“A growing and popular martial art can be found in Brazil known as Brazilian Jiu Jitsu. While Jiu Jitsu or Judo originated in Japan and was meant more for fighting and hand to hand combat, Brazilian Jiu Jitsu is more focused on using the skills of grappling and then submission in order to become victorious.”
You cannot fully enjoy a culture until you dabble in or learn about its martial arts if that culture has them available. From Karate in Japan to Kung Fu in China, most martial arts are thought to be of Asian origin but that is not always the case. A growing and popular martial art can be found in Brazil known as Brazilian Jiu Jitsu. While Jiu Jitsu or Judo originated in Japan and was meant more for fighting and hand to hand combat, Brazilian Jiu Jitsu is more focused on using the skills of grappling and then submission in order to become victorious.
Brazilian Jiu Jitsu has become more popular in recent years especially due to the corresponding growth of the Ultimate Fighting Championship (UFC) sport, which focuses on mixed martial arts training including BJJ as part of a fighter’s overall repertoire. Jiu Jitsu originated as a martial art in Japan and was firstly used by Japanese samurai warriors as a means of self-defense especially if they were unarmed and without any other way to fight.
While Japanese Jiu-Jitsu has morphed into the modern Judo sport, which emphasizes throws, takedowns, and joint locks, Brazilian Jiu Jitsu was founded as a martial art that is similar but focuses primarily on ground fighting including submission and stamina.
A student of the traditional form of Japanese Jiu Jitsu and a participant at the Kodokan, Mr. Mitsuo Maeda brought his training and his over twenty years of experience with him over the ocean to Brazil where he arrived in 1914 essentially founding the sport which became known as BJJ. Maeda had a lot of prowess in Judo actions like throws and takedowns, but his specialty was in ground fighting, which made it logical for him to want to help create a new form of the martial art.
History was made when Maeda met Gastao Gracie, a businessman, who encouraged his sons including Carlos and Helio to study Jiu Jitsu with Maeda as his students. Over time, the two brothers adapted the Judo style of jiu jitsu to their own liking including the ability to adapt the system of ground fighting known as ‘newaza’ to be more of its own kind of sport and that anybody of different size or strength could learn about. Instead of relying on pure strength like Judo, BJJ relies more on knowledge of the various moves you could make, anticipating your opponents’ actions, and using speed to gain an advantage over your opponent.
For many years, the Gracie family would create Brazilian jiu jitsu and establish this unique fighting style, which incorporated other elements of wrestling, judo, and jiu jitsu but is primarily focused on how to grapple and submit your opponent on the ground. Since the Gracie family were experts in the sport they help found, they rarely lost a match but ended up spreading the sport around Brazil and the rest of the Latin America throughout the latter half of the 20th century. Without their influence, their competitions, and their move creations, BJJ would not be as popular as it is today.
Rorion Gracie later came to the United States in the 1970s to spread the sport to America in the hopes that it could compete with boxing, karate, wrestling, and other forms of martial arts that had gained a hold in the popular culture. Rorian Gracie’s biggest move in terms of popularizing Brazilian Jiu Jitsu and helping to mainstream the sport was making it part of the skillset needed for the Ultimate Fighting Championship (UFC). Rorion co-founded the UFC along with Bob Meyrowitz and others which came about in November of 199
Rorion’s younger brother, Royce, was an instrumental part of showing how Brazilian Jiu Jitsu could be instrumental in helping a smaller or less big fighter win a match due to the leverage, technique, and thinking involved in making the right move at the right time. Royce Gracie is one of the greatest MMA fighters of all time and is in the UFC hall of time. His influence helped paved the way for the Brazilian form of Jiu Jitsu being integral to competing in mixed martial arts with its grappling, submission, and ground fighting techniques.
The Gracie’s have helped create many new BJJ fighters and MMA fighters in general. From Brazil to America to the rest of the world, BJJ is an extremely popular martial art whose origins in Rio de Janeiro by way of Japan have changed people’s lives for the better. Not only great for one’s sense of accomplishment, BJJ is great exercise and good for one’s mental health too. While not as physically punishing as boxing or wrestling, you have to be in great shape to win in a BJJ match and to do rolling (sparring, grappling) with another classmate in a class.
From podcast host Joe Rogan to TOOL musician Maynard James Keenan to the late, great Anthony Bourdain, Brazilian Jiu Jitsu counts millions of students from around the world who rank from white belt to black belt. GI or No GI, you don’t need to be a certain size or weight level to get started. You just simply need to be determined, practice at least a couple of times a week, and be willing to learn a lot in order to be successful in this particular martial art. Once I have the chance to do so, I would like to start training and getting involved in Brazilian Jiu Jitsu and I hope that you at home will consider giving it a chance as well. Good luck.
“1999 was an incredible and unique year for movies in America. In an era where Hollywood would regularly produce thought-provoking content that did not dumb it down for audience and would tackle tricky real-life topics without a filter, it may have been the golden age of film for those of us in the Millennial generation.”
