Camera: iPhone 8
Location: Coyoacan, Mexico City, Mexico
Camera: iPhone 8
Location: Coyoacan, Mexico City, Mexico
Camera: iPhone 8
Location: Sagamore Hill National Historic Site; Oyster Bay, New York, USA
Governing the World: The History of an Idea by Mark Mazower is an illuminating and insightful history regarding the shaky yet continuous rise of internationalism that began with the Concert of Vienna in 1815. Mazower’s look at the emergence of global governance continues up until the wake of the Eurozone crisis with regards to the present needs of reforming the European Union in the wake of unpopular austerity measures and burdensome bureaucratic regulations from Brussels.
His book addresses ‘globalization’ different from previous books I’ve read in the past with regards to focus on ‘ideas’ themselves and the rise and fall of those ideas throughout the 19th and 20th centuries led by primarily politicians and philosophers such as Kant, Metternich, Mazzini, Marx, Lenin, Bentham, Wilson, the Roosevelts, etc. among many others who were driven in defining what the international system should look, act, and be like.
A consistent theme of this history of ideas and institutions from 1815 to about 2012 was how instrumental the ‘Great Powers’ in each era were in setting up the foundation of the international system whether it was the ‘Concert of Europe’, the ‘League of Nations’, or the ‘United Nations.’ In the wake of the Napoleonic Wars and World Wars I, II, the leading powers desired to create a ‘balance of power’ among the great nations yet whose actions could be backed up by a single hegemon such as the U.K., U.S. to set the rules and boost the institutions they founded. Mazower is clear in that the history of global governance evolved originally from the heart of Europe and then spread across the Atlantic as the title of global hegemon shifted from the U.K. to the U.S. with the emergence of Wilsonianism and the ‘fourteen points’ in the 1910s.
Whereas the origins of internationalism started out with a gentlemen’s agreement among the Great Powers of Europe to refrain from conquering each other in unending, bloody wars over territory based on religious and political aims, this shift has now ended up only two hundred years later encompassing the entire world over with 193-member states being represented from the People’s Republic of China to Tuvalu.
While the United Nations could be seen by some observers as a success story in terms of its inclusive nature and the ability for nations from around the world to have a voice regarding international issues, there are problems still today that plague the UN and its sister agencies and bodies. Whether it was how the ‘Responsibility to Protect’ doctrine could be implemented in different conflicts around the world with UN peacekeeping forces or the controversial over-usage of vetoes by the five permanent members of the Security Council to control the debate about their national self-interests, global governance increasingly mirrors national governance in being quite messy and imperfect.
Real questions remained in 2012 when this book was published and more so today regarding the vitality of the United Nations especially given the fact that the United States is responsible for 22 percent of the overall budget of the UN. In the 2nd half of the book, Mazower focuses on the differing approaches of various U.S. administrations towards the UN and how fundamentally the U.S. government, mostly during Republican administrations, were acting out of self-interest and would often go out of the way to create competing international bodies to marginalize the UN such as the IMF, the World Bank, and most recently the WTO. Often times, the U.S. has bypassed, ignored, threatened, and left UN bodies and have held themselves to a standard above those given to other member states which has caused a backlash among not only allies but also developing countries (see: International Court of Justice and U.S. nationals being exempted from its jurisdiction).
Similarly to how the League of Nations through the guise of British and French leadership failed to hold imperial ambitions in check between the World Wars, U.S. disengagement and disenchantment with the U.N. increasingly from the 1970s onwards and the rise of other ambitious states such as China, India, Brazil, etc. signals that there may be a shift towards a multipolar world where there is no true hegemon leading to more of a systemic anarchy within the international system in the near future.
By the end of Governing the World, Mazower sees serious needs for reform in not just the United Nations but also in the European Union, another leading international institution created during this period. Western-led international institutions are in real danger of losing relevancy, argues Mazower, due to a number of overlapping factors including rising political apathy, catering too heavily towards financial elites, and being unable to meet the lofty goals that they set for themselves. I didn’t even mention a resurgence in nationalism and populism around the world from Brazil to the Philippines, but you get the picture, right?
