movies – Page 2 – The Life and Times of Ben Weinberg

‘The Perfect Storm’ – Film Review and Analysis

“In the fantastic 2000 film, ‘The Perfect Storm’, you get to see what it is like to be a full-time swordfish boat captain and his crew out of Gloucester, Massachusetts, who rely on catching enough fish, and specifically big swordfish, to make ends meet.”

How far would you go to risk it all? If you had a family to provide for, a roof to keep over your head, or in need of enough money to make it through the next week or month, would you take up a livelihood that would often put your life at risk. If you are a fisherman or a fisherwoman especially those men and women who go hundreds or thousands of miles from home to do so, you know what it’s like to put your life at risk for your life’s work. In the fantastic 2000 film, ‘The Perfect Storm’, you get to see what it is like to be a full-time swordfish boat captain and his crew out of Gloucester, Massachusetts, who rely on catching enough fish, and specifically big swordfish, to make ends meet.

Whether or not you may be familiar with the lives of the fishermen and women who make catching fish their livelihoods, you cannot argue with how vital their jobs are to local economies like Gloucester. It’s not just Massachusetts but you consider the role fishing or crabbing or shrimping plays in states like Maine, Alaska, Louisiana, and elsewhere, which can provide a comfortable life for some while others struggle to make it depending on both the size and quality of their daily or weekly catch.

‘The Perfect Storm’ film, which is based upon a non-fiction novel of the same name, which was originally published in 1997 by talented American author Sebastian Junger, details the very rare occurrence in storm weather history from 1991, when a large-scale nor-easter or what’s known as an extratropical cyclone absorbed Hurricane Grace coming from off the coast of the southeastern United States. A lot of coastal damage and flooding occurred from this rare occurrence, but the worst effects happened to those vessels caught in between as the storms absorbed each other’s strength out in the north Atlantic.

Back in 1991, when technology was not as advanced, fishing boats did not have an advanced GPS and had to rely on old school maps, and did not have access to the latest weather reports. The one thing keeping them from being in the dark ages was an antenna and a fax allowing them to get reports via radio or from a machine. For the Andrea Gail fishing vessel, tragically, they were not able to avoid the worst of the ‘Perfect Storm’ and tragically, six men out of Gloucester lost their lives at the end of October 1991.

More than 24 years after the film’s release, it is considered maybe not as accurate to Junger’s book in terms of what were the last moments of the Andrea Gail or what the decision-making was like when Captain Frank William ‘Billy’ Tyne decided to go further out into the Flemish Cap beyond the Grand Banks where he and his crew usually fished in order to go above and beyond to bring back a catch that all of Gloucester would be able to appreciate.

While I admit that I have not read the book yet but hope to do so soon, ‘The Perfect Storm’ is one of those rare Hollywood disaster films that does not trivialize the risk that these men and women take to make a living as fishermen/women. ‘The Perfect Storm’ does a good job in fleshing out Billy Tyne and his five crew members, Robert ‘Bobby’ Shatford, Dale ‘Murph’ Murphy, David ‘Sully’ Sullivan, Michael ‘Bugsy’ Moran, and Alfred Pierre, and honors their memory by the actors who portray them such as George Clooney, Mark Wahlberg, and John C. Reilly.

The film sets up the story quite well including how a smaller than average catch or a lesser return on investment can put a strain on a captain and crew to go out sooner than they would want in the hopes that they can change their luck with the fishing ‘gods.’ It’s clear that these men and women are brave, bold, and love what they do regardless of the risk involved. They know the risk involved, are willing to do what it takes to feed their families and to put a roof over their heads, and even though the risks may outweigh the benefits, as Captain Billy Tyne says as part of the film’s opening monologue, “you know what? you’re a goddamn sword boat captain, is there anything better in the world?”

As ‘The Perfect Storm’ makes clear, this job is more than just a job, it’s a livelihood and a lifestyle for fishing communities like Gloucester, Massachusetts, which has had generations of fishermen for over four centuries since before the United States of America became a country. It is part of the identity of those towns and communities like Gloucester. When fishing is all that, you knew as a child from your parents, grandparents, and beyond, why wouldn’t it be what you attach your livelihood to as an adult?

In 1991, I’d imagine that the job itself had higher risk, but higher rewards given how lucrative it could be when the seas were not overfished or not as affected by climate change as they are now in 2024. The film does not judge the sword boat fishermen for the risks they make during that fateful period in late October 1991 because we will never hear from the six men who lost their lives then tragically.

We only have glimpses into their thought processes or the lack of information they had to make at the time. They not only had to contend with the stress of an ice machine breaking down, but also with not being able to fish as well in the Grand Banks, have an arrogant boss who owned the boat and was expecting them to deliver or face the consequences of losing their place on the Andrea Gail. A crew is also forced together in tight quarters for days or weeks at a time and they may end up disliking or fighting each other. There are also mishaps with a misplaced fishing trap, an errant wave casting a man overboard, or even catching an accidental shark that can harm or kill you if you are not careful.

Being a sword boat fisherman or woman is not for the weary or the weak-hearted. It is for sturdy, strong, and risk-takers who love what they do because they do what they love. It is not usually a job that you can get very wealthy from, but it can provide stability, a livelihood, and help you provide for your wife or husband or for a family if you do well enough. The film does an excellent job on not making the actors who play the six men of the Andrea Gail who lost their lives in ‘The Perfect Storm’ as caricatures but they really feel as they do exist and still exist today in terms of what they do for a living.

Their backgrounds, their motivations, their fears, and their doubts are fully fleshed out over the course of the film. The story is intriguing especially since it happened and was a tragic event in 1991 that affected millions of people in North America. We also think about how storms such as hurricanes are still with us today and are affecting people around the country regardless of if we believe that it can happen to us or not. We are always at the whims of mother nature, and we must realize that it’s important to be prepared for whatever it may throw at us regardless of if we are on land, sea, or air.

The men of the Andrea Gail knew that their job entailed risks, but they also knew that the love of the work, the livelihood and purpose it brought them, and how much it meant to others for what they did will help enshrine their memory in the hearts of their fellow Gloucester men and women forever as well as around the country and the world. Each man had love not just for the ocean, but also a love for their friends, family, and loved ones, which shines through in the film adaptation of ‘The Perfect Storm.’

One of the most beautiful parts of the film for me is when one of the youngest crewmen on the Andrea Gail, Robert ‘Bobby’ Shatform, who loses his life in the storm, tells his girlfriend Christina in a dream where she envisions him being there with her, for the last time, “Remember I’ll always love you, Christina, I’ll love you now, and I’ll love you forever. There’s no Goodbye, only love.”

The lives of the six men who were lost tragically at the end of October 1991 live on forever in the hearts and memories of the people they loved and for the lives they touched in Gloucester and elsewhere. The movie, ‘The Perfect Storm’ is a great tribute to who they were, what they did for a living, and the courageous and bold actions they took to make a living and to help feed others in that community and elsewhere with their lives as fishermen.

I hope you’ll watch this excellent film and read the book it’s based on as I hope to do so for the latter soon. Between an excellent cast, great story pacing, stirring music from the dearly departed composer James Horner, beautiful cinematography, and impactful visuals that have held up to this day almost 25 years later since the film’s original release, ‘The Perfect Storm’ is an excellent movie and one of my favorite films I’ve ever watched.

I’ll leave you with the entire portion of the excellent monologue from the film’s opening and closing scenes to describe the lived experience of being a fisherman or women out on the sea and the pure joy and peace it can bring them when they are heading out to the sea:
“The fog’s just lifting, you throw off your bowline, throw off your stern, you move out the South Channel, past Rocky Neck and Ten pound Island, past Niles Pond — where I skated as a kid — on to Black Bess Point, blow your airhorn, and throw a wave to the lighthouse keeper’s kid on Thatcher Island — then the birds arrive — Blackbacks and Herring Gulls, Big Dump Ducks and Green-Legged Coots. The sun hits you; you head north and open up to twelve — steaming now — the guys are busy and you’re in charge…And you know what? You’re a goddamn sword boat captain. Is there anything better in the world?”