1999 was an incredible and unique year for movies in America. In an era where Hollywood would regularly produce thought-provoking content that did not dumb it down for audience and would tackle tricky real-life topics without a filter, it may have been the golden age of film for those of us in the Millennial generation. While not as ‘politically correct’, these movies such as ‘Office Space’ challenged our assumptions, made us question our modern comforts, and perhaps most importantly showed us the ridiculousness of having flair as a waiter or waitress at a chain restaurant as a part of the service given.
Poking fun at chain restaurants is far from the only good thing about ‘Office Space’, one of my favorite movies of all-time. During that year of 1999, two other excellent movies placed a mirror in front of our society and made us reflect on whether ‘modern’ was really that good and whether ‘materialism’ was that spiritually enlightening. While not as complex as ‘The Matrix’ or as serious as ‘American Beauty’, ‘Office Space’ is a comedy but not your average one. It chides you with wisecracking humor but also lays bare certain aspects of American adult life that are not just unpleasant but downright silly.
Whether it is a loud co-worker talking too much over the phone, a crappy printer that just won’t do its job, meaningless reports to file each week, or an obnoxious boss who makes you come in on the weekends, ‘Office Space’ is an ode to the white collar worker who despite the good health care benefits and the steady salary is unfulfilled with his life and is not sure why.
Peter Gibbons (Ron Livingston) is exasperated with his office job in IT (Information Technology) at a software company, Initech. He goes out of his way to avoid his obnoxious and micro-managing boss, Bill Lumbergh, who insists on him working on the weekends but also indicates wanting covers on the TPS reports, which is a mindless and meaningless task. Peter is comfortable with the job but knows deep down it isn’t satisfying him and he comes into work dreading it each day. Peter dislikes most of his co-workers including a lady who says to him, “Somebody has a case of the Mondays” to downplay his frustration of commuting to a suburban office park each and every week while dealing with traffic and the lack of purpose involved.
Probably the only reason Peter stays at his job are his two friends at work who sympathize with him, Michael Bolton (no relation to the singer as he makes clear) and Samir Nagheenanajar (who is obviously frustrated that no one in America can pronounce his last name). They are not as depressed as Peter but they also understand where he is coming from. Peter also gets sympathy from his neighbor, Lawrence, who lives next door. Lawrence does not work in an office and works on construction projects outdoors so he can’t relate to Peter so much with his drudgery at work but he emphasizes how nobody ever told him that he ‘has a case of the Mondays.’ He makes clear in a hilarious way that if somebody ever did that to him, they would get their ass kicked for that.
Peter’s unsatisfying life is also compounded by his girlfriend who is cheating on him and the fact that he is forced to go see a hypnotist who she thinks can help Peter get out of the funk that he is in. In perhaps the funniest scene in the film, the hypnotist / psychotherapist who is extremely overweight is in the process of hypnotizing Peter to snap him out of his lethargy regarding work and seemingly drops dead in front of him and his girlfriend.
Because the hypnotist died before taking Peter out of his temporary state of ease and relaxation, Peter’s whole personality changes and he stops worrying about work and his performance there with hilarious results. He starts to be honest about his work, his boss, and his forced weekend workdays and shockingly, instead of him getting fired, he gets promoted. Even though his girlfriend leaves him because of his lack of concern for the hypnotist’s death, Peter meets a new love interest shortly after.
His meeting with Joanna at an Applebee’s clone as he grabs a long lunch one day while skipping work; he is drawn to her because of her beauty, humor, and the fact that they both love kung-fu. Unbeknownst to her, she is also working a crummy job which is demeaning, and Peter starts to show her how to take control of her working life by caring less and being more honest.
After the hypnotist’s unfortunate death, Peter’s life does a complete 180 as he is more relaxed, less angry, and strangely more confident. He sleeps in more, gets a pay raise from two of his eight bosses (the Bob’s), and he devises a plan to steal a little bit of money from his company over a period of years. While not a good move on his part, Peter and his two co-workers, Michael and Samir, are also tired of the monotony and mistreatment at the hands of their bosses and co-workers. If they can get a little bit of money before quitting, they figure it won’t backfire on them.
While I do not want to spoil the rest of the movie, Peter is not innocent and bites off more than he can chew which causes him to wake up in a number of ways and to really fix his life instead of floating through it or resorting to a criminal action. He does realize that he is responsible for his own happiness or unhappiness and it is up to him alone to make his life fulfilling rather than meaningless. Peter is a likable character who a lot of people can relate to who have worked in an office type of setting. Still, what is blasé and unappealing to him, may be amazing and meaningful to others.
‘Office Space’ is not just about the negatives of office work and that kind of lifestyle but it is a meaningful referendum on a life not well lived. The film is a dark comedy by genre, but it also holds some deep truths within it. Director Mike Judge reminds everybody watching that you only get one life to live and how you really should consider spending it before time runs out. In addition to the fact that it is both a reflective and entertaining comedy, it is also of course a really funny movie worth a repeat viewing or two to catch all of the jokes.
While not very successful when it first released in 1999, it later became a cult classic film thanks to Blockbuster, DVDs, and the Internet’s growth. ‘Office Space’ is very quotable and I have myself referenced it multiple times especially when a printer I’m using is not working. The soundtrack of hip hop and rap from the 90s also makes it a true film from that decade. As many of America’s working men and women went from being in factories to office parks, this film has really hit a cord with not just Generation X but also the Millennial generation.
