Everyone knows who Bruce Springsteen is by now, the Rock superstar and legend who has produced over twenty studio albums, won dozens of awards, and sold out shows over many decades. He is the extrovert’s extrovert on the stage producing marathon 3 ½ – 4 hour live shows with the powerful energy and stamina of a man half or one third of his age (Springsteen is 76 as of this writing). What I enjoyed about ‘Springsteen: Deliver Me from Nowhere’ (directed by Scott Cooper) is that for a biographical film, it really does dive into the effects of fame, expectations, struggling with one’s past, and reconciling it with a future very much unlike where you once came from.
‘Springsteen: Deliver Me from Nowhere’, the film has excellent source material in the book of the same name mostly due to interviews with the man (i.e. Springsteen) himself in the book, previously released in 2023 by author Warren Zanes. I highly recommend reading the book before seeing the movie to get a fuller picture of how Springsteen’s unlikely first solo album came to be in 1982. While the movie takes some time away for some side plots not related to the album’s making, it does do justice to how ‘Nebraska’ came to be and how it almost got completely derailed. The romantic subplot, while competently acted, feels tacked on and somewhat distracting from the core narrative. I found myself wishing the film had dedicated more screen time to the mechanics and mindset behind Nebraska’s creation as the book had done that it is based on; its stark originality is one of the most fascinating aspects of Springsteen’s career, and the film sometimes glides past that too quickly and not deeply enough.
Commercial success puts a lot of pressure on any musician and even Bruce Springsteen was exhausted both mentally and physically from ‘The River’ tour with his first taste of super stardom. It’s hard to top that kind of album so his decision after the tour to seek some peace and quiet at a rental home in Colts Neck, New Jersey seems like a good step to get the writing process started again. In the film, Bruce seems introverted almost to a fault when he gets off stage, must sit by himself to have some quiet and enjoy the peace of his dry towel hanging over his head.
While he responds warmly to fans and to his love interest especially during his guest set at The Stone Pony in Asbury Park, you still sense he’s caught between who he was and who fame is forcing him to become. I enjoyed how the film shows that he is battling himself at times in terms of what direction to take his life on top of his unresolved issues of his past highlighted by his turbulent relationship with his father (played by the great Stephen Graham). Even when you’re popular and famous for your music, sometimes anyone would want to do, including Bruce, is to isolate oneself for a while and be somewhere where you aren’t recognized or don’t want to be recognized. Bruce wants to focus on his musical range and channel his creativity away from the record executives’ wants, away from the band, and perhaps away from everyone.
Jeremy Allen White nails the role, embodying Springsteen’s physical stillness, haunted expressions, and the restless mind of a young artist wrestling with ideas he doesn’t yet fully understand. Being able to master guitar playing, the singing, the panic of not knowing who he is at times and searching for lyrics and the meaning behind them are tall tasks for any actor to convince an audience of and Jeremy nails it throughout the film. White’s performance works because he understands Springsteen not just physically but emotionally: a rising star caught between inspiration and uncertainty, trying to decode the meaning of his own lyrics as he writes them.
Coming up with an album different than anything you’ve ever done before takes time, effort, and introspection, which helps Bruce to look for movies, books, and stories that help create the theme for what Nebraska becomes. While Bruce and the E Street Band are shown in the film as a tight band, hitting on all cylinders, and creating great music for their own album, Bruce feels passionately about making something of his own and letting it not be changed or influenced beyond what he put together in an upstairs bedroom of his rental house on a simple four track cassette. Even in the early 1980s, technology could have given Nebraska a cleaner, more polished sound. But Springsteen refused to smooth out the edges. He believed the atmosphere, imperfections, and claustrophobic intimacy of the demos were the very thing that made the album special.
In both the book and the recent film, Springsteen is not afraid of Nebraska failing or his other music not being well received. Rather, he is afraid of how not to crack up from what is haunting him internally. Money, fame, and a bright future do not make him whole, and being able to carve out your own identity, deal with your past wisely, and find a way to deal with depression in a healthy manner takes time, support, and sometimes admitting when you need to seek help.
Luckily, Bruce has a loyal manager, Jon Landau (played by Jeremy Strong) who is more than looking out for making money off the next hit Springsteen album. He shows that he cares for Bruce as a person and more importantly as a dear friend and wants what’s best for him, even if Nebraska is not the album he would have hoped to promote or the kind of musical direction, he wants from Bruce either. Landau wants Bruce to find inner peace and happiness more than just fame, success, and wealth, which not every manager wants for their star.
Bruce, like the characters in Nebraska, are imperfect people in an imperfect world, and even if the stories are ghostly, gruesome, or unpolished, like the album, they must be told and given room to breathe. Even from great solitude and from introversion, Bruce’s personal struggle in that time led to one of his best albums and is still being covered and listened to over forty years later. Nebraska wasn’t built for radio or for Top 10 charts, even if it did outperform expectations, but it was built for truth and showed the underbelly of hard lives and harder circumstances. Bruce’s childhood and dealing with his past are covered in the film and you get the sense that there would be no Nebraska if the artist hadn’t any struggles in life or not been tested by family or by fame or by his search for the next song.
‘Deliver Me from Nowhere’ isn’t just a book or a film. It’s a reminder that even legends hit that crossroads where success, identity, and truth collide. It’s a thoughtful, beautifully acted portrait of an artist wrestling with his past to shape his future. For Springsteen fans, it adds new insight into one of his most daring albums; for newcomers, it’s an unforgettable introduction to the man behind the myth. Nebraska was never meant for radio or music videos; it was meant for honesty and truth-telling. More than forty years later after this album first came out, that honesty still cuts through all the noise.