Much to the chagrin of internationalists, Mazower argues that the nation-state still remains the primary way for the average citizen around the world to receive or pay into ‘public goods’ so their attention will largely remain focused on what their President or Prime Minister is doing and not the UN Secretary-General or IMF Director. There are numerous challenges that face the international system currently and it remains to be seen whether the UN and numerous other bodies are ready to be able to tackle income inequality, climate change, financial crises, the threat of global pandemics in the rest of this tumultuous 21st century.
Overall, I thought it was refreshing to see his attention on the ‘Concert of Europe’ in Vienna and how he started this event as a jumping off point where leading powers would try to use regional and later international cooperation to prevent conflicts from emerging among nation-states. The lack of support given to bodies of ‘International Law’ remains as a consistent theme throughout this book and while ‘arbitration’ between nations was popular, it lost relevancy and hasn’t gained it back since.
Seeing ‘globalization’ through the ideas of influential thinkers from Immanuel Kant to Karl Marx to Henry Kissinger really paints a wholistic picture on how nation-states were driven by different belief and value systems. The clash between nations especially in the 20th century can be seen through the ideological lens (ex: Capitalism v. Communism). While I really enjoyed Mazower’s conclusion, I thought it could have been expanded upon a bit further especially with regards to the rise of private foundations, i.e. the Clintons, the Gates and other NGOs, and how that has affected larger institutional institutions which are now not as well funded. On that note, the chapters titled, “The Empire of Law” and “Science the Unifier” could have been shortened or condensed into one chapter. It took away from the timeline narrative of the book and didn’t relate well to the political history unfolding during the two centuries.
If you are looking for an interesting, comprehensive, yet digestible read regarding the tumultuous development of the international system over the past two centuries, then you will want to take a chance at reading Mr. Mazower’s Governing The World: The History of an Idea. The one question that we are left at the end of this over 400-page book is what will the international system look like for the rest of the 21st century? We shall have to wait to find out but there are numerous challenges and obstacles ahead.
Camera: Canon PowerShot SX710 HS
Location: Hyde Park, New York – Franklin Delano Roosevelt Presidential Library and Museum, and The Culinary Institute of America
Field of Dreams is a quintessential classic American film and a movie that gets better with repeated viewings. Field of Dreams is almost thirty years old but has aged like a fine wine since it was released in 1989. This film is a unique mixture of the fantasy, sports, and drama genres and shows how crucial the game of baseball is to American culture. While some people who watch Field of Dreams think that this film is an original story, it is actually based off a novel by W.P. Kinsella titled, ‘Shoeless Joe’, which was critically acclaimed as well.
Part of the reason why Field of Dreams was so successful is because of the great cast of actors and actresses that helped make the film so popular. This was one of Kevin Costner’s most famous roles and also stars Amy Madigan, James Earl Jones, Ray Liotta, and the late and legendary Burt Lancaster who starred in his final role in this movie. Another fact that most fans of this film wouldn’t know about is that Field of Dreams was nominated for three Academy Awards including Best Original Score, Best Adapted Screenplay and Best Picture.
Of all the places in the world to hear a voice whisper the phrase, “If you build it, he will come…” a large cornfield in the middle of Iowa wouldn’t be your first guess most likely. However, that is exactly the premise behind Field of Dreams. A local farmer, Ray Kinsella, who has a troubled relationship with his father, John Kinsella, a former baseball player who wanted his son to follow in his footsteps feels guilt at what a strained relationship he had with his father before he passed away.
Ray then sees a vision of his cornfield being turned into a baseball field and decides to go along with this vision by turning his farm into a real baseball field. Ray is an adamant defender of ‘Shoeless’ Joe Jackson who believes he was actually innocent and didn’t do anything wrong despite the fact that he was banned from baseball due to the 1919 Black Sox Scandal. Ray’s father, John, was also a big defender of ‘Shoeless’ Joe Jackson and that’s the one major thing that Ray and his father could agree upon. His daughter, Karin, and his wife, Annie, are skeptical of Ray’s plan to build a baseball field at first but end up trusting his judgment after some convincing.