I would like to think that when you watch this film, you start to examine your own working life to figure out if it is ‘working’ for you or not. Maybe you prefer to be in another environment when you work or you prefer to work alone, this film probes the question of what office work is usually like and the downsides that it comes with. When this film was made, there were no remote work options and now it seems to be more popular. I like to think that one of the major effects of ‘Office Space’s later popularity in the 21st century is that it got more and more people to realize that cubicles aren’t and shouldn’t be for everyone. They just aren’t.
Who is Candido Rondon? It is likely you have never learned about this Brazilian figure of history, but he was not only an exemplary Brazilian, but he was also an extraordinary explorer, friend to indigenous peoples, soldier, statesman, and traveler. Achieving the highest rank in the Brazilian military, he devoted himself to the service of his nation in the twilight of empire and the forging of a new republic. While not a politician nor a man hungry for power, he was a man of great courage, fortitude, and moral fiber. He put others before himself and never wanted to be immersed in the modern wants for fame or fortune as others greedily claim for themselves in the modern era.
While a military officer first, he was a famous explorer who cared about the environment and did his best to balance that with his desire for progressive development of connecting a new nation together through telegraph lines as director of the official commission. He not only cared about the environment but also sought for the protection of indigenous peoples who he encountered during his explorations and made sure that all of his interactions with them were both peaceful and friendly.
He did many incredible things in his life but as far as what I have learned about him; he was never a big braggart who boasted incessantly and who was much more concerned with how his men were doing whether they were his fellow soldiers, explorers, or countrymen. He was very successful because he set a powerful example and took care to accomplish whatever he took upon himself to the best of his abilities. From being a director for the protection of indigenous peoples to setting up telegraph lines as a commissioner to commanding fellow troops to explore the unknown regions of the Amazon, Rondon was a man who was the epitome of a ‘profile in courage.’
Marshal Rondon was not born with a silver spoon in his mouth and has various catastrophes and tragedies befall him as a child. His father died before he was born, and his mother died when he was only two years old. His grandparents died when he was a boy, so he was cared for by his uncle. Rondon was a victim of discrimination for his indigenous origin and was bullied because of it. He was not tall or very strong physically either.
However, none of these setbacks stopped him because nothing would stop a man who was courageous, determined, and a hard worker. Most of all, it should be said that rather than let these personal tragedies derail him and his life goals, it is likely that they spurred him on to achieve great things and to make the most of the time that was given to him with more awareness of the preciousness of life and how quickly it can be taken away.
Marshal Candido Rondon has great discipline and determination especially when it came to his education as a teenager and as a young adult. He studied both Mathematics and Physical and Natural Sciences at the War College in Rio de Janeiro. He became second lieutenant of the Armed Forces of Brazil in 1888. He was directly involved as a military officer in the formation of the Brazilian Republic after the fall of the Brazilian Empire. In addition to all of these academic pursuits, he self-taught himself various skills especially engineering. He also became physically disciplined allowing him to spend months and years in the harsh tropical climate due to his time spent in the military and military school.
Rondon was instrumental in connecting the Amazonian region of Brazil to the rest of the country. As an Army engineer, he was in charge of expanding the reach of the new republic and removing the isolation that this part of Brazil had become accustomed to. He built the first telegraph line that crossed the state of Mato Grosso. With his leadership, construction began on a main road from Cuiabá to Rio de Janeiro (The Capital of Brazil at the time). Telegraph lines were also established from Brazil to Bolivia and Peru. He maintained peace both with the indigenous tribes and Brazil’s neighbors during his time as the Telegraph Commissioner.
You could argue today that Marshal Rondon was the closest to being thought of as a Pacifist that a military officer could be. He always tried to make friends with the indigenous tribes of Brazil especially. He never ordered his men to shoot the Indians, even when they were being attacked by them sometimes by poisonous arrows.
Because of Rondon’s beliefs in Positivism and positivist thought, he wanted to make the indigenous tribes civilized and connected to the rest of Brazil in a non-violent and gradual way. For his actions, he later on in life became the first director of the Indian Protection Service (SPI), which still exists in Brazil today under a different name of FUNAI (National Indian Foundation).
After 1888, Marshal Candido Rondon became a member of the positivist church in Brazil, which was based on humanist ideals. Heavily influenced by the Brazilian thinker, Benjamin Constant, the Brazilian military and its new republic helped to spread the ideals of positivism within Brazil. Mr. Constant was influenced by the French enlightenment philosopher, Auguste Comte. Positivism as an ideology emphasizes naturalism, science and altruism, rather than any religious doctrine in particular. Marshal Rondon was influenced by positivism in his actions with regards to supporting the telegraph expansion and by his pursuit of co-existence and eventual friendship with the Indigenous populations. The positivism movement and the spread of Republican beliefs among Brazil’s military and political leaders helped in a major way in changing Brazil from an empire to a republic.
