pop culture – The Life and Times of Ben Weinberg

The Yearning for Nostalgia

“Whether it is an escape through our popular culture, a preference to revisit the past than to explore what may come in an unknown future, or to enjoy simply what we have been accustomed to, the power of nostalgia should not be underestimated.”

What is it about nostalgia that stirs such powerful emotions in us all? Why do we insist on revisiting, remaking, and reconstructing the past? This innate yearning that is part of being human, I would argue, is a part of gaining back some comfort and familiarity in an increasingly unfamiliar and complex world. Whether it is an escape through our popular culture, a preference to revisit the past than to explore what may come in an unknown future, or to enjoy simply what we have been accustomed to, the power of nostalgia should not be underestimated.

As the new year begins, looking at the popular culture, which reflects trends in our overall society, this yearning for nostalgia has only gotten more prominent in the recent years, especially with the continuing of the COVID-19 pandemic. There are multiple examples in pop culture where nostalgia is the rule rather than the exception. One example would include video games where remakes, sequels, and remastered games from the Halo series to Assassin’s Creed to Call of Duty are still the most popular even after being decades long in terms of their original creation.

Another example would be television shows where one of the most popular series released recently is ‘Cobra Kai’ whose origins come from the Karate Kid movies of the 1980s, but for which has had a rebirth with the same actors almost four decades later but also with new characters who compliment the original story. Other popular shows involve those from the ‘Star Wars’ and ‘Marvel’ series whose revitalizations include the bounty hunter Boba Fett (also from the 1980s as a character) and popularly known comic book heroes including ‘Loki’, ‘Captain America’, and ‘Hawkeye.’ While these comic book heroes may be new to some viewers, they also date back in their creation back to the 1990s or even earlier allowing their fans to indulge in their own nostalgia in seeing these comic book heroes come to the small screen.

I haven’t even mentioned the plethora of movies from ‘Licorice Pizza’ (1970s), ‘The Power of the Dog’ (1920s Western), ‘The Matrix: Resurrections’ (1990s-2000s), released just in the past few months who pay homage to the past from settings we are familiar with or at least recognize. While there are films and TV series that do focus on mankind’s possible future(s), such as ‘Station Eleven’ on HBOMax or ‘The Expanse’ on Amazon Prime, most popular media today focuses on either adapted stories or at least remakes of stories with slight changes or new ideas related to the same characters to keep its popularity going.

In 2022, nostalgia sells the best, which is why new Halo video games, new Spider-Man movies, and new Game of Thrones books still rule the day in terms of our popular media consumption. Now, that does not mean that our appetite for new and original ideas in our popular culture are going extinct, but you can tell that we live in an age of rampant nostalgia, which is the norm rather than taking a chance or a risk on a new story or new ideas.

I believe that this resurgent nostalgia does have its positives to give people some familiarity with what they already know from their own past and for which they have experience in liking already. In addition, it can take more time to warm up to a new story, a new idea, or a new experience when it’s easier to go with something or someone you already know. Stories can change or adapt or get better sometimes over times and just because we are familiar with a character, or a series does not mean that it automatically gets boring after a certain point.

However, it is much easier to rely on nostalgia rather than to forge a new path. In anything in life and not just popular culture, it’s not as challenging to look back on what we’ve done, where we’ve been, or what we’ve experienced than to go forward, challenge oneself, and try new things. The impulse to be comfortable with what’s familiar rather than the unknown is a powerful force and an impulse that can be hard to overcome without pushing yourself. Nostalgia does not create lasting comfort though usually and it can be rather stale to rely on reliving things, experiences, or places rather than to look forward to unknown occurrences in the future.

Sequels, remakes, reshoots, adapted materials are harder to make better than the originals and they also do not break any new ground. Whether it is film, music, art, books, or in general, it may be easier to rely on nostalgia for creation but if it does not work out, it can be harder to bounce back from that failure. If you do something original or unique instead, it will stand out much more currently, and while you may polarize people who have gotten so used to nostalgia everywhere, you can be more wildly successful in your endeavor potentially and create a new cultural touchstone.

One great example from this past year that generated not only a cultural touchstone, but a worldwide phenomenon from Seoul to London to New York was the Netflix original series, ‘Squid Game.’ While the popular show contained elements from other TV series from the past, it had its own flair to it with unique set design, memorable characters, and a compelling and timely plot. It was the #1 TV series on the global streaming platform for over a month or so and generated important conversations in the public sphere regarding capitalism, income inequality, and debt servicing. The creators of the series took a big gamble, and they could have failed but they put their heart and soul into this unique show, and it paid off in more ways than one.

