Cultural Spotlight – Vallenato

For my last blog post regarding Colombian culture for a while, I’d like to focus on a form of dance that is very popular there, especially on the Caribbean coast. Similar to cumbia, vallenato is a form of Colombian folk music that is both traditional and innovative in its’ instrumentation, interpretation. If we were to translate vallenato to English, it would roughly mean, “born in the valley,” which refers to vallenato’s roots coming from the Caribbean region of Colombia.

The valley that is being referenced as having started this popular music is located between Sierra Nevada de Santa Marta and the Serrania de Perija. Vallenato is also partly named after the Colombian city of Valledupar where this genre of music originated. Vallenato has become so popular not just in Colombia but also in rest of Latin America making it apart of mainstream Latin music that is apart of the cultural heritage of that country and that region of the world.

Vallenato originated from the tradition of farmers who would travel from Colombian village to village on long journeys in their quest to sell cattle in local fairs or look for greener pastures for them. During these trips, the farmers would sing together, play guitars and other instruments like gaita flutes (kuisis), which were indigenous to the local culture. Since these farmers would travel often, they would often bring news and information to the different towns that they visited. Sometimes, these messages to the village folk would be delivered in the song form so that the towns would know what’s going on nearby in the valley.

Vallenato is an eclectic mix of different kinds of world music such as Spanish, African, and Amerindian. Vallenato songs started to become common during the early 1900’s from the Caribbean region of Colombia. The early forms of vallenato would come with instruments such as gaita flutes, guacharaca (percussion), caja, bass guitar, and acoustic guitar. Additionally, you could make the sounds more European by adding instruments like the accordion or the piano.

Since the early days of vallenato, the accordion has become an increasingly large part of the sound of the songs of this particular genre of music. While vallenato was originally a genre of music for lower class folk and farmers in particular, it has since become popular across all spectrums and social classes within Colombian society. Many subgenres have come out of traditional vallenato such as romantic vallenato, commercial vallenato, and new wave vallenato.

Since the heart of the vallenato genre deals with telling stories, it is a very social form of music. You can drink liquor, enjoy a nice meal, and even dance with a partner to this genre. Listening to vallenato can go well with having a family party, attending a festival, or checking out a carnival. Vallenato has become so popular that there are two main festivals devoted to it: the Vallenato Legend Festival and the Cradle of Accordions festival. Valledupar has also become one of Colombia’s most famous cities given the fact that it was the birthplace of one of its most popular music genres, Vallenato.

When it comes to vallenato, you cannot have a song without the caja, the guacharaca, and the accordion to flesh out the sound and rhythm. The caja, is a small drum, that you can place between your knees and play with your bare hands. This drum was originally brought over by the Europeans during colonization and was mainly used by African slaves for entertainment.

The guacharaca, a wooden, ribbed stick that most looks like sugar cane can be rubbed together with a small fork in order to create a scraping sound. This instrument is meant to imitate the sound of the guacharaco bird from the Cesar region of Colombia, who is known to hunt for food and dance to perform the mating ritual. Lastly, you can’t forget to use the accordion of German origin in order to get the different tones needed to fill out the vallenato sound. By using the right buttons and hitting the right reeds, you should be able to get the rhythm down.

Speaking of the rhythms of vallenato, there are four different beats that create a rhythmic structure and a melody chord structure to form the basis for a song. The four rhythms are known as son, paseo, merengue, and puya. The son and paseo are played in a 2/4 time while the merengue and puya are played in a 6/8 time or ¾ time structure. ‘Son’ is known as being the slowest and most somber movement of vallenato and also has a heavy cadence. ‘Paseo’ is probably the most widely recorded rhythm of vallenato is known as being the most consistent of the four rhythms.

When it comes to ‘puya’, it’s the easiest rhythm of vallenato for each musician to have a solo with one of the three main instruments. It also has a faster up-tempo and is the oldest of the four rhythms. ‘Merengue’, which is not the same type of music as the original genre, but is the fourth and last vallenato rhythm, and was brought to Colombia by some African tribal groups. It’s a more narrative style of vallenato and is played in decimas, which is a 10-line format with Spanish internal rhythms the came over to Colombia originally during the 16th century.