What most people outside of Brazil, especially Americans such as myself who are fond of history would only know about Candido Rondon, would revolve around his historic journey of discovery and exploration with then ex-U.S. President Theodore Roosevelt in 1913-1914. The Roosevelt – Rondon scientific expedition was a research expedition between 1913 and 1914 to follow the path of the River of Doubt (Rio da Duvida) in the Amazon. Because of sheer physical dexterity and encyclopedic knowledge of the Amazon, Rondon, miraculously, was the only man who came back healthy. The ex-President, Theodore Roosevelt almost died of illness and it could be said that Rondon helped save his life and that of his son, Kermit too.
Three of the Brazilians died during the expedition sadly. Without Rondon and the local experience and knowledge of his men, the expedition would have been a disaster. Historically, this was also an important moment to solidify good relations between the two countries which were both far away in terms of language and cultural connections at the time. The ‘River of Doubt’ was renamed the Roosevelt River (Rio Roosevelt) in honor of the former American president for completing the journey which would not have been successful without the assistance and perseverance of Marshal Rondon. There are times in a man’s life where you can state how his leadership was instrumental to the success of a group and in this expedition, Rondon’s leadership was unquestionably the reason why it succeeded and why it is remembered so fondly today.
Few Brazilians have made as great of an impact on their country as Marshal Candido Rondon. The Indian Protection Service (SPI) had its problems, but it became FUNAI, which still helps indigenous peoples today throughout the country. The new Brazilian republic grew both more connected and stronger due to the telegraph and road construction commissions which were led by Rondon and his men. Rondônia is now a Brazilian state composed of the Amazon Forest that is named after the Marshal. His military service, his care for the Indians, and his positivist beliefs are still remembered by many Brazilians today. Marshal Candido Rondon died at the advanced age of 92 in 1958, in Rio de Janeiro, the capital of a country for which he did so much and honored so very proudly.
Governing the World: The History of an Idea by Mark Mazower is an illuminating and insightful history regarding the shaky yet continuous rise of internationalism that began with the Concert of Vienna in 1815. Mazower’s look at the emergence of global governance continues up until the wake of the Eurozone crisis with regards to the present needs of reforming the European Union in the wake of unpopular austerity measures and burdensome bureaucratic regulations from Brussels.
His book addresses ‘globalization’ different from previous books I’ve read in the past with regards to focus on ‘ideas’ themselves and the rise and fall of those ideas throughout the 19th and 20th centuries led by primarily politicians and philosophers such as Kant, Metternich, Mazzini, Marx, Lenin, Bentham, Wilson, the Roosevelts, etc. among many others who were driven in defining what the international system should look, act, and be like.
A consistent theme of this history of ideas and institutions from 1815 to about 2012 was how instrumental the ‘Great Powers’ in each era were in setting up the foundation of the international system whether it was the ‘Concert of Europe’, the ‘League of Nations’, or the ‘United Nations.’ In the wake of the Napoleonic Wars and World Wars I, II, the leading powers desired to create a ‘balance of power’ among the great nations yet whose actions could be backed up by a single hegemon such as the U.K., U.S. to set the rules and boost the institutions they founded. Mazower is clear in that the history of global governance evolved originally from the heart of Europe and then spread across the Atlantic as the title of global hegemon shifted from the U.K. to the U.S. with the emergence of Wilsonianism and the ‘fourteen points’ in the 1910s.
Whereas the origins of internationalism started out with a gentlemen’s agreement among the Great Powers of Europe to refrain from conquering each other in unending, bloody wars over territory based on religious and political aims, this shift has now ended up only two hundred years later encompassing the entire world over with 193-member states being represented from the People’s Republic of China to Tuvalu.
While the United Nations could be seen by some observers as a success story in terms of its inclusive nature and the ability for nations from around the world to have a voice regarding international issues, there are problems still today that plague the UN and its sister agencies and bodies. Whether it was how the ‘Responsibility to Protect’ doctrine could be implemented in different conflicts around the world with UN peacekeeping forces or the controversial over-usage of vetoes by the five permanent members of the Security Council to control the debate about their national self-interests, global governance increasingly mirrors national governance in being quite messy and imperfect.
Real questions remained in 2012 when this book was published and more so today regarding the vitality of the United Nations especially given the fact that the United States is responsible for 22 percent of the overall budget of the UN. In the 2nd half of the book, Mazower focuses on the differing approaches of various U.S. administrations towards the UN and how fundamentally the U.S. government, mostly during Republican administrations, were acting out of self-interest and would often go out of the way to create competing international bodies to marginalize the UN such as the IMF, the World Bank, and most recently the WTO. Often times, the U.S. has bypassed, ignored, threatened, and left UN bodies and have held themselves to a standard above those given to other member states which has caused a backlash among not only allies but also developing countries (see: International Court of Justice and U.S. nationals being exempted from its jurisdiction).
Similarly to how the League of Nations through the guise of British and French leadership failed to hold imperial ambitions in check between the World Wars, U.S. disengagement and disenchantment with the U.N. increasingly from the 1970s onwards and the rise of other ambitious states such as China, India, Brazil, etc. signals that there may be a shift towards a multipolar world where there is no true hegemon leading to more of a systemic anarchy within the international system in the near future.