‘Squid Game’ and other original programming are a lesson for us all to not let our imaginations be stymied by what’s familiar and already known. Even in an uncertain world being continually upended by a pandemic and the effects of climate change, people want to be challenged to discover what’s new and what’s important. There is room in this world for both what’s new and what’s nostalgic. I think our problems begin in society when we only crave what’s comfortable or only what’s nostalgic to us. If we only choose to focus on what we already know, we won’t be able to face what’s new or on the horizon for us. It is not good to dwell only on what’s past and to rehash forever and ever what we already like rather than not trying to discover what we may like or embrace in the future that can help us learn more about the world around us.

The Whiskey Philosopher

“In a year of ‘red lights’, it’s been both enlightening and refreshing to read a book by a man who has spent his first fifty years on the planet chasing ‘greenlights.’ That phrase of catching ‘greenlights’ is also the formal title of Matthew McConaughey’s memoir / autobiography / personal growth tale that quickly draws the reader in.”

In a year of ‘red lights’, it’s been both enlightening and refreshing to read a book by a man who has spent his first fifty years on the planet chasing ‘greenlights.’ That phrase of catching ‘greenlights’ is also the formal title of Matthew McConaughey’s memoir / autobiography / personal growth tale that quickly draws the reader in. I first heard about Mr. McConaughey’s book when he appeared on the ‘Joe Rogan Experience’, Joe Rogan’s popular podcast. Mr. Rogan coined the book as being ‘whiskey philosophy’ with McConaughey being the philosopher over a glass of whiskey.

I found this metaphor to be quite fitting for the book ‘greenlights’ as the author talks about his life foremost as an observer and a reflector who is able to take a step back and analyze his decisions, his perspectives, and his overall views on his life and how he got to be who he is today. You immediately feel comfortable with McConaughey’s narrative and his ability to tell stories like you were sitting with an old friend over a fire pit drinking whiskey and regaling each other with both good times and bad. Throughout the book, you feel welcomed in and embraced as if you were right there with Matthew having a chat.

What I do love most about ‘Greenlights’ is the raw honesty and the ability to peer into a life like his, which I would argue is different from your average celebrity. Instead of obsessing over the glitz and glamour of being famous in Hollywood, you spend more time with McConaughey in different places around the world. I, for one, did not know that he was an avid traveler ever since he took a gap year in high school to go to Australia on an exchange program. He has often felt the call to go out in the wild, to be secluded from others, and to meet new people along the way.

Surprisingly, the book takes us from the Chihuahua Desert of West Texas to the autobahns of Germany to the jungles of the Peruvian Amazon and across the ocean to the small villages of Mali. One story of Matthew’s that stood out in particular was his wrestling match with a local Malian villager who challenges him as the only white man who has shown up as a guest to wrestle together. It’s not clear to the reader who wins the match, but it doesn’t matter to the village who sees Matthew wrestle. What is most important to them is that he accepted the challenge and not about who won or who lost.

I find that this particular story resonates across Matthew’s life so far and his willingness to put himself out there. Whether it’s going up to ask the woman he eventually marries if he can make her a margarita to seeking his permission from his father to go into acting as long as he doesn’t ‘half-ass it’ to keeping his promise to become a father because that was the most important thing for him to do in life, McConaughey is always willing to accept a challenge and embrace the possibility of failure. His ten guiding goals of what he wanted out of his life back in 1992 when he begun to keep a journal and of which he details in the book of what they were shows the readers how he may have taken a few detours but was able to stay true to his values and his desires even though he’s still working on a few of them.

His main goals of being a father, meeting the woman who was best for him on Earth, putting family first, and even winning a Best Actor award did not happen automatically and he had to run through a number of ‘red lights’ in order to get his ‘greenlights’ eventually. While ‘red lights’ would dissuade a lot of people to keep pushing such as being placed in romcoms for over ten years like Matthew was or perhaps having a falling out with his mother due to his having children out of wedlock, these ‘red lights’ did not discourage him from staying committed to who he was as an actor and as a person.

