‘Munich’ – Film Review and Analysis

Can revenge be worth it and what are the consequences involved in carrying out acts of vengeance? ‘Munich’ (2005), a film directed by Steven Spielberg poses a number of moral quandaries regarding how can there possibly be lasting peace after so much violence and bloodshed has been spilt by both Israelis and Palestinians in a decades-long conflict. In addition to the historical narratives of both groups never seem to align, there is a violent undertone to how both groups see their struggle and what they are willing to do to ensure the success of their cause.

‘Munich’ is a film that is loosely based on the novel, ‘Vengeance’ by George Jonas, and takes a number of liberties regarding the historical events of the Black September terrorist attack on the Israeli national team during the 1972 Summer Olympics in Munich, Germany. While Spielberg’s adaptation may not be the most historically accurate, it brings the events of that tumultuous time of the Israeli-Palestinian conflict to life by attaching the names of the deceased to the tragic events that occurred.

While not commercially successful at the box office, ‘Munich’ was critically acclaimed and was nominated for five Academy Awards including ‘Best Picture’, ‘Best Adapted Screenplay’, and ‘Best Score.’ While it didn’t win any of those awards, it was given a lot of praise for its writing, direction, and cast of characters including Eric Bana, Daniel Craig, and Ciaran Hinds. In addition, the film is not just about the 1972 Olympics attack, but it dives into what the Israeli government’s response was to this act of terrorism and how the response is similar to the ‘eye for an eye’ ethos that reflects how governments react to violent acts of terrorism with an approach to seek vengeance primarily.

The main character of the film is not actually based on a specific person, but he is used as an amalgam of the Mossad agents of the Israeli intelligence service who were responsible for getting revenge on the Black September group of Palestinian terrorists. Avner Kaufman, played by Eric Bana, who after witnessing the tragic act of terror take place on national television alongside his wife, is subsequently thrust into service by Mossad, Israel’s national intelligence service, to run a counterterrorism operation and to lead a team of operatives whose main objective is to bring those men who plotted and orchestrated the attacks on the Olympians in Munich to justice, dead or alive.

This isn’t your average intelligence mission because it involves the probable use of deadly force to achieve the aims of the mission. Avner has to technically ‘resign’ from Mossad first and to disavow that he has any connection to the Israeli government in order to carry out this secret mission. Avner’s handler, Ephraim, also informs him that this team is an eclectic mix of Jewish volunteers from around the world who are not really assassins so much as bomb makers, drivers, and document forgers.

Luckily, this unique team of newly recruited Mossad agents has good chemistry and they work well together in tracking down the plotters of the Munich attack. They are able to carry out the first couple of assassinations against the terrorists with precision and without any ‘collateral damage’, meaning that no innocent civilians were not caught up in the crossfire. However, there are a few close calls where they almost end up killing the daughter of Mahmoud Hamshari in Paris which are they able to call off the bomb detonation calling off the attack at just the last moment. Also, the men who are being killed, while they are the masterminds of an older age, there’s a lingering sense in the film that the young militants who carry out these attacks are ready to take up arms given how righteous they feel the mission is of creating a free Palestine even if it means killing Israelis and Jews around the world.

In one scene, Avner, pretending to be a member of the German Red Army Faction (RAF), has a frank conversation with Ali, a member of the Palestinian Liberation Organization (PLO), about how ‘home is everything’ to the Palestinian peoples and how much they want the land back that they believe was taken from them in the creation of the state of Israel in 1948. Believing that the Arab states would have the back of the Palestinian people, Ali believes that “Israel will cease to exist”, which did not change even with the Yom Kippur War of 1973 and the invasion of Egypt and Syria against Israel. In this critical conversation of the film, Ali believes that it will take a few more generations but a free Palestine is inevitable given how poor the conditions are in the refugee camps and how the Palestinians will win due to demographics and the deep belief in their want for a ‘home’ and a state of their own separate from other Arab identities. “We want to be nations” is a belief that hasn’t changed in the past forty years and is an intractable fact behind how the Israeli-Palestinian conflict continues to this day.