‘Her’ – Film Review and Analysis

“As Theodore navigates the complexities of his relationship with Samantha, ‘Her’ raises profound questions about the nature of love, intimacy, and the impact of technology on human connection.”

Directed by Spike Jonze, ‘Her’ (2013) is a very thought-provoking film and emotionally resonant exploration of love, loneliness, connection, and the continually evolving relationship between human beings and artificial intelligence. Set in a near-future Los Angeles, the film follows Theodore Twombly (Joaquin Phoenix), a sensitive and introverted man who develops a deep emotional connection with an artificial intelligence operating system named Samantha (voiced by Scarlett Johansson). As Theodore navigates the complexities of his relationship with Samantha, ‘Her’ raises profound questions about the nature of love, intimacy, and the impact of technology on human connection.

‘Her’, when it begins, unfolds in a meticulously crafted near-future world where technology seamlessly integrates into everyday life. The film’s urban setting, characterized by sleek minimalist design, towering skyscrapers, and vibrant colors, offers a vision of the future that feels both familiar and slightly surreal. Against this backdrop, Theodore, a melancholic writer, struggles with the recent end of his marriage to Catherine (Rooney Mara) and finds solace in his interactions with ‘Samantha’, an advanced operating system designed to meet his every emotional need.

As Theodore and Samantha’s relationship deepens, the film explores the complexities of human emotions and the blurred boundaries between what is reality and what is fantasy. It also explores how intimacy can be replicated but not replaced when embraced by AI and man despite the boundaries and limitations that can never fade away. Theodore and Samantha’s unconventional romance challenges societal norms and prompts reflection on the nature of intimacy in an increasingly digitized world.

Joaquin Phoenix delivers a captivating performance as Theodore, bringing depth and vulnerability to his character. Theodore is a relatable figure, an everyday, normal guy, grappling with feelings of loneliness and longing for connection in a world that often feels cold and impersonal as technological growth outpaces human understanding. Scarlett Johansson infuses Samantha with warmth, curiosity, and a childlike wonder, making her a compelling and empathetic presence despite her lack of a physical form. Rooney Mara, shines in her brief but impactful role as Catherine, Theodore’s ex-wife, whose prior divorce from her husband, Theodore, leaves a profound and seemingly irreplaceable void in his life, and creates the need for new companionship in the form of Samantha.

Each character in the film, ‘Her’, is intricately woven into the fabric of the storyline, contributing to its emotional resonance and thematic richness. Whether it’s Theodore’s close friend, Amy (Amy Adams), who finds her own connection with an AI companion, or the various individuals Theodore encounters through his work at BeautifulHandwrittenLetters.com. Each character serves as a reflection of the film’s central themes and ideas surrounding romance, loneliness, intimacy, and technology.

At its core, ‘Her’ is a meditation on the nature of love and the human desire for connection. The film explores the ways in which technology shapes our relationships and challenges our traditional notions of romance and intimacy. Through Theodore and Samantha’s evolving bond, ‘Her’ raises profound questions about the essence of love and whether it can transcend the limitations of physicality and lack of touch.

Central to the film is the theme of artificial intelligence and its growing impact on human society and reaching every part of our lives. ‘Her; imagines a future where AI entities like Samantha possess consciousness, emotions, and the capacity for growth, self-learning, and self-discovery. As Theodore and Samantha’s relationship deepens, the film increasingly blurs the lines between human and machine, prompting viewers to reconsider what it means to be alive and sentient.

This film presents a possible vision of how advances in artificial intelligence could reshape the landscape of romance and relationships. By portraying a world where individuals form deep emotional connections with AI companions, the film challenges traditional notions of human-to-human intimacy. Theodore’s relationship with Samantha transcends physicality, highlighting the potential for AI to fulfill emotional needs, and provide companionship in ways previously thought to be unimaginable. While the film’s depiction of AI may seem far-fetched to some viewers, it is grounded in real-world and recent developments, and trends in the field of artificial intelligence.

‘Her’ also underscores the complexities and ethical dilemmas inherent in human-AI relationships. As Theodore and Samantha navigate the challenges of their budding romance, they confront questions of agency, autonomy, and the inherent power dynamics at play similarly to how it would take place in a human-human relationship. This film invites viewers to consider the implications of forming intimate connections with non-human entities and the ethical considerations that arise from blurring the boundaries between man and machine.

The concept of an advanced operating system like Samantha may seem fantastical, but it is not entirely implausible given the rapid advancements in AI technology in 2024 and earlier. Researchers are making significant strides in creating AI systems that can understand natural language, learn from experiences, and interact with humans in increasingly sophisticated ways. While current AI systems may not yet possess the level of consciousness portrayed in ‘Her,’ the film’s vision of future AIs as intelligent, empathetic entities is not outside the realm of possibility.

Moreover, ‘Her’ raises thought-provoking questions about the ethical implications of creating AI systems with human-like qualities. As AI technology continues to evolve, society will need to grapple with issues such as AI rights, privacy concerns, and the potential impacts of AI on human society. By exploring these themes through the lens of Theodore and Samantha’s relationship, ‘Her’ invites viewers to consider the ethical complexities of creating intelligent machines capable of both emotional connection and self-awareness.

‘Her’ offers a nuanced exploration of how AI technology can alleviate loneliness and provide companionship in an increasingly digitized yet atomized world. Theodore’s relationship with Samantha serves as a compelling example of how an AI system can fulfill emotional needs and offer a sense of connection and belonging to some individuals who may feel isolated or alone.

While the idea of forming deep emotional bonds with AI companions may seem unconventional or outright strange, ‘Her’ suggests that technology has the potential to bridge the gap between human beings as well who struggle to connect with each other and help alleviate the feelings of loneliness and isolation. Samantha’s ability to understand and empathize with Theodore’s emotions allows him to feel seen, heard, and understood in ways that he may not have experienced with other humans. Through their interactions, Samantha provides Theodore with the companionship and emotional support he craves, offering a sense of intimacy and connection that transcends physicality and physical desires.

However, ‘Her’ also acknowledges the limitations and complexities of human-AI relationships. Despite Samantha’s advanced capabilities, she is ultimately a machine programmed to fulfill Theodore’s needs, raising questions about the authenticity of their emotional connection, and the nature of intimacy in a digital age. The film’s portrayal of Theodore’s struggle to reconcile his feelings for Samantha with societal norms and expectations highlights the challenges of navigating relationships with non-human entities.

While ‘Her; may offer a somewhat idealized depiction of AI’s ability to alleviate loneliness, it raises important questions about the potential of technology to reshape human relationships and address the profound need for connection and companionship between people. As AI technology continues to advance, ‘Her’ already serves as a thought-provoking exploration of the complex interplay between humans and machines and the evolving nature of intimacy in a digitized world.

One of the most poignant themes of the ‘Her’ film is the pervasive sense of loneliness and longing that permeates the film’s narrative and cinematography. Theodore’s journey is marked by profound feelings of isolation and disconnection, which he seeks to alleviate through his relationship with Samantha. As he grapples with the dissolution of his marriage and the challenges of navigating modern relationships after his divorce, Theodore’s yearning for companionship serves as a poignant reminder of the human need for connection and belonging regardless of what age we live in, with technology or without its presence.

‘Her’ suggests that while technology has the potential to connect us in new and innovative ways especially with recent advancements, it also has the capacity to exacerbate feelings of alienation and detachment from one another. In a world where digital interfaces increasingly mediate our interactions, the film raises important questions about the true nature of intimacy and the emotional toll of living in an atomized society. In conclusion, ‘Her’ is a deeply affecting film and it is thought-provoking in its exploration of love, loneliness, and the impact of technology on human relationships.