By the end of Governing the World, Mazower sees serious needs for reform in not just the United Nations but also in the European Union, another leading international institution created during this period. Western-led international institutions are in real danger of losing relevancy, argues Mazower, due to a number of overlapping factors including rising political apathy, catering too heavily towards financial elites, and being unable to meet the lofty goals that they set for themselves. I didn’t even mention a resurgence in nationalism and populism around the world from Brazil to the Philippines, but you get the picture, right?
Much to the chagrin of internationalists, Mazower argues that the nation-state still remains the primary way for the average citizen around the world to receive or pay into ‘public goods’ so their attention will largely remain focused on what their President or Prime Minister is doing and not the UN Secretary-General or IMF Director. There are numerous challenges that face the international system currently and it remains to be seen whether the UN and numerous other bodies are ready to be able to tackle income inequality, climate change, financial crises, the threat of global pandemics in the rest of this tumultuous 21st century.
Overall, I thought it was refreshing to see his attention on the ‘Concert of Europe’ in Vienna and how he started this event as a jumping off point where leading powers would try to use regional and later international cooperation to prevent conflicts from emerging among nation-states. The lack of support given to bodies of ‘International Law’ remains as a consistent theme throughout this book and while ‘arbitration’ between nations was popular, it lost relevancy and hasn’t gained it back since.
Seeing ‘globalization’ through the ideas of influential thinkers from Immanuel Kant to Karl Marx to Henry Kissinger really paints a wholistic picture on how nation-states were driven by different belief and value systems. The clash between nations especially in the 20th century can be seen through the ideological lens (ex: Capitalism v. Communism). While I really enjoyed Mazower’s conclusion, I thought it could have been expanded upon a bit further especially with regards to the rise of private foundations, i.e. the Clintons, the Gates and other NGOs, and how that has affected larger institutional institutions which are now not as well funded. On that note, the chapters titled, “The Empire of Law” and “Science the Unifier” could have been shortened or condensed into one chapter. It took away from the timeline narrative of the book and didn’t relate well to the political history unfolding during the two centuries.
If you are looking for an interesting, comprehensive, yet digestible read regarding the tumultuous development of the international system over the past two centuries, then you will want to take a chance at reading Mr. Mazower’s Governing The World: The History of an Idea. The one question that we are left at the end of this over 400-page book is what will the international system look like for the rest of the 21st century? We shall have to wait to find out but there are numerous challenges and obstacles ahead.
Field of Dreams is a quintessential classic American film and a movie that gets better with repeated viewings. Field of Dreams is almost thirty years old but has aged like a fine wine since it was released in 1989. This film is a unique mixture of the fantasy, sports, and drama genres and shows how crucial the game of baseball is to American culture. While some people who watch Field of Dreams think that this film is an original story, it is actually based off a novel by W.P. Kinsella titled, ‘Shoeless Joe’, which was critically acclaimed as well.
Part of the reason why Field of Dreams was so successful is because of the great cast of actors and actresses that helped make the film so popular. This was one of Kevin Costner’s most famous roles and also stars Amy Madigan, James Earl Jones, Ray Liotta, and the late and legendary Burt Lancaster who starred in his final role in this movie. Another fact that most fans of this film wouldn’t know about is that Field of Dreams was nominated for three Academy Awards including Best Original Score, Best Adapted Screenplay and Best Picture.
Of all the places in the world to hear a voice whisper the phrase, “If you build it, he will come…” a large cornfield in the middle of Iowa wouldn’t be your first guess most likely. However, that is exactly the premise behind Field of Dreams. A local farmer, Ray Kinsella, who has a troubled relationship with his father, John Kinsella, a former baseball player who wanted his son to follow in his footsteps feels guilt at what a strained relationship he had with his father before he passed away.
Ray then sees a vision of his cornfield being turned into a baseball field and decides to go along with this vision by turning his farm into a real baseball field. Ray is an adamant defender of ‘Shoeless’ Joe Jackson who believes he was actually innocent and didn’t do anything wrong despite the fact that he was banned from baseball due to the 1919 Black Sox Scandal. Ray’s father, John, was also a big defender of ‘Shoeless’ Joe Jackson and that’s the one major thing that Ray and his father could agree upon. His daughter, Karin, and his wife, Annie, are skeptical of Ray’s plan to build a baseball field at first but end up trusting his judgment after some convincing.
After Ray completes the building of his baseball field in Iowa, many months go by and the bills for maintaining the field start to pile up causing Ray and his family to feel some serious financial stress. When all hope seems to be lost regarding his vision, Karin spots a baseball player moving through the baseball field one night and Ray recognizes the player as being no one other than ‘Shoeless’ Joe Jackson (played brilliantly by Ray Liotta). John, Ray’s father was a big fan of ‘Shoeless’ Joe Jackson and would be thrilled to know that Ray’s vision came true and Mr. Jackson was here out on his farm in Iowa absolutely thrilled to being playing baseball again. Shoeless Joe ends up bringing some of his teammates from the Black Sox who were also banned from baseball due to the 1919 scandal and they start practicing together on Ray’s field.