With this chance encounter of Mossad agents and PLO, there seems to be a worry among the Israeli team how they are targets as well and there is a team looking to kill them as well in response for their attacks against the Black September group. While the group is successful in tracking down seven of the eleven men who plotted the 1972 Munich Olympics attack, there is growing frustration as to whether meeting their objectives will have any long-term importance since these terrorist group leaders are just replaced by new people, and the cause of Black September and the Palestinian Liberation Organization continues to recruit new and young members to join the fight against the Israeli government. Avner, the main character, also sees most of his team members die in retaliation attacks along with interference from the CIA with regards to protecting their own Palestinian asset, Ali Hassan Salameh. As Avner’s team loses members and aren’t able to kill Salameh, the violent actions that Avner undertook as well as his inability to protect his men from harm weigh heavily on his conscience.

“Why cut my fingernails? They’ll grow back…” Ephraim, Avner’s handler, makes clear that terrorists replace one another with ease and they must keep the cycle of violence going as long as it takes until ‘peace’ is achieved. Avner is disgusted with this argument and by the end of the film, is a morally conflicted Jew and Israeli, who realizes that this is not the way to have peace through an endless cycle of revenge and vengeance. Rather than continuing on as a Mossad agent in a mission that he no longer believes will change anything, Avner decides to quit. As one of his team members tells Avner during the last mission they take on together, “We are supposed to be righteous. That’s a beautiful thing. And we’re losing that. If I lose that, that’s everything. That’s my soul.” Avner and the other team members understand implicitly that the violent actions they take have consequences and that while their version of history is different from the Palestinians, they are both using violence and bloodshed to further their own people’s cause, but to what end?

The main theme of ‘Munich’ that Spielberg gets across to the audience quite well is that while the historical narratives may never overlap with each other, there has to be a recognition of the other side’s existence and to see a way to compromise without continuing the endless cycle of violence and revenge. What it comes down to fundamentally is recognizing the dignity, the hope, and desire for a better future of your fellow man and woman while putting aside the religious, cultural, and political differences to make peace now so that in the future young Israelis and Palestinians will not have to fight and die to preserve their nation’s existence.

Advertisements

English Corner – The Active Voice

Every writer has a voice but it’s important to be able to distinguish which is the correct voice to use depending upon the context. There are two main voices in English writing to be aware of: the active voice and the passive voice. In this ‘English Corner’ blog post, we will be focusing specifically on how to use the active voice in your writing, which means that the subject of the sentence is actually creating the action and not the other way around.

The ‘active voice’ adds more impact to your writing, which is why most writers use the active voice instead of the passive voice. Overall, I would argue that the active voice is more important than the passive voice yet you should know how to use both effectively as an English writer.

Active Voice Usage

Sentences written in an active voice flow better and are easier to understand. When you use the active voice, the emphasis is on the subject of the sentence, which is doing the action itself. This makes the sentence straightforward and concise. Examples are:

  • I really love this TV show.
  • Gorillas live in the jungle. 

Sentences that use a passive voice are often harder to understand. Passive voice can make a sentence awkward and vague. The emphasis of the sentence changes to the receiver of the action. Some examples are:

  • This TV show is loved by me.
  • The jungle is where the gorillas live.

Passive sentences usually have more words than active ones, which is one reason why the reader has to work harder to get the meaning of the sentence, and the sentence structure can seem disorderly. If you have a composition that is too difficult to understand, you may be able to change some passive sentences to active ones. Two examples are:

  • The electoral ballots were counted by the volunteers. (passive)
    The volunteers counted the electoral ballots. (active)
  • The flowers were stepped on by the dog. (passive)
    The dog stepped on the flowers. (active)

Active Voice Adds Impact to Your Writing

The active voice adds substantial impact to your sentence; however, you may sometimes want to use the passive voice to lessen the impact of your sentence.

  • Sometimes the active voice is used to deliberately obscure who is responsible for an action, like if a politician said, “Mistakes were made” or “Shots were fired.”
  • Businesses may use the passive voice to lessen their impact like “Your service will be shut off” which is passive, rather than “We are going to shut off your service.” which is active.
  • In crime reports, a policeman would write, “the bank was robbed” because he does not know who actually robbed the bank.
  • In a mystery novel, you may want to place the emphasis on what was taken, like “the jewels were taken” rather than focus on the unknown person who took them.

In most English sentences with an action verb, the subject performs the action denoted by the verb. These examples show that the subject is doing the verb’s action:

The boy must have eaten all of the hot dogs.

            The boy (subject) is doing the eating (verb).

Jennifer mailed him the love letter.

            Jennifer (subject) is doing the mailing (verb).

Colorful iguanas live in the Amazon rainforest.

            Iguanas (subject) are doing the living (verb).

