all and let your life stay in a perpetual kind of limbo. Chuck was close to doing just that in ‘Cast Away’ before he found the sign that he needed in an unlikely place.

This ‘Crossroads’ scene starts exactly with that image of a crossroads on a non-descript road in middle America, which could be Kansas but is actually somewhere in rural Texas. Chuck, our protagonist, looks lost as he gets out of his car at this dirt crossroads, takes a big gulp of water in the hot Texan sun, and gets his large USA map out to chart his next decision. He just left the house of someone whose package with ‘angel wings’ helped him a lot during his isolation from civilization and for which he brought back their package as a way of thanking him or her. The people in Chuck’s life have moved on without him and he is not sure what comes next given he is a free man after years away from people but at the same time has lost his wife, his job, and his previous lifestyle to one fateful event that was out of his control, and which seemed like an act of God or mother nature.

Any part of this scenario would frighten and subdue even the most resilient person in the world, but Chuck is resilient albeit perplexed on how he ended up where he is without a sign of a compass to chart his way forward. When Chuck reaches this four-way crossroads and stops to check his map, a woman in a red, flatbed truck comes up to greet him and see if he needs any help and if ‘he is lost.’ She tries to give him advice on whether to go north to Canada, west to California, or eastward bound to the coast but he seems resilient if not a bit stubborn after being on his own for so long. Still though, the redheaded woman is kind and sweet in her manner and she says back to Chuck, “well, alright, good luck, cowboy!”

As the sweet-natured woman starts to drive away in her truck, Chuck notices something he’s seen before. A pair of yellow angel wings at the back of her truck’s bumper that he’s seen before on the package he had with him all those years. He knows now that the package he delivered was the one to her house and it was her package! A range of emotions hit Chuck all at once as he becomes shocked, bemused, and then pensive as if he should follow her or not.

Most intriguingly, towards the end of this scene, chuck now with the first sign in a while of where he might go next in life, stands in the middle of the four-way crossroads thinking about the woman whose package had such a big impact on him in his years-long solitude and how likely it is that he finds her attractive as well as kind. The camera pans out to show him in the middle of the crossroads looking at the different directions where he could possibly go next but then the camera lingers on his face as he moves to the direction where he really wants to go. It is the redhead’s truck’s direction down the long, sloping road ahead and Chuck begins to smile as he finally knows where to the long road of his life should end up next.

It is a very poignant and moving scene as we all must make decisions like Chuck in terms of where we want to go next in life. These decisions are hard to make and sometimes involve real regrets but also lead to joy, peace, and happiness. We must do our best to choose wisely in life, but like Chuck did, we must look for the signs where and when we can, and then we must make a choice because not making a choice is not living at all, it is merely existing and that is no way to go through life.

Anatomy of a Scene – ‘Why do we fall?’

“It feels more real than any other comic book movie and the character development is better than most other movies due to the major scenes having a deeper meaning behind them that continue throughout the Nolan Batman trilogy.”

As I have written in a previous blog article, ‘Batman Begins’, directed by Christopher Nolan is one of my all-time favorite movies and still my favorite comic book movie. It feels more real than any other comic book movie and the character development is better than most other movies due to the major scenes having a deeper meaning behind them that continue throughout the Nolan Batman trilogy. One of the scenes from ‘Batman Begins’ that really sum up the core message of this trio of Batman films from 2005-2012 is asking the question of ‘Why do we fall?’. This question not only summarizes the trilogy’s main message of not letting adversity or failure keep us from trying and eventually succeeding but also regarding the need to pick ourselves up, dust ourselves off, and keep moving forward in life.

This simple message of ‘why do we fall?’ is more than just about Batman’s own struggles in terms of having a traumatic experience of falling through a well, getting harassed by a swarm of bats, and injuring himself but it’s about our own setbacks in life and what we can do to put them behind us rather than dwell on them. This peculiar scene from ‘Batman Begins’ is central to the theme of the movie as Batman, an ordinary man who while having inherited obscene wealth and prestige, still suffers from tragedy early in life despite his well-to-do circumstances of birth.

This scene starts with a young Bruce Wayne falling into a boarded up well near his father’s mansion while playing with a childhood friend, Rachel, as they search for an arrow relic. Not only is the fall quite steep causing young Bruce to fracture his arm, after also falling to the bottom of the well, Bruce’s presence agitates a flock of bats who come out rapidly to surround and pester Bruce who is afraid by their mere presence. While his fright appears to be very real, it is likely that they are more frightened of him then he is of them. Luckily, Rachel tells Bruce’s father, Thomas Wayne, about the incident who comes rushing with Alfred to get his young boy out of the well. The elder Wayne is a doctor who can set the bone and care for his son as a doctor would for any patient.

As Dr. Wayne and Alfred carry Bruce to his bedroom, he asks his son, ‘Why do we fall, Bruce?’ and he answers his own question as he knows the boy to not have picked up on the inherent wisdom that comes from falling: ‘So we can learn to pick ourselves up.’ This is the exact kind of fatherly advice that Bruce will remember not only as a child but as an adult as well.