I think the main message of ‘greenlights’ is to not let the inevitable ‘red lights’ stop you from pursuing your goals and once you see an opportunity, you have to run with it and work hard to turn those lights green. Another particular example from the book that stood out to me was Matthew’s insight to playing Ron Woodroof in the acclaimed film, ‘Dallas Buyers Club’, an immensely emotional role, which led McConaughey to win the Best Actor award for his performance. The role itself wasn’t probably the highest paying role for an actor nor was it going to be a huge box office hit like his previous romcoms.

I believe Matthew took the role because how moving the personal story of Woodroof was and how he was moved to tears talking to Ron’s family and learning about his life through Ron’s own personal journals. While the actor and the man portrayed are very different, they are both native Texans and avid journal keepers. Matthew details his intense diet of losing up to 50 pounds to play the role in the movie and how he had to put himself in the mind of a man quietly dying from the horrific AIDS virus, which was stigmatized at the time. Even if they had to do the film over-budget, it was being made because Matthew, like all good actors, knows a good passion project when he finds one and puts all of his effort into acting the role to make the film as good as it can be. In this case, he won the Best Actor award and made his father proud who tells him the book to not ‘half-ass it’ and those words of encouragement stuck with Matthew.

In addition to seeing Matthew’s life play out since he was a child growing up in Texas, you get to see his really well-written poems, notes, anecdotes, and short stories, which really do convey an intuitive wisdom to them. From discussing love to pleasure to pain to truth to meaning, these poems scattered throughout the book are refreshing to read and relate to his life as a whole. His scribbles, notes, and recollection of different events in life is quite impressive. I do believe even more so after reading ‘Greenlights’ how I should start keeping my own journal for the long-term. Matthew was successfully able to turn his journal full of notes, memories, poems, and stories in a really good book about self-discovery, personal growth, the stages of life from childhood through adulthood, and one’s journey in seeking out ‘greenlights’ even when they can be few and far between as they have been for many of us throughout 2020.

At 285 pages, this is a great memoir and autobiography that doesn’t feel like its length. It is very much an easy page turner that doesn’t feel forced or slow-going. It really grips you for the ride and McConaughey’s life has been full of adventures, events, and precious memories up to year 50 where the book concludes. My only suggestion for improving the book or adding on to it in the future is to really focus more on the ‘red lights’ that happened in the author’s life and what specifically did he learn from those lean times as someone struggling as an actor or having family troubles or being tired of singledom.

I would be curious to learn more from Matthew about what advice he would give to someone during those ‘red lights’ times and how to make the most of them or how to best turn them green in the future. I did find that part to be missing from ‘Greenlights’ a bit too much as the ‘greenlights’ got a lot of the book space whereas I think it’s the ‘red lights’ in life that cause us to reflect more, learn more about who we are, and challenge us to be more creative in overcoming adversity.

In conclusion, ‘Greenlights’ by Matthew McConaughey is one of the best books of 2020. It is an engaging, emotional, and insightful look into a man’s life who has been one of the most important actors and entertainers of the past few decades. You learn a lot more about who Matthew is, what drives him, what’s important to him, how he views family, friends, his career, and what truly matters in life. I enjoy his whiskey philosophy and if I happened to be hanging out in Texas with anyone such as having a stiff drink and swapping stories together, it would be with Matthew McConaughey.

‘Batman Begins’ – Film Review and Analysis

I know what you may be thinking as you read out loud the title of this blog post. You’re probably wondering why I would choose to review and analyze a movie based off a super hero from a comic book series. It may appear to be juvenile but I made this creative choice for a couple of good reasons.

Batman is not just any super hero. He is often ranked as being the most popular and well-known super hero worldwide up there with Superman or the ‘Man of Steel.’
Batman isn’t your traditional super hero to make a movie about due to the fact that he has no super powers, and is an ordinary man who strives to be extraordinary.

A superhero who has been around since the early days of comic books in the early 1930’s, Batman is a popular cultural figure who until the 2000’s came around was never done justice on the silver screen. I remember as a kid watching the overly cartoonish and god-awful early film adaptations such as ‘Batman Forever’ and ‘Batman and Robin.’ The best film up until ‘Batman Begins’ was Tim Burton’s ‘Batman’, released in 1989, and even that movie was a bit goofy and contrived at times. Luckily, Batman on film earned a well-needed revival due to the masterful directing, screenwriting, and casting for Batman Begins, which was released over a decade ago in 2005.