Because the subject does or “acts upon” the verb in such sentences, the sentences are said to be in the active voice. As you go through an individual essay, article, or paper, please be sure to check that you are primarily using the active voice. The passive voice definitely has its place but if you are especially trying to be persuasive, make a congruent argument, or back up your hypothesis, then you should mainly be using the active voice in those types of writing. 

If you find that the ‘subject’ of your sentence is clearly not at the beginning and your action / object is taking its place, then your sentence is not an active one by a passive one instead. The active voice always places the subject within the first word or two at the beginning of the sentence so that the reader will be well aware of who is committing the action. Please keep in mind how to use the active voice in terms of the sentence structure, what the examples show above, and in which types of writing the active voice is mainly used. If you would like to take your English writing to the next level, you must first know what the active voice is and in a later ‘English Corner’ post, the passive voice will be discussed in terms of its usage and some examples.

Lastly, think of the ‘active voice’ and the ‘passive voice’ as the Yin and the Yang of English writing. Both have their separate and unique uses but you can’t only have one in your writing. You must be able to know how to use both because there cannot be one without the other. 

English Corner – The Rules of Capitalization

Understanding the rules of capitalization is a key part of taking your English grammar understanding to a very advanced level. If you are able to know when, where, and how to capitalize letters and words correctly, you will definitely be ahead of most other English learners.

Some people may tell you that there are far more than just the main ten rules of capitalization in English, which may in fact be true. Other folks may say that there are only three rules of capitalization, and they may also be correct. However, The truth is that, depending on how you organize the rules, the rules of capitalization may be many or few based on how narrow or broad your definition of these rules are.

Most of the things we capitalize in English are what we refer to as ‘proper nouns.’ They are the names of specific and unique things.

  • If you are talking about one specific mountain (Mt. Fuji), state (Idaho) or street (Atlantic Avenue), use a capital letter for every word in the name.
  • However, when you are talking about a common thing of which there are many of them- like a mountain, a state or a street – you don’t have to use a capital letter for those words.

It’s important to remember as well that Capital letters are not used for articles (a, an, the) or for prepositions (of, on, for, in, to, with, etc.).

The Ten Main Rules

  1. Names or titles of people

This one may seem obvious, but there’s also a catch. Of course, you capitalize the first letters of a person’s first, middle and last names (John Quincy Adams), but you also capitalize suffixes (Jr., the Great, Princess of Power, etc.) and titles.

Titles can be as simple as Mr., Mrs. or Dr., but they also apply to situations wherein you address a person by his or her position as though it’s their first name. For example, when we talk about President Lincoln, we are using his role as though it were a part of his name. We don’t always capitalize the word president. Indeed, we could say, “During the Civil War, President Lincoln was the president of the United States.”

Another way to look at capitalizing job titles is to look at the position of the job title in the sentence in reference to the person’s name.

  • You should capitalize the title when it comes immediately before or after someone’s name.
  • You don’t have to capitalize the job title if it comes after the word “the.”

For example:  “Dr. Rogers was the Cardiac Surgeon.” “The cardiac surgeon allowed me to come into the room and observe the patient.”

  1. Names of mountains, mountain ranges, hills and volcanoes

Again, we’re talking about specific places. The word ‘hill’ is not a proper noun, but Bunker Hill is because it’s the name of one specific hill. Use a capital letter to begin each word in the name of a mountain (Mt. Olympus), mountain range (the Appalachians), hill (San Juan Hill) or volcano (Mt. Vesuvius).

  1. Names of bodies of water (rivers, lakes, oceans, seas, streams and creeks)

From here, it gets pretty easy. The same rules that apply to mountain names also apply to water names. A river is just a river, but the Mississippi River is a proper noun and must be capitalized, just like Lake Erie, the Indian Ocean and the Dead Sea.

  1. Names of buildings, monuments, bridges and tunnels

Man-made structures also often have names. The White House, The Eiffel Tower, The Statue of Liberty, The Golden Gate Bridge and The Lincoln Tunnel are a few good examples.

  1. Street names

It’s necessary to capitalize both the actual name part of the name (Capital) and the road part of the name (Boulevard); both are necessary for forming the entire name of the street (Capital Boulevard).

  1. Schools, colleges and universities

All of the words in the name of the educational institution should be capitalized. For example, Harvard University, Wilkesboro Elementary School, Cape Fear Community College.