After Ray completes the building of his baseball field in Iowa, many months go by and the bills for maintaining the field start to pile up causing Ray and his family to feel some serious financial stress. When all hope seems to be lost regarding his vision, Karin spots a baseball player moving through the baseball field one night and Ray recognizes the player as being no one other than ‘Shoeless’ Joe Jackson (played brilliantly by Ray Liotta). John, Ray’s father was a big fan of ‘Shoeless’ Joe Jackson and would be thrilled to know that Ray’s vision came true and Mr. Jackson was here out on his farm in Iowa absolutely thrilled to being playing baseball again. Shoeless Joe ends up bringing some of his teammates from the Black Sox who were also banned from baseball due to the 1919 scandal and they start practicing together on Ray’s field.
Unfortunately, not everyone in Ray’s family can see the baseball players on the field. Ray’s brother-in-law, Mark, warns Ray about how much of a financial drain the baseball field is on his farm and Ray may have to foreclose on the property unless he is able to generate some money from it. Mark thinks Ray has gone crazy because he keeps referencing the baseball players on the field who Mark is unable to see. Luckily, Ray’s wife, Annie, and Ray’s daughter Karin can see the baseball players and believe Ray to be doing the right thing leaving Mark quite flustered and angry.
Ray ends up hearing another voice whisper through the field telling Ray to ‘ease his pain.’ After seeing how the local town wants to ban the books of one of his favorite authors from the 1960’s, Terence Mann, Ray ends up doing some more research about his favorite author and discovers that one of Mann’s dreams was to play for the Brooklyn Dodgers professionally. One of the reasons why Ray ended up quitting baseball even though his father wanted him to play professionally was because he read one of Terence Mann’s books when he was a teenager and never played catch with his father, John, again.
Ray and Annie both have a dream about Mr. Mann one night in which Ray is attending a baseball game at Fenway Park together with Terence. With Annie’s support, Ray goes all of the way to Boston to seek out Mr. Mann even though he has become a curmudgeon recluse over the past few decades and mainly keeps to himself. With a lot of convincing, Ray takes Terence to a baseball game at Fenway where they both end up hearing another voice telling the two of them to ‘go the distance.’ They also see the statistics of a baseball played of Archibald ‘Moonlight’ Graham who starred in only one game for the New York Giants but never had an actual at-bat. Ray and Mr. Mann do more research about Graham and end up driving together on their way to Minnesota to go see him.
When Ray and Mr. Mann travel all the way to Minnesota, they realize that Moonlight Graham became a doctor and had passed away over fifteen years ago in 1972. When Ray goes for a walk one evening, he realizes that he has transported himself to that time before Moonlight ‘Archie’ Graham had died and encounters him on the street where they have a conversation about his short-lived baseball career. The older Moonlight Graham is content to be a doctor but wishes for that one chance to face a major league pitcher.
After Ray and Terence leave Minnesota, they encounter a young hitchhiker on the road who introduces himself as Archie Graham. The two of them are amused by this crazy coincidence and take him with them to Iowa. During the ride, Ray confides in Terence Mann that his father was disappointed in Ray for throwing away his baseball career and for denouncing his father’s hero, ‘Shoeless’ Joe Jackson as a criminal. One of Mr. Mann’s books led to Ray putting down the baseball bat as well. Ray really wishes to make up with his father and make things right again if he had a dream to spare.
The amazing thing is that this young Archie Graham character gets to play on Ray’s baseball field in Iowa. In this only “major league” play, he is able to hit the ball into the outfield and get a sacrifice fly run in for his team miraculously after winking at the opposing pitcher as he always wanted to do even as an old man. Facing financial pressure from Mark and his associates, Ray thinks about selling the field to save his farm but Terence Mann encourages Ray to re-consider.