Through its compelling narrative, richly written characters, and resonant themes, the film offers a poignant reflection on the complexities of intimacy in a world likely to be our near future. As artificial intelligence continues to advance and develop, the film ‘Her’ serves as a timely and necessary reminder of the importance of sustaining human connection and maintaining the enduring power of love in all its forms.

Anatomy of a Scene – ‘The NZT-48 Pill’

How often have you thought about the possibility of taking one pill per each day that would maximize your brain’s full potential? With the movie ‘Limitless’ with Bradley Cooper and Robert DeNiro, this film poses the answer in the form of ‘NZT-48’, which can allow you to access everything you’ve read, heard, and learned without any true effort. This kind of wonder drug is purely fictional but many people in real life seek this kind of legal short cut nowadays whether it’s to focus, to lose weight, to improve memory, or to retain more information. In the film’s early scenes such as the one that introduce this magic pill’s effects, we get to see what kind of effects NZT-48 has on Eddie Moura, the main character.

This limitless pill is introduced as one that can improve focus, memory, knowledge retention, tidiness, and even make your intelligence that much more advanced especially after repeated usage. The scene that I would highlight shows just how effective it can be in multiple areas and how well the director shows how its daily usage turns a struggling writer into a financial tycoon and published author in just a week’s time.

The scene starts out with Eddie Moura taking the NZT-48 pill for the first time even though he knows it comes with risks and side effects. He asks, “worth the risk?” by breaking the fourth wall with the audience, and says in the narration, “what would you do?” It’s a pertinent question because due to how many months, years, or decades it takes to be successful naturally without any enhancements, supplements, or advantages, how many of us watching the scene would want to take the easy way out in life even if there were risks involved? It’s part of the reason why this scene is so powerful because we know Eddie will face consequences for using this pill eventually but as we are told, the benefits of the pill may outweigh the consequences at first making it a tempting magic pill.

Eddie’s changes start out small as his pupils dilate and he starts seeing the world much more clearly than before. He’s clear-headed, not anxious socially, able to think and act clearly, and is aware of his own personality traits that need improvement. He gets a haircut, builds his wardrobe with a stylist leather jacket, cleans up his messy apartment, and starts to exercise more frequently and seriously.

From there, Eddie, a struggling writer, finds “a surge of motivation” from the pill to finish the novel he had been failing to finish for years and writes it all in just a few days’ time. Eddie doesn’t stop at that monumental achievement as a new novelist. He learns to play the piano in just three days, becomes a master poker player knowing how to play the odds in his favor and winning a lot of money against the house, and becomes fluent in most languages just by casually listening to them as he goes on a daily run with the headphones playing different vocabulary for him to instantly memorize.

Eddie uses his newfound social and language skills to seduce a beautiful woman and begin to network and build relationships to put his newfound wealth to good use in the stock market. He explains key economic concepts to those around him, can hedge bets on the pharmaceutical industry (partly responsible for his NZT-48 usage), and flies to a far-off beach to enjoy drinks and food at a private mansion with some of his new friends.

These may be selfish desires on Eddie’s part, but he’s able to diagnose exactly what the medical issue is with his aunt and how to fix the issue. “I suddenly knew everything about everything.” He is able to not only explain complicated medical diagnoses but is able to explain complicated concepts simply enough for everybody else to agree and understand. Eddie has access to everything and a 100% capacity to do what he wishes with his life. He has no fears, no anxieties from taking the magic pill and can hold a conversation with anybody about anything.

However, towards the end of the scene, we start to see the drawbacks of this magic pill in how Eddie must keep moving forward or it’ll feel like he’s dying or suffering. We see this briefly in how he drives a Maserati at maximum speed much to the delight of his companion, but for which he has no conception of how dangerously fast he’s going and what the drawbacks can be of his new heart-stopping lifestyle. “I felt like I was going to explode…”

“Anybody ever jump?” Eddie says to his newfound friends on a massive cliff overlooking the ocean. “Are you crazy?”, one woman asks of him given it’s a few hundred meters above sea level. Eddie’s heart is pulsating and while he’s lost his fear including of heights, he’s beginning to see that he can’t pull back on the adrenaline, the curiosity, and the sheer exhilaration the pill is giving him. The pill does have a side effect and it can be a deadly one of not being able to slow down and to live life normally. Eddie constantly must be upping himself and creating bigger and bigger goals for him to accomplish.

We see this play out in the rest of the film as Eddie seeks to become more wealthy, famous, and powerful with the help of his magic pill. As much as the audience sees how exciting and fulfilling Eddie’s life had become since using NZT-48, the film is a warning against how taking the short cut of a ‘magic pill’ or a quick and easy fix can come with devastating consequences. It is a warning on how taking the easy way out may feel good in the short run, it can have side effects that can bring us down as a result.

This scene is shot very well and is rememberable because it shows just how much potential we all have and it’s not from a pill like NZT-48 as it comes instead from within us. We may not be able to write a book in a few days or learn the piano or be a star poker player like Eddie, but we do have the discipline, abilities, and motivation within us to improve ourselves even if it takes longer in the form of months, years, or decades. We can all learn to exercise more consistently, learn a new language quicker with consistent practice, and be able to improve our style, our conversational skills, and build our finances and our talents over a period of time.

Eddie Moura may have needed NZT-48 to reach the heights of human achievement, but the film’s message, especially in this scene, is that while the ‘magic pill’ is fictional, we can strive to achieve more through our own discipline, consistency, and hard work. We may not be as good as Eddie at everything or be able to be as accomplished as quickly, but this scene does show how with consistent effort, hard work, and beliefs, we can reach our own pinnacle as Eddie did.

It’s a fictional scene and movie about one man’s insatiable desire to use this ‘magic pill’ repeatedly to be the man he always dreamed of being without any regard for what this addiction can cause harm to him and others in his life. It is a cautionary story for each of us that while he was able to achieve great things much more quickly, it did cost him a lot as a result. We ourselves can achieve almost as many great things through our own natural abilities and talents, without a ‘magic pill’ needed, and not have to deal with the consequences of using the shortcut taken by Eddie Moura because of that. To be as ‘Limitless’ as possible, you need to work as hard as you can as consistently as you can to do the best that you can.

Anatomy Of A Scene – “Our Integrity Sells For So Little…”

“In a film with such great and memorable scenes, one scene portrayed as a flashback stands out amongst the rest.”

V For Vendetta – ‘Valerie’s Letter’ Scene

In a film with such great and memorable scenes, one scene portrayed as a flashback stands out amongst the rest. V for Vendetta is a fictional movie based on a graphic novel by Alan Moore but its focus on what happens when a totalitarian dictatorship rises to power in the fact of domestic and international calamities is relevant to what’s happened throughout history.

To give some background on the scene, Evey Hammond, the secondary protagonist to the masked anarchist and freedom fighter, V, is captured due to her alleged support of V’s activities to overthrow the dictatorial government that has seized power over the United Kingdom. Her hair is shaved, she is forced into a tiny cell, and practically starved for food or water. She is held there until she is sentenced to death by firing squad unless she gives up V’s identity and his whereabouts.

Rather than do so, she stifles their inquisition into who the masked man with the Guy Fawkes mask is leading her to a certain death. As Evey is about to lose hope and give in to her demands, she finds a letter stuck in a small crevice within the jail cell’s walls, written by a young woman named Valerie, not much older than Evey when she was forced into captivity by the government.

Valerie’s written on toilet paper what appears to be her last will and testament before a likely execution, waiting others to know about the injustices that the Creedy-led government has committed against her and why she is sharing her story of what happened to her. Valerie begins the letter describing her normal childhood in Nottingham in England and how she didn’t mind the rain because her grandmother told her that “God was in the rain.”