Unfortunately, not everyone in Ray’s family can see the baseball players on the field. Ray’s brother-in-law, Mark, warns Ray about how much of a financial drain the baseball field is on his farm and Ray may have to foreclose on the property unless he is able to generate some money from it. Mark thinks Ray has gone crazy because he keeps referencing the baseball players on the field who Mark is unable to see. Luckily, Ray’s wife, Annie, and Ray’s daughter Karin can see the baseball players and believe Ray to be doing the right thing leaving Mark quite flustered and angry.
Ray ends up hearing another voice whisper through the field telling Ray to ‘ease his pain.’ After seeing how the local town wants to ban the books of one of his favorite authors from the 1960’s, Terence Mann, Ray ends up doing some more research about his favorite author and discovers that one of Mann’s dreams was to play for the Brooklyn Dodgers professionally. One of the reasons why Ray ended up quitting baseball even though his father wanted him to play professionally was because he read one of Terence Mann’s books when he was a teenager and never played catch with his father, John, again.
Ray and Annie both have a dream about Mr. Mann one night in which Ray is attending a baseball game at Fenway Park together with Terence. With Annie’s support, Ray goes all of the way to Boston to seek out Mr. Mann even though he has become a curmudgeon recluse over the past few decades and mainly keeps to himself. With a lot of convincing, Ray takes Terence to a baseball game at Fenway where they both end up hearing another voice telling the two of them to ‘go the distance.’ They also see the statistics of a baseball played of Archibald ‘Moonlight’ Graham who starred in only one game for the New York Giants but never had an actual at-bat. Ray and Mr. Mann do more research about Graham and end up driving together on their way to Minnesota to go see him.
When Ray and Mr. Mann travel all the way to Minnesota, they realize that Moonlight Graham became a doctor and had passed away over fifteen years ago in 1972. When Ray goes for a walk one evening, he realizes that he has transported himself to that time before Moonlight ‘Archie’ Graham had died and encounters him on the street where they have a conversation about his short-lived baseball career. The older Moonlight Graham is content to be a doctor but wishes for that one chance to face a major league pitcher.
After Ray and Terence leave Minnesota, they encounter a young hitchhiker on the road who introduces himself as Archie Graham. The two of them are amused by this crazy coincidence and take him with them to Iowa. During the ride, Ray confides in Terence Mann that his father was disappointed in Ray for throwing away his baseball career and for denouncing his father’s hero, ‘Shoeless’ Joe Jackson as a criminal. One of Mr. Mann’s books led to Ray putting down the baseball bat as well. Ray really wishes to make up with his father and make things right again if he had a dream to spare.
The amazing thing is that this young Archie Graham character gets to play on Ray’s baseball field in Iowa. In this only “major league” play, he is able to hit the ball into the outfield and get a sacrifice fly run in for his team miraculously after winking at the opposing pitcher as he always wanted to do even as an old man. Facing financial pressure from Mark and his associates, Ray thinks about selling the field to save his farm but Terence Mann encourages Ray to re-consider.
Considered to be one of the greatest monologues in modern film, James Earl Jones gives an amazing speech regarding the central role that baseball has played as America’s pastime and how it has formed our culture, and made the nation stronger during times of peril and tragedy. “People will come, Ray, people will most definitely come…” Terence Mann’s beautiful speech to Ray convinces him to keep the baseball field and not sell it off because he knows that baseball fans will come to Iowa to see their childhood heroes play America’s beloved game.
Mark, acting increasingly incensed, causes Ray’s daughter, Karin to fall from the bleaches, but Archie Graham who has a sense of both his past and future to come, steps off this magic baseball field to save Karin from choking. Mark then becomes a believer and sees all of these historical baseball players and encourages Ray not to sell the baseball field. He most likely believes that the field could be a major cash crop within itself and that people will most definitely come to see it. The older Moonlight Graham thanks Ray for the chance to make his dream to come true and that he doesn’t regret how he became a doctor too.
Terence is invited to leave with the baseball players one day to go through the cornfields to a destination that is unknown. Ray is going to miss Terence but trusts his judgment that it could ‘make one hell of a story one day’ about ‘Shoeless Joe Jackson coming to Iowa.’ Ray has his own family and can’t go with Terence who may be entering a realm or destination beyond our comprehension as the audience. Still though, he’s confident about his next destination and isn’t worried about not coming back.
One day, A younger version of Ray’s father shows up on the baseball field and Shoeless Joe Jackson references that the voice in Ray’s head was not Joe’s but rather Ray himself wanting to have a better relationship with his father and to ‘ease his pain.’ In the climatic scenes that can make even the most stone-hearted person cry, John is reunited with his son, Ray, on the baseball field, and he even gets introduced to Ray’s wife and his granddaughter, Karin, who he never knew in life.
John Kinsella remarks to Ray how “it’s so beautiful here, it’s like a dream come true.” The young John, asks Ray if this is heaven. Ray replies simply that, “It’s Iowa.” Even though John believes it still could be heaven, Ray asks if there is a heaven having never experienced it. John replies, “Oh yeah…it’s the place where dreams come true.” An uplifting emotional moment takes place in this scene as Ray Kinsella looks around at his beautiful farm, his wife and daughter happy and smiling, and to be reunited with his estranged father again as being a sign that maybe they, in fact, are all in heaven together.