Facing adversity not only as Bruce Wayne but also as Batman will cause him to remember the quote that his father imparts on him. There will be challenges, failures, and setbacks that he must deal with but the only way to get through them is to ‘pick yourself up’ and to keep moving forward. Dr. Wayne’s advice is key also in imparting to Bruce that only through ourselves can we overcome adversity and that we cannot rely on others to do it for us. While he was there for Bruce to help him get out of the well and to heal his bones, he like all fathers will not always be there for his children. Any child including Bruce Wayne must face the passage through adulthood, often by themselves, and be forced to reckon with life’s challenges head on and by yourself without the help of family and friends even when you are an eccentric billionaire born into wealth.

“All creatures feel fear…even the scary ones? Especially the scary ones.” Another key part of the scene that resonates is that the Bats did not attack Bruce because of who he was but because of what he did. All creatures including humans tend to lash out when they are fearful sadly and that includes the bats when Bruce unknowingly invades their territory in the well causing him to be attacked. This part of the scene is also a precursor to a later scene in the Opera house where a man, seemingly both desperate and homeless, steals from the Wayne’s and kills them out of both out of fear, self-loathing, and pain as he murders them to be able to live off the stolen goods to keep himself from economic deprivation.

A good film like this one develops side characters like Bruce Wayne’s characters to show how much they meant to Bruce before their deaths and how devastating the memory is for the young boy whose unfortunate murders would change his life forever. You really feel for Bruce given how wise, caring, and kind he was both to Bruce, to his wife, and to Gotham City.

In the scene, you also see Thomas Wayne plan to surprise his wife with a necklace of pearls and to ask for his son’s opinion before he plans to give it to her on a family outing to the opera house. He cajoles his son out of bed, seemingly healed from his injury, to join them at the opera house.

My favorite part of the scene is Dr. Wayne’s philanthropic efforts directed not just at charities, foundations, and such but also right to the city that helped made the Wayne’s very wealthy as a family. Bruce asks his father, “Did you build this train, Dad?” His father responds, “Gotham’s been good to our family. But the city’s been suffering. People less fortunate than us have been enduring very hard times.”

He goes on to say, “So, we built a new cheap public transportation system to unite the city. And at the center, Wayne Tower.” His son asks if he works at the gleaming financial center with his name, but Thomas says that he works at the hospital where he is most needed and leaves his company’s financial dealings to those men ‘better and more interested’ in that kind of work than he is.

In this version of Batman, Thomas Wayne is a philanthropist and billionaire you can’t help but be proud of in a way. He doesn’t shirk responsibilities and puts the money directly to help those who are less fortunate in a real manner while he is running the company. He may like to direct attention to himself and his name by having the public transportation system be centrally located in Wayne Tower but it’s a small price to pay for an investment project like that for those who need to get around the city in a cheap and efficient manner. For a billionaire to not hoard his wealth, to invest in the city he loves with an actual, physical embodiment of helping others get to work or to school such as a public transportation network, so the city’s residents can have greater opportunities, it makes his untimely death that much more tragic.

Not only a doctor helping at a city hospital but a man willing to put money towards an actual public good like transportation is an example of the rich and powerful galvanizing resources together to help people less fortunate than they are in a concrete way. Whether its building new schools, constructing a train system, or adding more hospitals, that is a real kind of philanthropy to a city that the wealthy of a society should realize their civic duty to do so beyond paying taxes.

Beyond Thomas Wayne’s message of ‘picking yourself up’ when you have an accident, or a tragedy happen to you, his willingness to invest money back into a city that made his family wealthy is a real example in a movie of how to give a fictional character real development in just one two-minute scene. It is a good example for other filmmakers and directors how to really start to care for a character before an untimely demise and to learn about why drives the other characters in the film who were affected by their death or demise. I highly recommend viewing this ‘why do we fall’ scene to better understand character development but also the Batman film franchise of Christopher Nolan as well.

If there’s one thing I know for sure, our world today could use more men and fathers like Thomas Wayne from ‘Batman Begins.’

Movie Scene link here: https://www.youtube.com/watchv=CPvGLawULKw&pbjreload=101

Anatomy of a Scene – Miracle Ceasefire

How we as humanity cling to hope is our investment into the future that better and brighter days are ahead as long as we persevere, push forward, and leave our world a little bit better for the next generation. ‘Children of Men’ is great because it poses the answer to the question of how does humanity hope for a future when no babies are being born?

The world without hearing children’s voices, laughter, and even cries can be a dark and hopeless place. That central message of the now classic movie ‘Children of Men’ (2006) has stayed with me especially in the current times of a pandemic that we are living in. How we as humanity cling to hope is our investment into the future that better and brighter days are ahead as long as we persevere, push forward, and leave our world a little bit better for the next generation. ‘Children of Men’ is great because it poses the answer to the question of how does humanity hope for a future when no babies are being born?

When you think deeply about it, humanity is restored generation after generation thanks to our youth, their ideas, their drive, their desire to not repeat the mistakes of the past and to learn from history. When you take humanity’s future away, what is there left to fight and live for? It is a powerful premise and one for which I am glad Director Alfonso Cuaron decided to focus on. His movie does not pull any punches and shows humanity at its worst when women are no longer able to have children.