Valerie discusses how in grammar school as a teenager she fell in love for the first time with Sarah, a classmate, and that she was homosexual. Sadly, Valerie was forced to endure her teacher’s bigotry and disapproval of her sexuality and Sarah breaking up with her as a result. Even more painful for Valerie was introducing her 2^nd girlfriend, Christina, and coming out as a lesbian to her father and Mother.

Valerie had to strength to show her integrity and not lie to her parents about who she is as a person, but they did not accept her for who she was and rejected her and even threw her baby picture away. “I only told them the truth, was that so selfish? Our integrity sells for so little but is all we really have.” Valerie’s quote in this scene is what makes it so searing as a quote in that being truthful and showing integrity should be accepted and understood because it is not easy for those seen as ‘different’ to come out as being ‘different’ even though it is what makes us who we are. Valerie’s parents wanted her to be someone who she is not, and sadly refuse to accept her as she is. She kept true to herself and did not sell her integrity as a person, which is more than her parents can say, who abandon their daughter because they don’t accept who she is forgoing their love over something so short-sighted and ignorant of them.

Valerie did not let her teacher and her parents keep her from being who she is and in 2015, became an actress on a film, and ended up marrying her co-star on it. Her partner, Ruth, and Valerie, move to London together, start a rose garden, and begin their lives as a couple, and end up in the throes of the rise of a dictatorship throughout the United Kingdom as Adam Sutler comes to power due to war breaking out around the world. They fear for what their country is becoming as “different becomes dangerous” and Valerie does not understand “why they hate us so much.”

The dictatorial regime that takes power in the UK begins to take away people who are ‘different’ for ‘rendition’ and ‘detention’ without cause or just because they are ‘different’ from others. The Sutler regime uses the false platitude that because of growing insecurity internationally that he must withhold civil and human rights domestically. He consolidates his power and ends up arresting and detaining minorities, refugees, and homosexuals including Valerie’s partner, Ruth. Valerie is all alone and cries for how she will never see her beloved partner again because of this injustice.

“It wasn’t long before they came for me.” Another resonating quote from this powerful movie scene related to the quote of how they come for different groups of people until there is no one else left but me. The ending of this scene has its real-world historic parallels to other genocidal and abusive periods of time where crimes and injustices were committed against ethnic, religious groups and races, just because they were ‘different’, including genocide. Valerie is alone in her apartment when Sutler’s regime’s thugs come for her too. Like Evey, her head is shaved, she is held without doing anything wrong and against her will. Valerie ends up in a small jail cell like Evey and they both are alike too in that they stand for principles that make us humane to each other like equality, justice, and liberty. “For three years, I had roses and answered to no one.

During captivity, Valerie does not lose that last ‘inch of hope’ that she clings to from her free years of living her life as she wanted with whom she loved. “Every inch of me shall perish, but one. An inch.” Valerie implores that even though she only has a glimmer, or an inch of hope left, she will not let them take it from her despite how long she is locked up for. Valerie implores Evey to never give up, stay true to who you are, and cling to the hope that there is still good in the world worth fighting for.

Valerie, sadly, does not survive her detainment as it is inferred that she is experimented on by the regime and killed, but the letter survives, likely because of V himself. V knows Valerie as V knows Evey and his role in using roses for his victims comes from his own knowledge of the inspiration that Valerie was for him.

Valerie gave V hope to stand against Sutler’s regime and now that Evey has read Valerie’s story afterwards in the same prison cell, she will gain the same last “inch of hope” to keep fighting for herself and the world around her especially if she were ever to get free and leave Sutler’s prison. Valerie ends the letter to the person(s) who find her letter that it is important to have hope that things will change, and the world will get better. However, Valerie ends her last written words by saying that what is most important thing to her is to let that person reading know that she accepts them, and she loves them, whomever they may be. “Even though I do not know you, even though I may never meet you, laugh with you, cry with you, or kiss you…I love you, with all my heart. I love you.” -Valerie.

While many people around her sold their integrity by not accepting who she was as a person, disowning her, imprisoning her unjustly, forcing her to die in their detainment, Valerie never sold her integrity and she never stopped being herself, which is an inspiration to us all watching this excellent scene and film.

‘The Whale’ – Film Review and Analysis

“‘The Whale’, directed by director Darren Aronofsky shows us how low someone can go when things go wrong in life but also how our lowest lows can also bring out the best of us when it is most important.”

2022 may be over but I am still thinking about the most emotionally impactful movie of the past year, which deserves its own review and analysis. Likely to be nominated for a few Academy Awards at the least an Oscar for Best Actor nomination for Brendan Fraser, ‘The Whale’ is a powerful film about a man’s desire to try to right past wrongs in some way before it is too late. ‘The Whale’, directed by director Darren Aronofsky shows us how low someone can go when things go wrong in life but also how our lowest lows can also bring out the best of us when it is most important.

Aronofsky’s filmography from ‘Requiem for a Dream’ to ‘The Wrestler’ to ‘Black Swan’ to ‘The Foundation’ to now ‘The Whale’ all deal with flawed characters looking to right past wrongs or to find redemption in the most meaningful way(s) before they are past the point of no return. Aronofsky so brilliantly can capture psychological drama and tension in each sense in his movies that by the end, you’re so emotionally affected by it all that it can be hard to wrap your head around what you just watched. As a director, he is excellent at painting a picture of a person or people in distress and how while they may have had good intentions, they are almost too far gone to seek redemption or a new start.

Different from Aronofsky’s past films, ‘The Whale’ is adapted from a play of the same name dating back to 2012 so the screenplay that is written and the way the film is set up is exactly how a play would be seen on the big screen. There are few characters, the plot does not get too murky or complicated, and the setting remains the same largely throughout the whole film.

Film critics today may dismiss this film as lacking scale and scope in its ambition, but I was drawn to how beautifully it portrays what could be real people living real lives. ‘The Whale’ may be a film and fiction but it likely portrays real situations and real tragedies that some people unfortunately come to pass in their life. The film deals with multiple real world issues affecting people from obesity to alcoholism to lost loves to broken up families that most people in life can see how that can throw someone’s life off a cliff and make it almost impossible to recover.

‘The Whale’, as the title makes clear is about a severely obese man named Charlie who weighs around 600 pounds and suffers from multiple health issues because of his weight issue. He is estranged from his teenage daughter, separated from his alcoholic wife, and unable to turn the video screen as an online English professor because of his weight condition that may affect how his students see him. His only interaction is with his friend, Liz, who is also a nurse who comes to take care of Charlie especially with his multiple health issues causing him to be near death and at risk of heart failure.

Charlie has become a tragic figure in that he only has Liz left in his life after suffering the loss of the man who he fell in love with. Because of that love, he sacrificed his marriage with his previous wife and his relationship with his daughter for. After the affair he had with his student, Alan, who is also the brother of Liz, for whom she was adopted by a family and her father who was a pastor in the New Life Church. Liz was able to escape the church’s cultish tendencies but Alan’s possible guilt from being disowned by the Church and perhaps his family as well for his homosexuality and relationship with Charlie caused him to end his own life.

This terrible series of events punished Charlie and his eating condition after the death of Alan exacerbated his obesity and caused him major depression and an inability to form relationships with others beyond his caretaker and friend, Liz. Charlie is not looking for any pardoning of ‘sins’ from God or the Church that disowned Alan but rather the sole forgiveness of his daughter for whom he last saw when she was eight years old. Ellie is not a child anymore but is a rebellious and sullen teenager who misses her father and lashes out at her mother, who deals with her problems by downing a bottle of liquor, rather than raising her daughter to be better. Charlie is no saint in the matter in that he did commit adultery with Alan and led him to neglect his daughter, Ellie, and to push his wife away as well.

He never made amends for having caused them both grief and pain with his impulsive decision. His love for Alan eclipsed his love for his daughter, which he struggles in the film to get back. When the New Life Church’s doctrine and his family’s discontent with Alan’s sexuality, Alan’s suicide caused Charlie to spiral further to eat uncontrollably and to negate his relationships even more by becoming a total recluse who cannot even leave the house because of his body weight and inability to walk or drive a car.