Christopher Nolan, who directed Batman Begins, and helped to write the screenplay, did an amazing job in bringing Batman to life again as a superhero that comes from a realistic setting. Compared to The Avengers or X-Men, this is as close to reality as a superhero film can get. Compared to all of the comic book movies I’ve seen, and I’ve seen a good amount, ‘Batman Begins’ is the most realistic. It never gets too fanciful, and it takes itself seriously as a film that falls under the ‘drama’ genre.

For those readers who are unfamiliar with the origins of Batman, ‘Batman Begins’ does a great job of setting up the rise of this super hero from his childhood to his 30^th birthday. You can see how much Bruce Wayne evolves into the role of the masked dark knight due to the painful tragedy that befalls him at an early age.

Bruce Wayne is a boy who grew up with everything a child could ask for: a loving family, a safe home, and a bright future. He has it all taken away from him when his parents are gunned down in front of him by one of the people they were trying to help. The Wayne family comes from immense wealth and they are tied to Gotham City through the generations. The Wayne’s are great benefactors to the city and try to help it out financially so that citizens can gain economic opportunities even during hard times.

The death of Bruce Wayne’s parents is the true beginning of his path to becoming Batman. This film does a great job in showing the phases that Bruce goes through after suffering a trauma such as the loss of his closest family members: his mother and his father. For many years, Bruce turns his deep-seated emotions onto blaming himself to feel the full guilt, the relentless anger, and the deep sadness fully. He is unable to use those powerful emotions, and turn them into constructive action.

An ever-present theme throughout ‘Batman Begins’ is Fear. As a young child, Bruce fell into a deep well near his parents’ mansion, and was unable to get himself out after experiencing a wave of bats surrounding him as they flew away into the sunlight. During an opera performance one night, young Bruce asks his father if they can leave the theater for a little while because he is frightened by the performers pretending to be bats in one of the play’s acts. Because of this fateful decision, for many years, Bruce blames himself completely for his parents’ death because they ended up being shot and killed by the mugger, Joe Chill, after Bruce asked them to leave the theater, and head into the nearby alley.

Bruce seeks out vengeance against the man who killed his parents and wishes to kill Mr. Chill as he leaves the courthouse. He buys a gun one day and wants to take justice into his own hands like a vigilante. Before he is able to do the grisly deed, Joe Chill is killed by one of Carmine Falcone’s men, a Gotham City mob boss. Although Mr. Falcone didn’t kill Bruce’s parents, the corruption befalling the city’s institutions, the unrelenting crime wave, and the lack of a respectable police force have led to more injustice than ever that has left Gotham City a shell of what it used to be.

One of the best scenes of ‘Batman Begins’ highlights the fact that Bruce has more to lose than he knows and should protect the people he cares about. He decides to use Batman as more than just a man flying around in a cape, but more as a symbol to be feared by criminals everywhere, and that anybody can become Batman if they have the will to act. Bruce is wise to use his fear of Bats and turn that fear into a powerful symbol, which criminals will one day fear themselves.

Despite the personal tragedy that befell him, men like Carmine Falcone lecture the young Bruce Wayne regarding his naivety about the world. “You always fear what you don’t understand”, and “people from your world have so much to lose.” Before becoming Batman, Bruce decides to travel the world, learn about the psychology of criminals, train himself in various martial arts, and harness the power of stealth to strike fear into the hearts of Gotham’s underbelly.

In order to learn fully about the evils of the world, Bruce has to go out there himself to experience what actually drives criminals to do what they do. He has to push himself physically and mentally in order to be able to stop them. In order to become Batman, he has to develop a strong moral code so that he can be incorruptible, and more than just a vigilante taking justice into his own hands. In this film, Batman doesn’t kill and he desires to make sure that all criminals face true justice to prove that it’s more than just vengeance for him.

In order to fully develop into Batman, he must complete his training under the tutelage of Henri Ducard (played brilliantly by Liam Neeson). Henri and Bruce have both suffered personal tragedies at the hands of ruthless criminals, but they decide to use their anger and pain to motivate them to strengthen, develop, and confront their adversaries whomever they may be. Bruce becomes Ducard’s best student and excels in different areas of physical and mental training. As Ducard imparts on Wayne, “Your training is nothing, the will is everything. The will to act.”