  1. Political divisions (continents, regions, countries, states, counties, cities and towns)

As is the case with regions of a country, the divisions may not always be political, but you get the idea. When you refer to New England, the Midwest, the Pacific Northwest or the South as a region (as opposed to a compass direction), you capitalize it. Also, continents (South America), countries (Belgium), states (Wisconsin), counties (Prince William County), cities (London) and towns (Lizard Lick) get capitalized.

  1. Titles of books, movies, magazines, newspapers, articles, songs, plays and works of art

This one’s a little tricky when ‘and,’ articles or prepositions are involved. If ‘the’ is the first word in the given name of a work, it must be capitalized (The Washington PostThe Glass Menagerie). If ‘a’ or ‘an’ is the first word, it too is capitalized (A Few Good Men), and if a preposition leads the way, you guessed it: Capitalized (Of Mice and Men). However, if any of these words come in the middle of the title, it is not capitalized.

  1. The first letter in a sentence

The last two rules are easy. Always capitalize the first letter of a sentence. If the sentence is a quotation within a larger sentence, capitalize it, but only if it’s a complete sentence. If it’s merely a phrase that fits neatly into the larger sentence, it does not require capitalization. Study the following two examples for clarification:

  • The waiter said, “My manager will be here shortly,” but he never came.
  • The waiter told us that his manager would “be here shortly,” but he never came.
  1. The pronoun ‘I’

It’s only necessary to capitalize other pronouns when they begin a sentence, but ‘I’ is always capitalized.

Remembering the Rules

How can you possibly remember all these rules? Well, first of all, you should ask yourself three questions:

  • Is this the first letter in a sentence? If the answer is yes, capitalize.
  • Is this the pronoun I? If yes, capitalize.
  • Am I using a name that someone gave to this thing or person? If yes, capitalize.

And if you want to remember all the specific categories, try memorizing one of the following sentences.

  • “For Bob Barker, the price is wrong sometimes,” Adam says.
  • Susan Sarandon bought my wife fancy toilet paper in Boston.

The first letter of each word stands for a category:

  • F– First letter in a sentence
  • B– Buildings (and other man-made structures)
  • B– Borders (of regions, states, countries, etc.)
  • T– Titles
  • P– People
  • I– I
  • S– Schools
  • W– Water
  • M– Mountains
  • S– Streets

Other Examples of Capitalization

First Word of a Sentence

The cat is sleeping in my bedroom.

Where did I put that book?

Hey! It’s great to see you! How have you been?

Names and Personal Pronouns

My favorite author is Jonathan Franzen.

Tom and Diane met at Jill’s house.

Have you met my dog, Barry?

The First Word of a Full Quote

Mario asked, “What is everyone doing this weekend?”

Stacy answered, “My sister and I are going to the theme park.”

Days, Months, and Holidays

I hate Mondays!

Harry’s birthday is in July.

Oh no! I forgot about Mother’s Day!

Words in Formal Titles

Lord of Rings is better than A Song of Ice and Fire.

The first movie of the series is Harry Potter and the Sorcerer’s Stone.

Cities, Countries, Nationalities, and Languages

English is made up of many languages, including Latin, German, and French.

My mother is Italian, and my father is German.

The capital of Ethiopia is Addis Ababa.

Time Periods and Events

Most of the World War I veterans have now passed away.

In the Middle Ages, poor hygiene was partly responsible for the spreading of the black death.

High school history students often enjoy studying the social changes that took place during the Roaring Twenties in the United States.

In this article, it is not just the ten main rules of capitalization that we have to be aware of. There are many other additional rules where you can use capitalization on a consistent basis. The examples shown above should help you, the reader, to understand when and where these words can be capitalized and to notice a pattern in terms of how these rules can be applied. 

Overall, capitalization is a very tricky topic to fully master but if you know the rules and you know when not to capitalize at all just for definite / indefinite articles along with prepositions, you will be well on your way to having a handle on this advanced grammar topic. It’s important to not be overwhelmed by all of the rules out there including the additional ones that were highlighted here. Starting off with the ten main rules of capitalization is a sufficient enough starting point to focus on. With Capitalization, you do not want to bite off more than you can chew and while the ‘additional rules’ of this grammar topic are important, it’s best to focus on the main rules such as geographic features, names of people / titles, the first letter in any sentence, etc. Good luck!