Considered to be one of the greatest monologues in modern film, James Earl Jones gives an amazing speech regarding the central role that baseball has played as America’s pastime and how it has formed our culture, and made the nation stronger during times of peril and tragedy. “People will come, Ray, people will most definitely come…” Terence Mann’s beautiful speech to Ray convinces him to keep the baseball field and not sell it off because he knows that baseball fans will come to Iowa to see their childhood heroes play America’s beloved game.
Mark, acting increasingly incensed, causes Ray’s daughter, Karin to fall from the bleaches, but Archie Graham who has a sense of both his past and future to come, steps off this magic baseball field to save Karin from choking. Mark then becomes a believer and sees all of these historical baseball players and encourages Ray not to sell the baseball field. He most likely believes that the field could be a major cash crop within itself and that people will most definitely come to see it. The older Moonlight Graham thanks Ray for the chance to make his dream to come true and that he doesn’t regret how he became a doctor too.
Terence is invited to leave with the baseball players one day to go through the cornfields to a destination that is unknown. Ray is going to miss Terence but trusts his judgment that it could ‘make one hell of a story one day’ about ‘Shoeless Joe Jackson coming to Iowa.’ Ray has his own family and can’t go with Terence who may be entering a realm or destination beyond our comprehension as the audience. Still though, he’s confident about his next destination and isn’t worried about not coming back.
One day, A younger version of Ray’s father shows up on the baseball field and Shoeless Joe Jackson references that the voice in Ray’s head was not Joe’s but rather Ray himself wanting to have a better relationship with his father and to ‘ease his pain.’ In the climatic scenes that can make even the most stone-hearted person cry, John is reunited with his son, Ray, on the baseball field, and he even gets introduced to Ray’s wife and his granddaughter, Karin, who he never knew in life.
John Kinsella remarks to Ray how “it’s so beautiful here, it’s like a dream come true.” The young John, asks Ray if this is heaven. Ray replies simply that, “It’s Iowa.” Even though John believes it still could be heaven, Ray asks if there is a heaven having never experienced it. John replies, “Oh yeah…it’s the place where dreams come true.” An uplifting emotional moment takes place in this scene as Ray Kinsella looks around at his beautiful farm, his wife and daughter happy and smiling, and to be reunited with his estranged father again as being a sign that maybe they, in fact, are all in heaven together.
Ray is so overcome with emotions at being with John again that before John leaves to go through the cornfields as the sun sets, he strikes up the courage to ask his dad to have a catch with him as they did in the old days. They start to throw to each other and Ray is struggling to believe that this is actually happening until John throws him the baseball, which Ray catches in his glove, and he can actually feel the soft baseball in his mitt knowing that his dream finally came true.
This last scene of ‘Field of Dreams’ is an iconic one and shows the power and love of the relationship of a father and son. Despite their differences, they still want to share the tradition of having a catch together after all of those years had passed between them. As the final scene fades out, you can see thousands of red lights emanating from the cars who are lining up to visit the ‘Field of Dreams’ and see their old childhood heroes play the game of baseball. People most definitely will come if you build it.
A truly remarkable film, ‘Field of Dreams’ is hard to get through without tearing up and having some tissues near you. More so than just Ray and John’s relationship, many characters have their dreams realized because of this baseball field. Archie ‘Moonlight’ Graham gets to swing the bat for the first time, ‘Shoeless’ Joe Jackson gets to play baseball again as apart of his shamed Black Sox team, and Terence Mann gets to see what’s on the other side of those Iowa cornfields. The powerful musical score by the dearly departed James Horner stirs your emotions with every scene, and you can feel the weight of Ray and John’s relationship with each sound of the orchestra. James Earl Jones steals the show by giving one of the best monologues about baseball and its’ importance within the history of America.
If you love the game of baseball and you enjoy a story about achieving your dreams when they seem out of reach, then you should watch ‘Field of Dreams.’ They really don’t make too many Hollywood films like Field of Dreams anymore and even though it was released in 1989, it’s still an American classic, which has stood the test of time. If you ever go to Iowa, that special baseball field is still there to visit. If you’re a father or a son, you’ll also really connect with this film and it will touch you in your heart and in your soul.