Ray is so overcome with emotions at being with John again that before John leaves to go through the cornfields as the sun sets, he strikes up the courage to ask his dad to have a catch with him as they did in the old days. They start to throw to each other and Ray is struggling to believe that this is actually happening until John throws him the baseball, which Ray catches in his glove, and he can actually feel the soft baseball in his mitt knowing that his dream finally came true.
This last scene of ‘Field of Dreams’ is an iconic one and shows the power and love of the relationship of a father and son. Despite their differences, they still want to share the tradition of having a catch together after all of those years had passed between them. As the final scene fades out, you can see thousands of red lights emanating from the cars who are lining up to visit the ‘Field of Dreams’ and see their old childhood heroes play the game of baseball. People most definitely will come if you build it.
A truly remarkable film, ‘Field of Dreams’ is hard to get through without tearing up and having some tissues near you. More so than just Ray and John’s relationship, many characters have their dreams realized because of this baseball field. Archie ‘Moonlight’ Graham gets to swing the bat for the first time, ‘Shoeless’ Joe Jackson gets to play baseball again as apart of his shamed Black Sox team, and Terence Mann gets to see what’s on the other side of those Iowa cornfields. The powerful musical score by the dearly departed James Horner stirs your emotions with every scene, and you can feel the weight of Ray and John’s relationship with each sound of the orchestra. James Earl Jones steals the show by giving one of the best monologues about baseball and its’ importance within the history of America.
If you love the game of baseball and you enjoy a story about achieving your dreams when they seem out of reach, then you should watch ‘Field of Dreams.’ They really don’t make too many Hollywood films like Field of Dreams anymore and even though it was released in 1989, it’s still an American classic, which has stood the test of time. If you ever go to Iowa, that special baseball field is still there to visit. If you’re a father or a son, you’ll also really connect with this film and it will touch you in your heart and in your soul.
If you consider Salsa to be wild and exhilarating, then Bachata could be considered the opposite kind of music in that it is both suave and smooth. While Bachata may not be the most exciting kind of Latin music, it is a genre that is both popular and historical. It may not be as skill-based as Salsa or Merengue, but you do need to keep a good rhythm and there is a good amount of variation to this kind of dance. The most important thing to be aware of when dancing Bachata is to watch your steps and make sure you’re moving seamlessly with your lady or gentleman partner in tow.
Bachata is a Latin music genre originally from the Dominican Republic, which came of being in the first half of the 20th century. One of the cool aspects about Bachata is that it combines European, African, and Indigenous musical elements to really captivate its’ listeners and dancers. Jose Manuel Calderon of the Dominican Republic did the first compositions, which formed the original Bachata songs back in those early days of the 20th century.
Bachata is considered to be a mixture of its’ predecessors: Merengue, Bolero and Son, which are other distinct Latin music genres. Similar to Salsa, Bachata takes both the form of a song and the form of a distinct dance that are supposed to go together. The mood of a Bachata song can be either very exuberant or more melancholy. Bachata’s original name was ‘amargue’ which means ‘bitter music’ or ‘blues mules’ reflecting in its’ origins the fact that Bachata used to be more somber and reserved when it was first created in the Dominican Republic.
A surprising fact about the Bachata music genre is that it wasn’t always that popular until the past few decades. Throughout most of the 20th century, especially in the Dominican Republic, this form of music was associated with rural communities who were mostly working class or poor in terms of their status. For a long time, Bachata was not allowed to be played on television or radio because it was too vulgar or crass for the elite members of Dominican society.
However, this attitude began to change in the 1980s and 1990s when both the instrumentation and the styles of Bachata multiplied to become more urban and diverse. Bachata has ended up in the 21st century as being one of the most popular forms of Latin music, up there with both Salsa and Merengue, and is played in bars, discotheques, and dance halls all across Latin America.
Bachata requires a group of musicians playing diverse instruments in order for an actual song to be played from the genre and for dancing to occur. There are seven instruments that usually make up the structure, rhythm, and beat of a Bachata song. You have your ‘Requinto’ (lead guitar), ‘Segunda’ (rhythm guitar), electric guitar, bass guitar, acoustic guitar, bongos, and guira. While none of these instruments are mandatory, you need them all in order to create a dance-oriented form of Bachata rather than a more classically oriented form that is most similar to Bolero.
While Bachata started originally in the Dominican Republic and became popular there eventually after a few decades, Bachata has now become one of the most popular forms of Latin music in the region. You can find Bachata music playing in countries such as Cuba, Panama, Mexico, Honduras, Guatemala, Venezuela, Colombia, Chile, etc. Anywhere you go within the region, you’re likely to hear a Bachata song being played in your neighborhood or in your city.