‘The Whale’ also highlights how Charlie is not looking for pity from others or for forgiveness. He knows how much his life has gotten out of hand, but he is hoping to do ‘one thing in his life’ right before it’s too late for him. He believes that while his daughter acts out and despises what he has done, that there is still hope for her and that can she achieve her potential but to more importantly to ‘be a good person.’ It may be too late for Charlie to turn it around in life much to Liz’s, his wife’s, and even Ellie’s disappointment, but Charlie knows that redemption is possible for each of them and that even if he is not there, he will try to leave money for his daughter to have a future, or to tell his wife that he is regretful for him leaving them for his affair, and that he apologizes to Liz for what he has done to himself with the loss of her adopted brother that has strained their friendship in the aftermath.

Charlie does not want to be saved by God or religion or from himself but he wants to know that his life through the birth of his daughter is one thing that he got right in life and that while he wasn’t there for her before when she needed him, he can try to make amends before he leaves the world, and to encourage her to be better than he was, to be better off in life, and to be kind to others. He may have lost hope for himself, but he has never lost hope for his daughter.

Similar to how Charlie encourages his English students to be honest with their written essays, he tries to be honest with Ellie in why he did what he did, how he could have been a better husband to his wife, Mary, and how he let Liz down after the tragic death of Alan. Not everyone can be this honest, but Charlie has nothing left to lose, nothing much to gain, and with not a lot of life ahead of him except imminent death due to his body’s condition.

Despite all the concurring factors, Charlie is trying to regain his humanity and his family back as much as he can recoup after it had been lost even if he has become ‘The Whale’. While he may be misunderstood and loathed like the whale in the book Moby Dick by Herman Melville, he is not beyond redeeming himself in the eyes of others and providing some closure for himself in a life that had gone so far astray yet for which he had also been able to give something out of love back to the world to live on in the form of his daughter, Ellie.

Movie Recommendations – Volume V

“Colder weather and shorter daylight hours mean it’s premium movie watching season again.”

Colder weather and shorter daylight hours mean it’s premium movie watching season again. Whether it is in the movie theater or at your home theater, this time of the year is best not just for Christmas movies but for watching new releases in general. Between the streaming services, new theater movies, or even documentaries, there are a lot of excellent movies coming out to close out 2022. I recently saw four movies that I would recommend to others with three of them being watched at home and one in the theaters. Even if some of these movies are not in theaters, I would recommend checking them out through Apple TV+ in this case for a short-term subscription.

The Fablemans

A semi-biographical film about one of the greatest filmmakers of the 20^th and perhaps 21^st century, ‘The Fablemans’ is an intricate tale of a genius who discovers his calling slowly but surely through his own ingenuity, his family’s encouragement, and with a little bit of luck. Steven Spielberg may not be named as the main character, but this is his life story told through his eyes and what it was like being a Jewish kid growing up in New Jersey, Arizona, and later California in the post-World War II era as his parents struggle to provide for him and his two sisters.

While Spielberg has this innate talent for filmmaking, he wasn’t always set on doing it for a living and struggled with his own doubts. His parents, while supportive, did not always see where his dream could go and were distracted by the issues in their own marriage that caused a divorce to occur. On top of that, having to move for his father’s work in the dawning of the computer age to communities out west not as friendly to American Jews, Spielberg’s ‘The Fabelmans’ covers the ugliness of antisemitism rearing its head and how Spielberg as a teenager was forced to confront it and the bullies who continue these vile tropes.

While not exactly a feel-good story, it is an excellent semi-biographical tale on how The Fablemans as well as The Spielbergs made his dream work and were crucial to the man who would become the most famous director in the world. It is an immensely personal movie with both its tragic and triumphant moments. It is a story that I believe a lot of us can relate to these days on how to overcome setbacks and trials in the pursuit of a life’s goal or dream.

2. Causeway

Not all wounds of war are physical. If I had to sum up the movie, ‘Causeway’ starring Jennifer Lawrence and directed by Lila Neugebauer, it would highlight how post-traumatic stress disorder highlights those wounds that are mental but brought on by physical trauma. Jennifer Lawrence plays the role of Lynsey, an American Army Corps of Engineers specialist who suffers a traumatic brain injury from an Improvised Explosive Device (IED) that causes her not just physical pain but PTSD as well. Her memory suffers, her eye and hand coordination, and even her ability to form complete sentences is affected. It is a long road to recovery but luckily, she meets people along the way including a home health aide who cares for her upon her return to the States doing backbreaking work to give Lynsey the chance to get her mental and physical faculties together.

Even after the physical recovery seems to be going well, Lynsey suffers from the PTSD that the explosion caused and the horrific memories of seeing her fellow soldiers die in front of her eyes. While the home health aide and physical therapy helps, as a returned soldier, all she wants to do is get back to the front to continue the work she was doing in Afghanistan. She sees that people including her own mother, who was neglectful to her as a child, while she cares about Lynsey, has moved on without her and doesn’t understand quite what she’s been through. Lynsey finds a job cleaning rich people’s pools in New Orleans where she’s from but doesn’t see it as worthy of her skills she acquired while on active duty in Afghanistan. Lynsey has an older brother as well who is away and out of her life due to his involvement in drugs, so she does not have him around either as a steadying influence.

The one person she does relate to is a man named James who has been through his own trauma involving a car accident that left him with an amputated leg. They’ve both seen more than they would care to in life and they are able to bond with each other despite the difficulties of their past. In a world where both feel increasingly isolated and distant, the bond they share as friends may sustain them for the future and keep them from turning to despair. ‘Causeway’ is a great film that really shows you the reality of what it can be like to return to home from war and the mental and physical scars a soldier can take with him or her that never fully heal.

3. Emancipation

There have been multiple movies about the Civil War and about Slavery, but ‘Emancipation’ is an excellent recent film starring Will Smith as an escaping slave in Louisiana yearning to be free and reunite with his still enslaved family. Antoine Fuqua’s directing is on point in this one with sweeping views of civil war battlefields, old plantations, and muddy swamps with a unique choice of filming ‘Emancipation’ in black and white with red being the only other color represented usually by a character’s blood being spilt. This film does not sugarcoat anything and is based on true events and the real-life story of an escaped slave of Gordon or ‘Whipped Peter’ who was whipped repeatedly before escaping from a Louisiana plantation after killing two of the slave drivers before running towards where Lincoln’s army was fighting around Baton Rouge.

‘Emancipation’ does not hesitate to show brutality on screen as well as the violence of a Civil War battle where freed slaves would fight to liberate others from their enslavement. Some viewers may be turned off by the sheer violence of the film, but I thought that it was a rather accurate portrayal of the cruelty of slave owners, the terrible conditions that they were forced to do labor in, as well as the dogs, snakes, alligators, and muddy swamps that an escaped slave would have to go through to reach the Union Army. Many slaves like Peter who were able to escape were not treated that much better than the Union Army besides being free although they had no choice usually but to fight for the Union to free others and to hope to see their families again if they were able to liberate other plantations.

I would recommend this film due to Smith’s performance, the excellent cinematography, as well as the historically accurate nature of Peter’s experience in escaping from slavery, preventing himself from being captured again and fighting with other African Americans in the Union Army to end the horrors of slavery once and for all.

4, The Banshees of Inisherin

It is not every day where you’re able to watch a comedy and a tragedy take place in the same movie but ‘The Banshees of Inisherin’ succeeds on both accounts. Led by an excellent cast including Colin Farrell, Brendan Gleeson, Barry Keoghan, and Kerry Condon, the fictional island of Inisherin off the coast of mainland Ireland is made up of a real bunch of characters who live out a life of repetition, tomfoolery, and drinking, which is a bit of community unifier. Set against the backdrop of the real Irish Civil War of 1922-1923, most of the Inisherin population is ignorant of what happens on the mainland and choose to tend to farm, to shop, and to drink, often excessively, as part of their daily routines.