If you consider Salsa to be wild and exhilarating, then Bachata could be considered the opposite kind of music in that it is both suave and smooth. While Bachata may not be the most exciting kind of Latin music, it is a genre that is both popular and historical. It may not be as skill-based as Salsa or Merengue, but you do need to keep a good rhythm and there is a good amount of variation to this kind of dance. The most important thing to be aware of when dancing Bachata is to watch your steps and make sure you’re moving seamlessly with your lady or gentleman partner in tow.
Bachata is a Latin music genre originally from the Dominican Republic, which came of being in the first half of the 20th century. One of the cool aspects about Bachata is that it combines European, African, and Indigenous musical elements to really captivate its’ listeners and dancers. Jose Manuel Calderon of the Dominican Republic did the first compositions, which formed the original Bachata songs back in those early days of the 20th century.
Bachata is considered to be a mixture of its’ predecessors: Merengue, Bolero and Son, which are other distinct Latin music genres. Similar to Salsa, Bachata takes both the form of a song and the form of a distinct dance that are supposed to go together. The mood of a Bachata song can be either very exuberant or more melancholy. Bachata’s original name was ‘amargue’ which means ‘bitter music’ or ‘blues mules’ reflecting in its’ origins the fact that Bachata used to be more somber and reserved when it was first created in the Dominican Republic.
A surprising fact about the Bachata music genre is that it wasn’t always that popular until the past few decades. Throughout most of the 20th century, especially in the Dominican Republic, this form of music was associated with rural communities who were mostly working class or poor in terms of their status. For a long time, Bachata was not allowed to be played on television or radio because it was too vulgar or crass for the elite members of Dominican society.
However, this attitude began to change in the 1980s and 1990s when both the instrumentation and the styles of Bachata multiplied to become more urban and diverse. Bachata has ended up in the 21st century as being one of the most popular forms of Latin music, up there with both Salsa and Merengue, and is played in bars, discotheques, and dance halls all across Latin America.
Bachata requires a group of musicians playing diverse instruments in order for an actual song to be played from the genre and for dancing to occur. There are seven instruments that usually make up the structure, rhythm, and beat of a Bachata song. You have your ‘Requinto’ (lead guitar), ‘Segunda’ (rhythm guitar), electric guitar, bass guitar, acoustic guitar, bongos, and guira. While none of these instruments are mandatory, you need them all in order to create a dance-oriented form of Bachata rather than a more classically oriented form that is most similar to Bolero.
While Bachata started originally in the Dominican Republic and became popular there eventually after a few decades, Bachata has now become one of the most popular forms of Latin music in the region. You can find Bachata music playing in countries such as Cuba, Panama, Mexico, Honduras, Guatemala, Venezuela, Colombia, Chile, etc. Anywhere you go within the region, you’re likely to hear a Bachata song being played in your neighborhood or in your city.
The first Bachata songs that were composed by Jose Manuel Calderon, considered to be the modern founder of the genre, were titled ‘Borracho de amor’ and ‘Que sera de mi’. These songs came about in the early 1960s, which shows that the modern form of Bachata has been around for over five decades now. Hundreds of musicians, singers, and dancers have contributed to this unique and popular genre. Some of the more famous contributors to Bachata include names like Marino Perez, Leonardo Paniagua, Luis Vargas, Antony Santos, Juan Luis Guerra, and Romeo Santos. If you have the chance to listen or dance to some Bachata music, do yourself a favor and tune in, kick off your shoes, and enjoy this very popular genre of Latin music.
If you’re walking in any city in Colombia or in most parts of Latin America and you start to feel the rhythm and the beat to some up-tempo music that sounds as if jazz and ‘son cubano’ had a baby, it would be known to the world as ‘Salsa.’ Salsa music has only been around for over five decades but has had a lasting impact on the world of music and its’ popularity has stayed consistent in the countries and regions where it was first introduced. While some folks may argue that old-school music genres like jazz, swing, and the blues are on the decline these days; that is simply not the case when it comes to Salsa.