Without children, playgrounds and swing sets remain empty. Refugees and immigrants are persecuted and forced into detention camps, suicide pills are common place, environmental degradation is the norm rather than an obscenity, and violent factions fight it out with the government in a post-apocalyptic United Kingdom where suicide bombings are an increasingly common occurrence as Theo (Clive Owen) discovers when he is almost the victim of one in one of the earliest scenes. Perhaps the most frightening part of the whole movie is that no one has figured out why women can’t have babies anymore and the novel that the film is based on is also clear when it shies away from saying why men can’t help in the reproduction process anymore.

In ‘Children of Men’, no child has been born for 18 years and it can be hard to retain hope after that long that things will change. The world is in a downward spiral and things get worse as the youngest person alive, Diego, is killed by an angry crowd. Theo takes solace in the fact that he has a good job at the government ministry and has a funny friend who goes by the name Jasper. Still, you can tell that Theo has lost faith in humanity especially after the death of his infant son due to a flu pandemic and his estranged relationship with Julian, his wife. However, when Julian tells Theo about Kee, a pregnant African woman, who may be carrying the first baby in almost two decades, everything changes, and Theo finds his purpose again to live and to fight for a tomorrow. Theo dedicates himself to protecting Kee and her future baby and wants to get her to safety, which means getting her to the Human Project, a group of the world’s best scientists discussing how best to make humans fertile again.

Theo’s journey with Kee involves getting her out of a refugee camp, escaping men who want to keep Kee’s baby for political purposes and who are also armed combatants, and avoiding fascist police forces who intend to get in their way. To escape the escalating urban violence around them as both the government and rebels fight it out in bombed out Bexhill, Theo and Kee take shelter in a refugee settlement in a former apartment building. The three of them come close to being killed and the baby’s cries echo throughout the building much to the stunned shock, joy, and awe it inspires among the refugees, the rebel forces, and the government troops.

The way the cinematographer follows Kee’s baby and Kee around in a wide tracking shot is absolutely beautiful making it one of the most memorable scenes in cinema history. “How is she?”, Theo asks Kee. “Annoyed.” Kee replies. A refugee woman reaches out her hand to touch the baby and another woman sings a sweet song in her native language. Prayers and aspirations are given to the baby as Theo and Kee walk through the crowd. The rebel soldiers acknowledge the baby as they get away from the advancing troops behind them. The government’s military soldiers are in absolute shock as one soldiers’ yell at his army unit: “Ceasefire! Ceasefire!” All of them stop shooting at once and look upon Kee’s baby in disbelief, many of them never having seen a human child before in person.

To see the armed men in tanks and heavy weapons and their technological mastery stop, think, and realize how humanity and its future must be preserved and let free without being in danger. Not much can stop a war from continuing but a baby’s cries can most certainly pause it for a few minutes as this brilliant scene exemplifies. An immediate symbol of hope for humanity and its possible redemption is realized in its newest addition and it is a wonderful allegory to how despite our differences, any human around the world will stop to comfort, aid, and protect for a baby as we would do for our own children or grandchildren or even nieces and nephews.

Those men who don’t see the baby continue to fire at each other in the distance but any soldier, man, or woman who hears the baby crying lowers their weapon, pays their respect, and let Theo and Kee have safe passage as they represent a glimpse of hope finally for humanity’s future rather than its eventual extinction. Some of the soldiers pray to their God and others peer in to get a look at the baby with their own eyes but all are silent and in disbelief thinking that finally there might be hope again.

After a minute or two of calm and as Kee and Theo are about to get away, a rocket RPG hits the government soldiers and the men ignore the baby again and get back to fighting the rebel forces in the building that Kee and Theo just left. To me, that is a tragic symbol of how once we have something out of sight and out of mind, we go back to fighting each other instead of uniting around a common cause. As that RPG fires, I think to myself watching this scene how somebody always has to ruin it for everybody else. Unfortunately, Kee’s baby does not lead right away to world peace and a cessation of arms. However, it is enough time for the two of them to escape and have a fighting chance of reaching the Human Project.

A baby’s cries are more powerful and everlasting than any weapon, any political cause, and any division between humanity. While human nature cannot be totally pacified by children and babies being born, it allows us to fight for better days and for a future freer of pain, sorrow, and tragedy.

I hope that when you watch this scene, you’ll realize that even in our current age when fertility is not extinct and is not a present issue that we are still fighting to preserve hope for the next generation and generations to come. Whether it is preventing pandemics, stemming the worst effects of climate change, or preventing nuclear war between nations, we all have a responsibility to be stewards like Theo in protecting the babies of the future against any manmade harm that could befall them due to our own neglect and ignorance.

Please do watch this ‘Miracle Ceasefire’ scene and the rest of ‘Children of Men’ when you have the chance. It is an excellent film to see and this scene may be the best one of the entire film. Hope and redemption are only as strong as our ability to have a better future.