The first Bachata songs that were composed by Jose Manuel Calderon, considered to be the modern founder of the genre, were titled ‘Borracho de amor’ and ‘Que sera de mi’. These songs came about in the early 1960s, which shows that the modern form of Bachata has been around for over five decades now. Hundreds of musicians, singers, and dancers have contributed to this unique and popular genre. Some of the more famous contributors to Bachata include names like Marino Perez, Leonardo Paniagua, Luis Vargas, Antony Santos, Juan Luis Guerra, and Romeo Santos. If you have the chance to listen or dance to some Bachata music, do yourself a favor and tune in, kick off your shoes, and enjoy this very popular genre of Latin music.
If you’re walking in any city in Colombia or in most parts of Latin America and you start to feel the rhythm and the beat to some up-tempo music that sounds as if jazz and ‘son cubano’ had a baby, it would be known to the world as ‘Salsa.’ Salsa music has only been around for over five decades but has had a lasting impact on the world of music and its’ popularity has stayed consistent in the countries and regions where it was first introduced. While some folks may argue that old-school music genres like jazz, swing, and the blues are on the decline these days; that is simply not the case when it comes to Salsa.
Contrary to popular belief, Salsa did not originate in Puerto Rico, Cuba, or even Colombia. This form of music came out of the communities of immigrants in New York City during the 1960s from Cuba to Puerto Rico who wanted to introduce a new take on ‘son cubano’ music that had been around for a few decades and to bring it to new audiences before who had never been exposed to that kind of genre before.
The music of Salsa has been highly influenced by previous Cuban genres such as ‘son cubano, son montuno, guaracha, mambo, bolero, etc. as well as certain Puerto Rican genres such as ‘bomba, and plena.’ It also should be noted that Salsa was heavily influenced by the American musical genre of Jazz and certain experts have noted Salsa as being a form of Latin jazz. Salsa is a very flexible genre and can incorporate many different forms of music together in order to be innovative and unique. Even rock, r&b, blues, and funk have found their way into the rhythms, beats, and lyrics of Salsa music.
If there were a form of musical expression to represent the Americas whether it was North America or South America, it would be jazz. Salsa music would not be what it is today without previous music genres influencing the sounds and songs to change and adapt as the decades passed by. However, without the early Salsa bands made up of newcomer immigrants from the Cuban and Puerto Rican communities who came to New York City and America for a better life, Salsa would also not be the popular genre that it has become today. From the 1930s to the 1960s, these new immigrants brought joy, happiness, and excitement to both their local communities and cities from Boston to Cali.
From the streets of the South Bronx to the barrios of Cali, Salsa would spread from New York City to Colombia to Peru to all over Latin America. Salsa has become a global music genre today with people all over the world sharing together their passion and love for this unique form of self-expression. You can find Salsa classes and music clubs in most major cities all over the world. It doesn’t matter where you’re from, if you’re new to dancing, or can’t understand the lyrics, Salsa is a music genre open to everybody. Some of the big names in Salsa are Johnny Pacheco, creator of the Fania all-stars band, Hector Lavoe, Willie Colon, Bobby Valentin, Eduardo Palmieri, Marc Anthony, etc.
The instrumentation used in Salsa music is incredibly diverse and can really depend on what kind of style you’re going for whether it’s ‘salsa romantica’ or ‘salsa dura.’ It also depends upon how fast the tempo is and what the chord / verse arrangement is too. The most popular kinds of instruments used in Salsa music are percussion and brass instruments. It’s very rare where string instruments are used unless its’ an acoustic or electric guitar. When it comes to the most widely used instruments, they are usually the piano, the bongo drums, the congas, trumpet, trombone, claves, and different guitars.
Since the genre of Salsa has spread to many parts of the Western Hemisphere, there are many different styles of Salsa dancing that make the music more enjoyable for people to participate in by moving their bodies in various ways. While there is no clear consensus on which style of Salsa is the best or most popular, there’s the Cuban style, the New York style, Puerto Rican style, Los Angeles style, and Cali style from Colombia. Each style of Salsa is a little bit different from each other so once you master one of these types, there is another one out there to learn in order to keep your knowledge up to date. There are few parts of the world that haven’t been touched by Salsa music, which makes it one of the most fun and enjoyable kinds of dances to learn. Whether you’re in Peru, Colombia, Cuba, the Dominican Republic or the United States, you’ll have a chance to dance Salsa if you look hard enough.
By listening to Salsa music and learning how to dance to the rhythms and the beats of this genre, you really learn a lot about Latin American culture. Listen carefully to the lyrics, study the history of both the song and dance, and you’ll be able to gain insight as to why this has become one of the most popular music genres on the planet today. Few things make the average person happier than being able to cut loose on the dance floor and Salsa as a genre succeeds in doing that beyond measure.
During my time here in Colombia, I’ve enjoyed going out to learn Salsa in some classes, and putting the moves I’ve learned into practice when I go out on Saturday nights to a Salsa club. It’s really a joy to dance and sing to the point of exhaustion until your feet can’t move anymore while the beads of sweat roll down your neck. Salsa, to me, is a celebration of living life to the fullest and expressing the movements of your body the way you’re supposed to do. If you haven’t given Salsa music or dancing a chance yet, start to do so today. I promise you won’t regret the experiences you gain by enjoying this popular genre.