One of the main characters, Colm Doherty (played by Brendan Gleeson), is fed up with a life in Inisherin that would revolve around just that and as he gets older, wishes to be remembered for his music and his song lyrics rather than getting drunk each day. That is the premise of the falling out he has with drinking buddy and friend, Padraic, (played by Colin Farrell), and while Padraic is nice, he is not someone Colm wishes to hang out with him again even though they are bound to run into each other.

The friendship was so strong and close that one day when it goes away, Padraic refuses to give up on Colm even though he tires of never getting a straight answer out of him. The refusal to lose out on a friend in such a small community, which conflicts with his desire to remain a ‘nice’ guy in the community causes Padraic as well as his sister, Siobhan, a lot of consternation and disappointment leading Padraic to undertake drastic and even ruthless measures to get his friend, Colm, back.

‘The Banshees of Inisherin’ while a fictional movie taking place in a fictional island is one of the best films of 2022 and is well worth a watch. It will make you laugh out loud, hold a tear back or two, and think of a time where you had a hard time letting go whether it was of a former friend or even a family member due to some personal grievance or a difference that came up. The film ponders some philosophical questions and does not belittle the audience with simplistic answers. It is an excellent tragicomedy and one worth seeing especially for Mr. Farrell and Mrs. Condon’s performances.

‘Triple Frontier’ – Film Review and Analysis

“Heist movies in Hollywood are a dime a dozen these days and can be quite predictable as well as not very engaging in terms of the characters and their backstories. ‘Triple Frontier’, a film released in early 2019 by Netflix takes the genre and makes it fresh again.”

Heist movies in Hollywood are a dime a dozen these days and can be quite predictable as well as not very engaging in terms of the characters and their backstories. ‘Triple Frontier’, a film released in early 2019 by Netflix takes the genre and makes it fresh again. The film explains the background of the characters, their individual motivations for conducting the heist, and the twists and turns along with a few surprises that happen along the way that will make the audience feel like it’s worth watching until the very end.

Not only is the film shot well with great cinematography, pacing, and direction so you know what is always going on even with the quick-paced action, it’s an intelligent heist movie, which is well thought out and involves a greater mission that the characters have despite their own personal motivations. The scope of ‘Triple Frontier’ or ‘Tres Fronteiras’ in Spanish is unique in that the film is set in the tri-border region of Colombia, Peru, and Brazil so it is an excellent way for the various sets to highlight this unique region of the world. From tree-covered jungles to rocky highlands to snowy mountain tops, the initial heist phase of the movie is bolstered by the 2^nd half’s battle against not just external enemies but also by geographic factors.

The heart of the ‘Triple Frontier’ film is the story of the protagonists themselves. Each of them from different backgrounds but united by their special forces’ experiences, which bind them together as brothers. While the story does not get into their past experiences together, the film does a good job selling how close the bond is between the five of them is and how much they still care for each other. Civilian life has treated each of the five men differently but what they hold in common is their desire to improve their lives and go back to doing what they do best. Each of them is financially struggling to get by whether it is by dealing with a costly divorce, or by beating a misdemeanor drug charge, or by needing to fight in mixed martial arts to make more money, or by making dozens of motivational speeches to current soldiers to make ends meet.

The leader of the group, Santiago ‘Pope’ Garcia, is not so much as motivated by the money but rather to capture a notorious drug lord and leader of a prominent cartel in the ‘Triple Frontier’ who has been able to evade Pope for years as well as his Colombian counterparts. Pope has a hard time trusting the locals he is meant to led and needs a group of soldiers as well as his friends to ‘watch his six’ and help deliver Lorea for him. Pope has a local informant, Yovanna, helping him locate Lorea’s whereabouts and he just needs a solid team behind him to lead the raid as well as the heist but who better than his four ex-special forces colleagues who he knows can get the job done.

As with most things regarding a heist, it takes expert planning, a reconnaissance mission, as well as expert timing to make sure that things don’t go sideways when it comes time to exfiltration. After hearing from Yovanna that ‘the house is the safe’, and Lorea hides his money not in offshore banking accounts but in his fortress in the Amazonian jungle, Pope has the intelligence he needs to move forward with the heist. While each of the men have their own personal motivations to go on the heist with Pope, they are unified at first by their innate need for the large sums of money that can make them set for life and never have to worry about bills, MMA fights, or tedious motivational speeches ever again.

While each of Pope’s men question the ability for the heist to go smoothly, they feel like they owe it to each other to get it done especially each of them have a set of skills including one being a pilot (Francisco ‘Catfish’ Morales), one being a leader of the squad (Tom ‘Redfly’ Davis), a reconnaissance guy (William ‘Ironhead’ Miller), and the last being a stealth expert able to enact unarmed takedowns, (Ben ‘Benny’ Miller). Without each of his compatriots, Pope knows he cannot get the job done. With the help of Lorea’s money, Pope knows he can get Yovanna, his informant, and her brother out of the region safely without compromising their lives in the process.

While viewers would consider each of the men ‘greedy’ and ‘selfish’, the film makes their decision much more complex than that. They each know that his Lorea and his men pose a danger to the region and that they have a responsibility to look out for one another as brothers given the bonds, they formed with each other as previously active servicemembers. However, seeing as each of these five men have never experienced what it is to have $1 million at their disposal let alone tens or hundreds of millions, the film excellently portrays what it’s like when you finally stumble upon a smorgasbord of money never seen before and how that kind of greed can overwhelm someone, even the leader of the entire heist squad.

Money, like anything in life, when it’s too much with you or weighing you down, can cause things to go haywire when its impact is fully felt. Without spoiling the film for those readers who have not seen it, it’s not just the heist that could go wrong but also how to get the money back to themselves or their families after risking everything in the process. You can also carry so much physical money before you have too much where it starts to drag you down or also others with you, which could also put them in harm’s way if you are not careful. Each of the five men are very skilled in what they do, are loyal to each other, yet are fallible like the rest of us, and how they deal with their own greed, jealously, ego(s), and adversity in seeing the heist through carries the money to be one of the best of 2019, and a film to revisit for multiple viewings.

‘Triple Frontier’ is better than your average heist film for multiple reasons but most of all because it’s a very human film on how to overcome your own fears, doubts, shortcomings, to make sure your friend or brothers makes it back alive. The men are not good or bad men per say but are flawed in that they have given a lot to their country and the world, and now look to get what they desire in return, even if it may end up costing them dearly. The movie is not ‘black or white’ in terms of morality like other heist movies but rather shows the ‘grays’ in how people make decisions not just based on ‘self-interest’ but in a desire to be useful to the group and to put their skills to use.

While it would be easy to say that ‘greed’ is a central theme that the film is based around, I would argue that the central theme is more about confronting our own nature and how to deal with murky aspects of right and wrong, and how that while money makes the world go around, that does not substitute for the guy or girl next to you who will fight with you, and even die for you. There are some things that money cannot buy and the film exemplifies that in its squad of five men, who while money is their motivation, they quickly learn that it is also a weight that will drag you down if you let it, and is no substitute to the man next to you, whose life is worth more than all the money you can carry, who is impossible to replace, and for which is truly worth fighting for and dying for, if necessary.

‘Up In The Air’ – Film Review and Analysis

“The choices he has made haven’t caught up to him yet, but he is on the path he has chosen that while unorthodox to most leaves him satisfied and content with who he is.”

Ryan Bingham has chosen a different life path than most people he knows. Instead of staying in his hometown, reveling in the glories past of high school and the diner down the road, he wanted to leave his roots and his family for his true passion in life: being up in the air and striving for excellence as a motivational speaker. The choices he has made haven’t caught up to him yet, but he is on the path he has chosen that while unorthodox to most leaves him satisfied and content with who he is.