Frederick Douglass National Historic Site

elJmov2FQTC6EmjLfi%Q5Q0vFOqHLtT++AE9CgLmdOGwfullsizeoutput_56bfullsizeoutput_56ceCD7SvI0Tr+zFq+2aGToqwfullsizeoutput_56dZtOXTTDUSkeTLSgUNqg5cwagqHU%+bSuSRBIkERIBilQA6OFhxK7Q6WIhXJcZ9mzzAyaWccl1KSMqACUwOu0BrMAEaGHBN3VSDGKUkkn5GER+AlAtfYNJfTO+v%+HhKv%YwQgokYn3rBTSCTcwjaFlqgSgYLPjqy2fRPqsW2TlnWQYqQ8mhtJy9BTES8zki+vl18kQ

CameraiPhone 8

Location: Frederick Douglass National Historic Site; Washington, District of Columbia, USA

The Producer vs. Consumer Mindset

We are all consumers but not all of us are producers. This dichotomy between producing vs. consuming has become especially relevant in the 21st century when levels of consumption are at historic levels. When you think about it, being able to consume in different parts of life has never been easier or faster. You can stream vast amounts of music, download movies within minutes, and have food delivered to you at the click of a button. These days, you don’t even have to leave your house or apartment to consume food, books, music, movies, etc. Everything has become more widely available to the average person and that also includes education.

The Internet and other forms of technology have made it easier than ever to consume but despite that fact, is that all we should be doing? Aren’t we met to do more than to order food online, surf Amazon.com for the latest book, or listen to multiple Pink Floyd albums for hours thanks to Spotify? I believe that recently we have strayed too much to being only consumers without realizing that what is most fulfilling is to produce something of value. There should be a balance between consuming and producing and it’s best to strive for a mix of producing and consuming in your life with the former being more of a priority. Consuming is easy but it’s been shown to not be fulfilling and the utility of consumption decreases consistently the more you do it.

While consuming is incredibly easy and requires little to no effort, producing is the exact opposite. Producing something of worth or of value takes some or a lot of effort and the results are not immediate. To be a producer, you need to be determined, patient, put your skills to the test, and be able to think outside the box. Even though producing may not be the most fun or most enjoyable thing to do, it’s really what we as human beings are meant to do and what also gives us the most satisfaction.

If you think about it, our ancient ancestors had to produce or create in order to stay alive and sustain themselves. Back in those times, you had to catch a fish, spear a buffalo, or even a build a hut or you would not last very long. Simply put, our intrinsic value as people is based off of what we can contribute to our friends, families, communities, and the greater society. Now, this does not imply that you have to be producing something of value for others all of the time in order to be considered valuable. You don’t have to produce something for the sake of it or just to impress someone. You should find something to produce for yourself because you’ll build up some self-confidence as well as create more skills and abilities for yourself. You should choose to produce over consume yet you must figure out on your own what you would like to contribute whether that’s writing a blog, creating a piece of music, making an invention, or starting a business.

Why do we choose to produce? It reflects our innate sense of purpose and wanting to leave an imprint on the world regardless of how small or big it may be. There’s a true sense of satisfaction that you get from creating something out of nothing. Our ideas and our thoughts when they are put into actions can create a massive ripple effect that can change our lives if we do big things. The richest companies in the world such as Amazon, Google, and Facebook started out as simple ideas in the minds of their founders but they became real through actions and deeds after starting out just as words.

A producer takes their thoughts and ideas and turns them into something real. For each person, what they would like to produce is going to be different but the simple act of deciding to produce something instead of consuming all of the time is a beautiful thing in its own right. You can start out small by producing a poem, a painting, a piece of music, and then once you successfully create those things, you can aim bigger and better for producing things like a screenplay, a novel, a film, a multi-million-dollar business, etc. If you do not know what to produce but would like to start somewhere, think of which skills and abilities you currently have and make a list of what interests and hobbies you have as well. It’s also best to realize that producing something of value takes serious hard work and effort. It is not an instantaneous event and takes months and sometimes years depending on how big the thing is you’re producing.

Once you get the first thing you produce out of the way, you’ll start to realize how useful, fun, and innovative it can be to be a producer instead of a consumer. As mentioned before, there’s an innate sense of satisfaction out of crafting something from nothing as well as the fact that you used either your mind or your body or both to make it happen. Happiness, I would argue, does not come from consuming the things of this world but rather producing things to bring into the world that weren’t in existence before.