Batman Begins does an excellent job of showing the physical dexterity and the mental will needed to become a hero like Batman. In addition to that, the training scenes are spectacular in highlighting how Bruce must use deception, theatricality, and stealth in order to overcome his enemies with fear. Most similarly, he must play the role of an actual ninja. “In order to manipulate the fear in others, you must first master the fear within yourself.”

Batman is a symbol that cannot be bought off, corrupted, or killed. Ducard reminds Bruce Wayne of the fact, “If you make yourself more than just a man, if you devote yourself to an ideal, and if they can’t stop you…you become something else entirely…A legend, Mr. Wayne.” However, Ducard and Wayne have a fundamental difference of belief regarding the nature of criminals that puts them on an adversarial footing with each other, which leads to an inevitable confrontation later on. Bruce desires to bring criminals to justice but with the support of the police and the criminal justice system. On a fundamental level, he wants to uphold the institutions of Gotham City to be free of corruption in all of its’ forms.

We find out that Mr. Ducard is no fan of granting any leniency to criminals and wants them to be punished without any hesitation or limits. For Ra’s al-Ghul, Henri Ducard, and the rest of the League of Shadows, an organization that helped train Bruce Wayne to become Batman, crime cannot be tolerated and that criminals thrive when societies indulge themselves by not having them pay the ultimate price of death. Even if the criminal is a despicable murderer, Bruce still believes in the rule of law, wants them to be tried in a fair court, and does not desire to become a singular executioner.

Batman wants to save Gotham City in the right way even though he finds it to be an almost insurmountable task given the lack of allies he has. However, he discovers that he has help with the incorruptible Officer James Gordon of the Gotham City Police Department and his friend, Rachel Dawes, a district attorney who won’t be bought off.

Batman comes up against another villain who desires to strike fear into the heart of Gotham’s citizenry: The Scarecrow (played by Cillian Murphy) who uses fear toxin gas to poison people, and make them do horrible things to each other out of their fear of each other. Bruce Wayne must lead a double life, keep his secret safe, weed out corruption, and be able to combat two villains who use fear to prey on the fearful (Scarecrow and Ra’s al-Ghul).

Instead of using fear against the citizens of Gotham, Batman uses his terrifying appearance to strike fear into the hearts of criminals and villains everywhere. While he understands that justice is never ensured for all criminals, he does not want to be a murderer himself who decides the fate of all those enemies he fights and stops.

‘Batman Begins’ is a deep superhero movie that asks some philosophical and psychological questions regarding the nature of true justice, and how far individuals and a collective society should go in order to stop crime. The film also probes the feeling of ‘fear’ and how a person can master their own fear in order to become mentally and physically stronger.

Christopher Nolan asks the question of how do we control our own fear and keep it from controlling us. Batman is a flawed superhero, but he is able to control his fear to become a legend. His symbolism helps Gotham City to rise up against corruption, crime, and to fight injustice. While he is only just a man without any real superpowers, he is able to inspire others to fight the good fight with his moral example.

In a movie where there’s not much hope, the Batman inspires others to believe in themselves and their city again. He is a regular man, driven into action after going through a terrible tragedy. Instead of being broken by what happened to him at a young age, he uses his pain and sorrow to motivate himself so that others don’t suffer the same kind of tragedy in life of losing a loved one. As a superhero and as a film character, Batman sets himself up as an example to follow for the audience even if it is a fictional story.

Making a super hero film is an extremely difficult process, which is why director Christopher Nolan should be given a lot of credit. Mr. Nolan has directed a lot of great films including Inception and Interstellar. Batman Begins is the first of three movies in the Dark Knight film series, and it may be the most underrated of them all. He and his team did a great job of bringing this character back onto the big screen in a big way.

It’s a realistic take on the Batman, and its’ a film franchise that has produced three excellent, unique films. For myself and many other fans, Batman Begins is more than just a simple superhero movie. It is a morality tale about hope overcoming fear, how to overcome adversity to become a stronger person, and how to set an example for others to follow in your footsteps.

Batman has survived in our popular culture for so long because you get the sense that he is a relatable character for many people despite the fiction behind it. Ultimately, he is a man who has his strengths, his weaknesses, yet he is ultimately fallible. Still though, he is a powerful individual that strives to fight for justice, hope, and wants to bring the best out of others. It’s important to remember that you don’t have to become a superhero like Batman to emulate those characteristics. You just have to do the right thing and be a good person.