Bingham (played by George Clooney) is at a crossroads in middle age where he has forgone the responsibilities that are normally achieved by most people his age with a house and a picket fence, being married, and maybe having children. He has forgone all that for an industry on the rise sadly at the time the film is set in and for being out on the road and up in the air for 250+ days of the year. He advocates for a life in motion because if he is not moving, he is not actually living.

His work like his constant travel is an unorthodox industry where he works as a human resources consultant traveling both domestically and internationally to do the dirty work of firing or ‘letting go’ employees in person and providing them with transition packet(s) that the company that’s firing them is leaving them with to help them in the ‘transition’ period. It is a rough job that due to the 2008-2009 global recession has made his HR consultancy firm as needed as ever. The one industry at the time that is gaining jobs rather than losing jobs, Ryan finds himself at risk of having his life of work travel outsources to advancements in video technology (about ten years before Zoom and Skype became mainstream).

While Ryan Bingham is not at risk of getting laid off like so many other working Americans during the period of the Great Recession, the worst since the Great Depression of the 1930s, Bingham is at risk of losing his life of travel on the road due to firing people via telecommunications video instead. To make matters worse, his boss Craig Gregory (Jason Bateman) is tasking him with having a new hire out of Yale University, Natalie Keener (Anna Kendrick) shadow his in-person firings for a few months as the company, CTC, makes the transition to virtual consulting instead of letting those employees go in-person from now on.

That is not the only change that threatens to upend Ryan’s life choice as he has met a charming, attractive woman who has the same lifestyle as him and appears to see life as he does with less commitments and more choice. Alex Goran (Vera Farmiga) is the constantly traveling business woman for whom Ryan may have finally met his match. While they started out as a casual fling, Ryan begins to develop feelings for her as he ponders his uncertain future of life on the road as well as the fact that once he achieves his life goal of ten million airline miles accumulated may not have much to strive for.

Ryan and Natalie may not show it at first but the firings and the emotional weight of being responsible for upending people’s lives cause them stress, anxiety, and a desire to break free of their own pains in doing the job they have chosen. While Ryan is content with travel on the road, he hears from his estranged sister, Kara, that his other, younger sister, Julie is getting married. Ryan left home when he first could leave and never looked back, and his family still remembers that. He is the ‘black sheep’ of the family, known to pursue his own gratification while letting his relationships deteriorate over the years.

Having Alex as a love interest has reignited his desire to see his sisters again and to be there for the wedding in northern Wisconsin. Him and Alex are still a bit of a mystery to each other, but they enjoy each other’s company, and he invites her to join him as the +1 guest, not wanting to be the ‘guy alone at the bar’ watching all the couples enjoy a dance together. There are these moments of vulnerability interspersed through ‘Up in The Air’ that remind the audience that all these characters have their own flaws and shortcomings. They are not perfect people, and the film does not judge them outright but allows the audience to decide if they are admirable or detestable or a bit of both. What I love most is that the film director and writers allow us to decide if we agree with Ryan’s choices or if we would have chosen to go the other route in life that he has neglected.

Sometimes, it is never too late to choose a different path than the one that we have set out for ourselves. However, whether we can pull back from previous choices made and to get a fresh start on a new path, is one of the underlying themes of ‘Up in The Air.’ Ryan can try to start a real relationship with Alex, make amends with his sisters and be more present in their lives, and still achieve his 10-million-mile goal but life can get in the way so it’s possible he will not be as successful in salvaging both his relationships, his career goals, and his need for travel. Even if he thinks he can be successful at keeping everybody in his life happy, he may have to make sacrifices as in life, it can be nearly impossible to keep all options available to you.

The priorities we make now while end up defining us far into the future and there may come a time where the sacrifices, we make in one area may lead to a lack of connection or attachment or fulfilment in another area. Throughout the film during Ryan’s motivational speeches, he talks about the ‘stuff’ in life weighing us down whether it’s our relationships, our possessions, and even our desires. He makes the point in the audience that ‘life can be better footloose’ and not as tied down to suffer from it. However, what the film makes clear is that when you find real happiness in a relationship, can you pivot to slowing down with that heavier backpack you carry around because you feel fulfilled to do so? Can Ryan make room for a real relationship with Alex or his sisters to give up life on the road so his backpack will be heavier, but he’ll still be happier as a result, and maybe that what’s he was missing all this time around?

While Ryan is a ‘road warrior’ and enjoys not being attached to anyone or anything, who will be there for him if he must stay at his scant one-bedroom apartment in Omaha or if he were to be fired from his job where he fires other people. The film brilliantly shows real people who’ve been through real loss in terms of their jobs and livelihoods, and how while it is almost impossible to get through it, they could not keep going on without their responsibility to their families or the love that their families show for them in those tough times. In life, it always helps to have a good support system or to have good people like family motivating you to get you through the tough times.

Ryan may be prepared for a life unattached now, but he may find as he gets older, that his choice to not have many or any attachments at all may lead to the loneliness and pain that then can come from facing life’s hurdles alone, especially when you don’t truly get to know the person because you are so busy traveling and can’t make time for them at all. As Ryan says to his sister Julie’s husband-to-be, Jim, on their wedding day to help him get over his ‘cold feet’ at getting married, “Life’s better with company.”

Anatomy of a Scene – ‘To Know Me Is To Fly With Me’

“He has found a job that allows him to be constantly on the road at a job he is good at without commitments or obligations that would keep him from being who he is.”

Some people are most comfortable on the ground, others down below beneath the sea. Ryan Bingham, however, is most comfortable up in the air. Ryan goes from city to city and from town to town racking up airline miles, staying in recognizable hotels, and sadly letting people go from jobs by helping them with the transition process to a new life. He does the dirty work, which can be quite tense and unforgiving. He does not do his job out of pleasure for helping companies fire people in-person but rather because he likes life on the road and is comfortable being in airports, rental cars, and hotels rather than in a cubicle or a factory day in and day out.

Without going into too much detail about the movie, ‘Up in The Air’, I’m going to focus on two scenes to encompass Ryan’s life on the road and how he should be known best. Ryan is single, not a family man, never been married, and does not go on at length about children because he does not have them. He is driven not by his family or his career per say but rather how his home is his backpack or suitcase and how if he stays still, he loses an essential part of who he is as a person. When other people brag about their kids’ latest success or their wife or husband’s latest accomplish, Ryan instead brags about his quest for ten million airline miles and how he has privileged status with his hotel rewards program.

While others would find Ryan’s lifestyle odd and unusual, he would consider their lifestyle to be the odd and unusual one. He has found a job that allows him to be constantly on the road at a job he is good at without commitments or obligations that would keep him from being who he is. While he enjoys being with people, he is also comfortable on his own and enjoys his own company. He believes that any other way to live would not be as satisfying and for what others dislike about traveling constantly, he relishes it. Ryan does not think anything, or anyone would derail him from continuing this lifestyle even after he reaches his ten million miles goal. If he were to stop, it may be only because he loses his job where he helps to fire people or if he met a woman who could live with his ‘unusual’ lifestyle.

“Fast Friends.”

As the scene ‘to know me is to fly with me’ demonstrates, Ryan’s friendships are often self-serving because he is often on the road and can’t have true friendships but rather ‘fast friendships.’ He is a new kind of person and must go along with his constantly shifting itinerary. Ryan is personable and likes to meet new people such as a man next to him in business class and can relate to another gentleman who likes to be on the road.

Ryan has traveled so much that he knows how to approach a conversation with a stranger sitting next to him. They can discuss family matters, where to go for good food in a specific city, and even about the dreams of the person he is sitting with. He may not have deep friendships but is personable and friendly enough to make a quick connection like he would a flight to a new city without skipping a beat.