Depending on what you produce, you’ll also be helping people with what you make whether it’s a house that a family will live, a business that will hire employees, or a bridge that will connect town and city together. Also, the thing that you produce will last beyond your life here on Earth and can even transcend time if it is that impactful. Beyond the creation and production, what you’ll be creating is a legacy that you’ll be remembered for. Could you say the same for someone who doesn’t produce anything at all and just consumes? That person won’t be remembered for anything because they will not have left a legacy of producing for themselves, their family, and humanity while they were around. Consumers may benefit in the short run but not in the long run.

Our lives can both be about consuming and producing but think about what would be a better use of your time. Is it binging Netflix for multiple hours or creating a garden to grow fresh vegetables? Is it about playing video games or coming up with ideas for a new novel? Is it better to eat ice cream from Ben and Jerry’s or to make it from scratch? Depending on what answers you gave for these questions, you will be better off as a consumer or a producer.

Everybody has different priorities with what they value in their free time. If you find that you’re producing enough in your day to day work, keep doing that. However, if you find that you’re consuming all the time and not really producing beyond what you’re paid to do, you may want to reconsider how you spend your time. Giving yourself a chance to do more, write more, build more, play more, etc. is likely to be much more satisfying for you and give you a sense of fulfillment and even happiness that can’t be found in Netflix, Spotify, or UberEats. By being a producer, you’re creating value for the world and you’re building your skills, abilities, and knowledge at a time when you can do more than ever if you’re willing to educate yourself and put those traits and turn them into conceivable actions.

I’ll leave you with the idea of compiling a list of your day-to-day activities, map out the amount of time you spend on consuming or producing. If you’re consuming for hours on end and you feel listless, demoralized, or sad, you can turn it around by starting to take those free hours of your time and turning it into something productive. Producing is simply harder and more intensive than being a simple consumer. However, the return of investment on your time put into producing something far outweighs any benefit(s) you would receive from consuming a video game, an order of take-out, or a pop album.

Start from scratch and do your best to take the skills and abilities you have and turn out something totally original that only you and you alone came up with. The books you’ve read, the movies you’ve watched, the music you’ve listened to, the classes you’ve enrolled in, the people you’ve met; that kind of consumption isn’t inherently bad but you should take the time you spent consuming other people’s products and using that knowledge to create your own product. Your own novel, your own play, your own symphony, your own business, or your own recipe: these are all ways that you can find fulfillment and meaning as a producer in this life. You won’t have forever to do both producing and consuming so why not choose producing because you may find that you’re not only good at it but you like it just that much more than being a consumer.

English Corner – Fun with Adverbs

In a previous ‘English Corner’ post, we covered the topic of ‘conjunctive adverbs‘ and also briefly touched upon ‘adverbs’ in the articles on ‘basic parts of speech‘ but now I would like to go much more in depth to talk about adverbs and why they should matter to the English learner. To put it quite simply, Adverbs are a basic part of speech in English that add clarity to your written and spoken sentences. Adverbs are used to modify, change, or quantify an adjective, verb, or another adverb in the same sentence or group of words.

Without adverbs, sentences in English wouldn’t have the same zest and flair that they do with this basic part of speech being used correctly. Adverbs can draw relations between places, people, times, causes, degrees, etc. While Adverbs are not the most popular form of basic speech, you cannot be well-versed in understanding English grammar without having a formal knowledge of what adverbs are, how they are used, and what kind of examples need them within the sentences you create. Please use this article on ‘adverbs’ to improve not only your understanding of the English language but also your ability to write, speak, and use it freely. 

Traditionally considered to be a single part of speech, adverbs perform a wide variety of functions, which makes it difficult to treat them as a single, unified category. Adverbs normally carry out these functions by answering questions such as:

  • When? She always arrives early.
  • How? He drives carefully.
  • Where? They go everywhere
  • In what way? She eats slowly.
  • To what extent? It is terribly

These examples help bring light to the fact that they are all adverbial functions and may be accomplished by using adverbial clauses and adverbial phrases as well as by adverbs that are singular as well. There are many rules for using adverbs, and these rules often depend upon which type of adverb you are using. Remember these basics as expressed in the examples above, and using adverbs to make sentences more meaningful, and expressive will be easier for you.