Contrary to popular belief, Salsa did not originate in Puerto Rico, Cuba, or even Colombia. This form of music came out of the communities of immigrants in New York City during the 1960s from Cuba to Puerto Rico who wanted to introduce a new take on ‘son cubano’ music that had been around for a few decades and to bring it to new audiences before who had never been exposed to that kind of genre before.
The music of Salsa has been highly influenced by previous Cuban genres such as ‘son cubano, son montuno, guaracha, mambo, bolero, etc. as well as certain Puerto Rican genres such as ‘bomba, and plena.’ It also should be noted that Salsa was heavily influenced by the American musical genre of Jazz and certain experts have noted Salsa as being a form of Latin jazz. Salsa is a very flexible genre and can incorporate many different forms of music together in order to be innovative and unique. Even rock, r&b, blues, and funk have found their way into the rhythms, beats, and lyrics of Salsa music.
If there were a form of musical expression to represent the Americas whether it was North America or South America, it would be jazz. Salsa music would not be what it is today without previous music genres influencing the sounds and songs to change and adapt as the decades passed by. However, without the early Salsa bands made up of newcomer immigrants from the Cuban and Puerto Rican communities who came to New York City and America for a better life, Salsa would also not be the popular genre that it has become today. From the 1930s to the 1960s, these new immigrants brought joy, happiness, and excitement to both their local communities and cities from Boston to Cali.
From the streets of the South Bronx to the barrios of Cali, Salsa would spread from New York City to Colombia to Peru to all over Latin America. Salsa has become a global music genre today with people all over the world sharing together their passion and love for this unique form of self-expression. You can find Salsa classes and music clubs in most major cities all over the world. It doesn’t matter where you’re from, if you’re new to dancing, or can’t understand the lyrics, Salsa is a music genre open to everybody. Some of the big names in Salsa are Johnny Pacheco, creator of the Fania all-stars band, Hector Lavoe, Willie Colon, Bobby Valentin, Eduardo Palmieri, Marc Anthony, etc.
The instrumentation used in Salsa music is incredibly diverse and can really depend on what kind of style you’re going for whether it’s ‘salsa romantica’ or ‘salsa dura.’ It also depends upon how fast the tempo is and what the chord / verse arrangement is too. The most popular kinds of instruments used in Salsa music are percussion and brass instruments. It’s very rare where string instruments are used unless its’ an acoustic or electric guitar. When it comes to the most widely used instruments, they are usually the piano, the bongo drums, the congas, trumpet, trombone, claves, and different guitars.
Since the genre of Salsa has spread to many parts of the Western Hemisphere, there are many different styles of Salsa dancing that make the music more enjoyable for people to participate in by moving their bodies in various ways. While there is no clear consensus on which style of Salsa is the best or most popular, there’s the Cuban style, the New York style, Puerto Rican style, Los Angeles style, and Cali style from Colombia. Each style of Salsa is a little bit different from each other so once you master one of these types, there is another one out there to learn in order to keep your knowledge up to date. There are few parts of the world that haven’t been touched by Salsa music, which makes it one of the most fun and enjoyable kinds of dances to learn. Whether you’re in Peru, Colombia, Cuba, the Dominican Republic or the United States, you’ll have a chance to dance Salsa if you look hard enough.
By listening to Salsa music and learning how to dance to the rhythms and the beats of this genre, you really learn a lot about Latin American culture. Listen carefully to the lyrics, study the history of both the song and dance, and you’ll be able to gain insight as to why this has become one of the most popular music genres on the planet today. Few things make the average person happier than being able to cut loose on the dance floor and Salsa as a genre succeeds in doing that beyond measure.
During my time here in Colombia, I’ve enjoyed going out to learn Salsa in some classes, and putting the moves I’ve learned into practice when I go out on Saturday nights to a Salsa club. It’s really a joy to dance and sing to the point of exhaustion until your feet can’t move anymore while the beads of sweat roll down your neck. Salsa, to me, is a celebration of living life to the fullest and expressing the movements of your body the way you’re supposed to do. If you haven’t given Salsa music or dancing a chance yet, start to do so today. I promise you won’t regret the experiences you gain by enjoying this popular genre.
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