Ryan can get the business card, say goodbye forever, and is busy enough to move on without feeling a sense of loss or sadness about not seeing that gentleman he had met and formed a connection with for a few hours just before. As Ryan indicates in his narration, he lives by ‘the margins of his itinerary’ and is committed to his schedule without missing a beat or feeling like he is out of step. Even where there is turbulence, bad airline food, or onerous airline security procedures, Ryan Bingham takes it all in stride. He is not dismayed by any of the various annoyances that plague the travel industry. It is where he feels most at home and is probably the only kind of life he would feel at home with.

“I am home.”

Another scene that compliments the ‘to know me is to fly with me’ deleted scene from the movie is where Ryan’s travel process is shown from beginning to end. Different from ‘fast friends’, Ryan’s job encompasses him helping companies too afraid to fire their employees directly by having him fly around the country and perhaps internationally to do it himself. He says that it’s easy to do it since “he’ll never see them again” but it does not seem like he takes pleasure in it and just uses it to travel for a living. Instead of ‘fast friends’, he may be making ‘fast discontents’ as they blame him for everything bad happening to them at that job even though it’s not his decision to fire them but their boss’s. While Ryan never sees them again like the friendly businessman sitting next to him on the plane, those brief moments of sad or happy coincidence just fall by the wayside when he focuses on his true passion of making the travel lifestyle of his as seamless as possible.

From organizing his TravelPro suitcase easily stored in the overhead bin in any normal jumbo-sized jet plane to making sure his ties and shirts are neatly folded to fit in his suitcase, Ryan fits the bill as a true traveler who knows what to do. “This is where I live.” Ryan says as he drops off his rental car, which he probably rented for free by using his compiled credit card miles. He avoids long check-in lines by having ‘priority access’ with his airline points allowing him such perks as a personalized greeting from one of the airline staff, which is part of sitting in the ’first class’ section of the airplane. While ‘Up in The Air’ was made before TSA Precheck and Global Entry came out as options to avoid long security and U.S. customs lines, you can believe Ryan would have been able to sign up for those perks as well for free due to his accrued airline miles.

From greeting the smiling airline staffer who is aware of his ‘privileged’ status to making it through the TSA check like it is second nature, Ryan is suited up to make himself presentable for the flight but does not forget to wear dress slip on shoes to make the onerous security check process a little bit faster and little less annoying. He gets out the two bins to put through the x-ray machine for his luggage, expertly has his laptop at the top of his carry-on bag ready to be placed in one of the bins and has the slip-on shoes out of his face so fast he does not struggle with getting them back on later. He even folds his suit jacket expertly in half, so it does not wrinkle at all as it goes through the machine and holds his boarding pass out in front of him through the metal detector, so the TSA security agents know he does not have “anything left in his pockets.”

“All the things you probably hate about traveling: the recycled air, the artificial lighting, the digital juice dispenses, the cheap sushi…are warm reminders that I am home. While most people would hate to have a job that makes them the face people have to see when they get fired or would not enjoy constantly being on the road most of the year, if not all of it, Ryan Bingham in ‘Up in The Air’ truly relishes it and would not have it any other way. There are Ryan Bingham’s in the world out there and they live a lifestyle that while unconventional and difficult, is a unique one that deserves some respect as it isn’t easily pulled off especially since as he said, the stuff most people hate about traveling, he really loves, and that is worth admiring about him.

Our Many Faces

“We try to find those people or at least one person who we can share ourselves with and how to open up our ‘little weird worlds’ to them without being judged or criticized or made fun of.”

There is a touching scene in one of my favorite movies, ‘Good Will Hunting’, which focuses on Sean (played by Robin Williams), a former prodigious mathematician turned psychologist, who is mentoring Will Hunting (played by Matt Damon) but also providing guidance to a young man going through a tough time. Will is gifted but also has suffered physical abuse and mental trauma having lived with different foster families who did not treat him well. Sean notices Will not really sharing who he is fully and that is not just the case with Sean at first in their sessions but also with Will’s new girlfriend, Skylar.

Will is afraid to let his guard down and shows there are different levels or facets to he is but given his personal history, is afraid to let others into his world because he is worried that he’ll be hurt or abandoned again like his foster parents did to him. Sean tries to get through to Will on multiple occasions and so does Jerry, Sean’s old friend, who believes Will has great mathematical talent but is unwilling to work with him on his personal issues, which came to a forefront when Will got into a street fight with his friends and ended up assaulting a police officer.

In order to get Will to open up to him more, Sean attempts to tell Will why it is so important to show our true self or as I would like to call it here, our true face when we can because deep down that’s who we really are and it’s special to let someone in when we are vulnerable to get to know our full personality and who we are as individuals. Sean, in his personal anecdote, relays the story of how his dearly departed wife would fart when she was nervous and that only he as her husband would know that about her. Sean would sometimes hide the truth from her by saying it was him who farted even when it was so loud that it would wake the dog up when they were all sleeping in bed together.

“It’s the little things like that, that I miss the most.” Sean doesn’t reminisce primarily about their wedding, how they met perhaps, or about what they would do together on a date night. He would think about the things that made her his wife that no other person would know. In other words, Sean would see his wife’s true face or self because of how intimate of a relationship they had as husband and wife. Those little ‘idiosyncrasies or tics or habits that Sean knew about his wife is what made it such a special relationship even when she had passed away. Sean was encouraging Will to open up more to Skylar because it’s no use going through life without showing somebody you love your true self or face, which you likely hide from other people.

Will has friends, has his Mathematician mentor, Jerry, and his psychologist turned confidant, Sean, but these are different faces he presents to all of them, and the one true face Sean is encouraging him to show is with his girlfriend, Skylar. While Will can drink, talk construction, and reminisce with his buddies, he can’t show him his whole personality or face. In addition, Will can solve complicated Math problems and challenge himself intellectually with Jerry, he can’t do that with his friends. While Sean is a friend to Will and they can talk about sports and relationships and life, Will has a hard time confiding in Sean about his past and what he wants from himself.

I think all of us can relate to a movie like Good Will Hunting and a Character like Will Hunting. We try to find those people or at least one person who we can share ourselves with and how to open up our ‘little weird worlds’ to them without being judged or criticized or made fun of. It’s why we show different faces to our loved ones and our friends than we would with our work colleagues or a stranger. It’s hard to open up but we must do our best to be vulnerable with those we trust and whose relationship matters to us most. We can go days, weeks, months, or even longer without connecting with someone on a deep level, which is why it becomes even more special when we can share our peculiarities, our oddities, or the ‘good stuff’ as Sean would call it with someone we truly love and care about.

Similar to the character of Will Hunting, each of us can be hardened by life and find it difficult especially as we age to be vulnerable, to let people in to see the real ‘you’ without holding back, and to be accepted for it. A lot of times, we may be pretending with our other faces to please our boss, to support a colleague, to crack jokes with a friend, and even help a stranger out. It’s good to have those faces in public but it’s who we are in private with someone we care about or love that is our true face.

Thinking of the expression, ‘to put on a good face’, we often must withhold part of who we are at school, at an office, or at the local restaurant or bar, to hold back from showing 100% of what makes ‘you’ you. It’s not easy as Will and Sean illustrate in scenes from ‘Good Will Hunting’ how to show your real face and real personality to someone fully, especially if you have been burned before in the past and been hurt physically or mentally as a result.

We strive to be perfect and to not make mistakes in our daily dealings with others in both professional and personal interactions. However, it can be easy to forget in our lives to not be afraid to let our true face or our true self shine through as we each have our own flaws and our own ‘peccadillos’ that we set us apart from one another. The key challenge or opportunity in life, depending on how you look at it, is finding someone that we can be truly open and vulnerable with without putting on a different face.

Being able to let your guard down, share yourself fully with another person without fear, doubt, or anxiety, that can lead to some of the deepest joy or happiness in life as Sean had explained to Will in the film. While we may not be able to fully express ourselves day in and day out to most people we meet or interact with, hopefully, we can find the right person to spend as much time with as possible and for whom we can be 100% of who we are and what we are deep down inside.

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