  • Adverbs can always be used to modify verbs. Notice that the second of these two sentences is much more interesting simply because it contains an adverb:
    • The dog ran. (You can picture a dog running, but you don’t really know much more about the setting.)
    • The dog ran excitedly. (You can picture a dog running, wagging its tail, panting happily, and looking glad to see its owner. You can paint a much more interesting picture in your head when you know how or why the dog is running.)
  • Adverbs are often formed by adding the letters “-ly” to the end of adjectives. This little tidbit of information makes it very easy to identify adverbs in many sentences. There are many exceptions to this rule; everywhere, nowhere, and upstairs are a few examples where an –ly isn’t apart of the adverb itself.
  • An adverb can be used to modify an adjective and intensify the meaning it conveys.
    • Examples: He plays tennis well. (He knows how to play tennis and sometimes he wins.)
    • He plays tennis extremely well. (He knows how to play tennis so well that he wins often.)

As you read the following adverb examples listed below, you’ll notice how these useful words modify other words and phrases by providing information about the place, time, manner, certainty, frequency, or other circumstances of activity denoted by the verbs or verb phrases in the sentences.

There are many different words that function as adverbs. The following list is broken down into different categories, which list adverbs by their function. After reading, you will be able to think of additional adverbs to add to your own list – after all, there are thousands of adverbs that appear in the English language.                   

The vast majority of adverbs out there end in “-ly”. This makes it very easy to spot the adverbs in most sentences so please be on the lookout for that as you discover this basic part of speech in more detail.

Abruptly

Boldly

Carefully

Deliberately

Excitedly

Financially

Horribly

Mildly

Naughtily

Openly

Poorly

Quickly

Sadly

Terribly

Willingly

Yearly

Some adverbs tell us where the action happened. These are known as adverbs of place.

Everywhere

Here

Inside

There

Underground

Upstairs

Certain adverbs let us know when or how often the action happened. These are known as adverbs of time and adverbs of frequency.

After

Always

Before

Later

Now

Today

Yesterday

Many adverbs tell us the extent of the action.

Almost

Enough

So

Too

Quite

Rather

Very

Some adverbs are used as what’s known as intensifiers.

Absolutely

Certainly

Completely

Heartily

Really

Certain adverbs called adverbs of manner tell us about the way in which something was done.

Briskly

Cheerfully

Expectantly

Randomly

Willingly

___________________

Now that you are more familiar with what ‘adverbs’ are, have seen a good amount of examples of how they are used, as well as been shown a list of the most popularly used ones, you should be better able to use adverbs correctly in written or spoken sentences. Please be sure to study the definition of an adverb, the different ways it can be used, and the list of words that are adverbs themselves. If you do not apply the information that you learn about adverbs such as in this article, you won’t be able to improve your English grammar as much as possible. Good luck and remember to have some fun with adverbs!

‘No Country for Old Men’ – Film Review and Analysis

Cormac McCarthy, a distinguished American author of such noteworthy novels of ‘The Road’ and ‘Blood Meridian’, is not as well known for ‘No Country for Old Men’, but it is an excellent and renowned novel in its own right. Out of the movies that have been based off of his work, ‘No Country for Old Men’, released in 2007, is considered to be the best book to film adaptation done so far when it comes to the written works of Mr. McCarthy.

Like his other novels, ‘No Country for Old Men’ focuses on the darker parts of human nature including violence, corruption, and the evil that people can do to one another without just cause. ‘No Country for Old Men’ was a hit at the box office and has an all-star cast including Josh Brolin, Javier Bardem, and Tommy Lee Jones. This film was directed by the Coen brothers and received critical acclaim including four Academy Awards including Best Picture and Best Supporting Actor for Bardem. While not the most upbeat and positive film, it’s a film that probes questions regarding fate v. coincidence, if destiny is pre-ordained, and how much the world is beyond our control despite our wishes and desires for it to be different than it actually is.

‘No Country for Old Men’ takes place in Texas, USA in 1980 after the conclusion of the Vietnam War, one of the bloodiest conflicts in American history, and which is referenced at points throughout the film. Each of the three main characters have personal experience committing violence although they do so for different reasons. Anton Chigurh, the name of the film’s antagonist is a man born without a conscience and is a hired killer. However, he doesn’t simply kill because he is getting paid with money to do so but rather because it comes naturally to him and sees himself as an instrument of fate. It does matter whether or not you are ‘innocent’ or not but if you happen to cross paths with him on the road, at a hotel, in a convenience store, he will judge your fate based on the basis of a coin toss flip. Chigurh’s chilling approach to life and how it is totally beyond any of your collective will and actions is an eerie recurrence throughout the film that the Coen brothers use to make him one of the greatest film villains of all-time.