There have been many composers, singers, and groups of Vallenato bands that have emerged over the past century who have helped to contribute to this genre of music. Perhaps the most famous Colombian composer of Vallenato was Rafael Escalona, who composed a number of famous songs and was one of the co-founders of the Vallenato Legend Festival along with Consuelo Araujo and Alfonso Lopez Michelsen.

Many Vallenato groups have also become orchestras in both their large size and instrumentation. The most popular of these orchestras are Binomio de Oro de America, Carlos Vives y la provincia, and Los Diablitos del Vallenato. You also can’t talk about Vallenato without mentioning Silvestre Dangond, who has become maybe the most famous modern day singer and composer of songs in this genre.

He has become popular not only in his native Colombia but also in Latin America and worldwide. While originally a genre of music from Colombia, Vallenato has expanded its’ popularity to Latin America and the rest of the world to share with its’ listeners both the joys, sadness, and romance of life itself.

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Cultural Spotlight – Bachata

If you consider Salsa to be wild and exhilarating, then Bachata could be considered the opposite kind of music in that it is both suave and smooth. While Bachata may not be the most exciting kind of Latin music, it is a genre that is both popular and historical. It may not be as skill-based as Salsa or Merengue, but you do need to keep a good rhythm and there is a good amount of variation to this kind of dance. The most important thing to be aware of when dancing Bachata is to watch your steps and make sure you’re moving seamlessly with your lady or gentleman partner in tow.

Bachata is a Latin music genre originally from the Dominican Republic, which came of being in the first half of the 20th century. One of the cool aspects about Bachata is that it combines European, African, and Indigenous musical elements to really captivate its’ listeners and dancers. Jose Manuel Calderon of the Dominican Republic did the first compositions, which formed the original Bachata songs back in those early days of the 20th century.

Bachata is considered to be a mixture of its’ predecessors: Merengue, Bolero and Son, which are other distinct Latin music genres. Similar to Salsa, Bachata takes both the form of a song and the form of a distinct dance that are supposed to go together. The mood of a Bachata song can be either very exuberant or more melancholy. Bachata’s original name was ‘amargue’ which means ‘bitter music’ or ‘blues mules’ reflecting in its’ origins the fact that Bachata used to be more somber and reserved when it was first created in the Dominican Republic.

A surprising fact about the Bachata music genre is that it wasn’t always that popular until the past few decades. Throughout most of the 20th century, especially in the Dominican Republic, this form of music was associated with rural communities who were mostly working class or poor in terms of their status. For a long time, Bachata was not allowed to be played on television or radio because it was too vulgar or crass for the elite members of Dominican society.

However, this attitude began to change in the 1980s and 1990s when both the instrumentation and the styles of Bachata multiplied to become more urban and diverse. Bachata has ended up in the 21st century as being one of the most popular forms of Latin music, up there with both Salsa and Merengue, and is played in bars, discotheques, and dance halls all across Latin America.

Bachata requires a group of musicians playing diverse instruments in order for an actual song to be played from the genre and for dancing to occur. There are seven instruments that usually make up the structure, rhythm, and beat of a Bachata song. You have your ‘Requinto’ (lead guitar), ‘Segunda’ (rhythm guitar), electric guitar, bass guitar, acoustic guitar, bongos, and guira. While none of these instruments are mandatory, you need them all in order to create a dance-oriented form of Bachata rather than a more classically oriented form that is most similar to Bolero.

While Bachata started originally in the Dominican Republic and became popular there eventually after a few decades, Bachata has now become one of the most popular forms of Latin music in the region. You can find Bachata music playing in countries such as Cuba, Panama, Mexico, Honduras, Guatemala, Venezuela, Colombia, Chile, etc. Anywhere you go within the region, you’re likely to hear a Bachata song being played in your neighborhood or in your city.

The first Bachata songs that were composed by Jose Manuel Calderon, considered to be the modern founder of the genre, were titled ‘Borracho de amor’ and ‘Que sera de mi’. These songs came about in the early 1960s, which shows that the modern form of Bachata has been around for over five decades now. Hundreds of musicians, singers, and dancers have contributed to this unique and popular genre. Some of the more famous contributors to Bachata include names like Marino Perez, Leonardo Paniagua, Luis Vargas, Antony Santos, Juan Luis Guerra, and Romeo Santos. If you have the chance to listen or dance to some Bachata music, do yourself a favor and tune in, kick off your shoes, and enjoy this very popular genre of Latin music.