Most relatable as a main character in ‘No Country for Old Men’, Llewelyn Moss (played by Josh Brolin) is a married man, Vietnam war veteran, and welder who enjoys hunting as a Texan. He is not a perfect person but he tries to do the right thing most of the time and is unfortunately a victim of fate as well during the film. On a hunting trip in the west Texas desert, he ends up seeing the aftermath of a drug deal gone bad with men and dogs both badly wounded and dead at the scene. His overall fate is set in motion when he takes two million dollars that does not belong to him and stashes it away.

As an audience member, you know that’s not the right action for him to take because it ends up causing him to be tracked by Chigurh as he is the contract killer hired to kill Moss and bring back the money. It’s not only that Chigurh who is after Moss for the money and this main character is up against fate which has conspired against him due to the stolen money that didn’t belong to him. Moss, at his heart, is a survivalist and wants to live on yet his actions cause himself and his wife to be put into serious danger.

Because of their predicament, Sheriff Ed Tom Bell, a Terrell County mainstay who is closer to retirement and death then he would like to admit is good at his job but is not sure that he can keep up with the violence and evil that he sees around him and which seems to be getting worse and not better. Throughout this film, Ed Tom is one step behind Chigurh and is unable to help Moss as directly as he can as sheriff because he is overmatched and isn’t able to keep up with a part of the country that isn’t always meant for ‘old men’ to live happily ever after.

“What you got, ain’t nothing new. This country’s hard on people. You can’t stop what’s coming. It ain’t all waiting on you. That’s vanity.” Sheriff Bell, throughout the film, becomes disenchanted with the way the world is and how senseless violence is unavoidable and can’t always be stopped. His ability to influence or change events is weakening and as an older sheriff, he’s slowing down and wondering what his ultimate fate will be whether its dying of old age or getting killed by a psychopath like Chigurh. Ed Tom Bell as a character in this film is aware that as human beings, we can only have control over the world around us and that we are limited to the choices we make regarding good and evil but our choices can also be sometimes constrained by the hand we are dealt by life itself and our circumstances. When it comes to the violence of the world, it is something that can never be truly vanquished as long as there is evil in the hearts of men.

The most prominent theme of the film relates to fate and self-determination. Each of the main characters chooses to see those two concepts differently. Anton Chigurh uses the cover of a ‘fateful’ coin toss to leave it up to the fates of his potential victims regardless if he was hired to kill them or not. He brutally rationalizes his violence through the use of ‘fate’ as if they had it coming all of their life. Llewelyn Moss, a simple hunter and welder, makes flawed choices as any normal person would but struggles to outrun his fate based on some bad decisions he made regarding money that was stolen and would be considered ‘blood money.’

Moss is a survivalist at heart but knows that he can only do so much physically and mentally to outrun his fate based on the choices he actually made that led him there. Ed Tom Bell, is the most morally sound character of the film but comes to the realization that he can only deal with the world as it is rather than the world he would like it to be. The choices he makes are his own but the world and its depravity and violence are out of his control and he can only react to those events rather than prevent them from ever occurring.

In various films of theirs, The Coen Brothers often present a bleak and nihilistic view about the world. ‘No Country for Old Men’ is their most serious and brutal look at the nature of violence, how deeply it seems to be embedded in the American landscape, and how everyone regardless if they are good or evil is subject to a fate that is out of their earthly control.

Overall, ‘No Country for Old Men’ is a great film in that it probes a number of moral questions relating to mankind’s capacity for both good and evil. The cinematography is stunningly impressive, the acting is excellent by every character and Bardem especially deserved to win an Academy Award for his chilling role as Anton Chigurh. This film is not meant for those with weak stomachs because the violence is both brutal and frightenly realistic. The Coen Brothers make movies mainly for mature audiences and this film is no exception.

The music of the film carries little weight and there is not much of a soundtrack and that is done on purpose collectively to build up tension and have the audience invest in every scene to see what happens next. It’s hard to classify this movie to a specific genre but it definitely could be best summarized as a dramatic thriller. The directing is excellent overall and ‘No Country for Old Men’ is truly loyal to its unique setting of west Texas and the U.S. – Mexico borderlands. If you would like to see a movie that deals in shades of grey rather than black and white, you will enjoy ‘No Country for Old Men’. However, be forewarned that it does not have a cliché happy Hollywood ending, which is refreshing since men and women do not always get to live to a ripe, old age.