“Got to, This is America, Man…” – Anatomy of a Scene

“‘The Wire’ is the greatest television show of all-time. Even as the show nears the 20th anniversary since when it first aired on American cable television network, HBO, it still rings as culturally relevant and as emotionally stirring as it was when it first debuted in the Summer of 2002. While technology may be different now, the characters would not be the same, the setting could be different from the show, the overall themes, and messages from ‘The Wire’ as well as the institutions that the show focused on for five great seasons have not changed that much.”

‘The Wire’ is the greatest television show of all-time. Even as the show nears the 20th anniversary since when it first aired on American cable television network, HBO, it still rings as culturally relevant and as emotionally stirring as it was when it first debuted in the Summer of 2002. While technology may be different now, the characters would not be the same, the setting could be different from the show, the overall themes, and messages from ‘The Wire’ as well as the institutions that the show focused on for five great seasons have not changed that much.

I could write a thesis on ‘The Wire’ and devote at least 10,000 words on the show in terms of an in-depth breakdown on how it’s the modern equivalent to a Shakespeare tragedy or drama. However, in this ‘Anatomy of a Scene’, I am going to focus on one of my favorite scenes in this classic television show. This scene is the opening one for the entire five-season series and discusses a core tenet of the show not just about what kind of ‘game’ that the characters play, but also the ‘game’ inherent to the setting of Baltimore, Maryland as well as America as a country.

The opening scene, more than any other scene, even if it is the 1st, one pinpoints exactly what ‘The Wire’ is about. In the first shots, you can see a young man lay face down dead on the ground on some dark city street with the police collecting evidence and a main character, who is a detective, questioning a potential witness. The associate of the victim talks about how they were involved with street gambling and how it was not fair that it was not right to kill the victim, non-ironically known as ‘snot boogie’ to the game’s players. The victim of the crime has a real name but is endeared to the rest of the game’s players by that nickname alone.

As the witness explains to Detective Jimmy McNulty of Baltimore Police, ‘Snot Boogie’ was the victim of the crime, but his associate did not expect him to be killed for stealing from the other players of the street game for playing craps. The associate tells McNulty that the victim is known for stealing and grabbing the money to run away but they never want beyond just ‘beating his ass’ up a bit.

While it is a grim description of the dangers of gambling illegally on the streets, the witness to McNulty’s murder case explains that there is an unwritten rule to the ‘game’ of street gambling and that ‘Snot Boogie’ should not have been murdered for stealing from the other players. Nobody ever tried to kill the victim even after he was found guilty of stealing money from the street game players even if they did often catch him and beat him for having done it multiple times.

The witness refuses to tell McNulty who killed his associate in this game and does not want to go to court even though he believes it was disgraceful how ‘Snot Boogie’ was killed because they always let him play even though he would always steal from them.
“I got to ask ya, if every time Snot Boogie would grab the money and run away…why’d you even let him in the game?”
“…What?”
“If Snot Boogie always stole the money, why did you always let him play?”
“Got to, This America, man.”

McNulty looks incredulously as the witness tells him this reasoning because at its face, it does not make much sense for a guy who steals from folks repeatedly to continue playing a dangerous and illegal craps street game. It’s clear to both characters that life itself, and life in America is far from being fair at the end of the day especially a man got killed, which was against to how the game was being played, according to the witness, even if he was stealing from them.

Even if the game is fair or is rigged to some degree, it occurs to the witness and then McNulty after he sees the guy’s reasoning that even if the game was not meant to be won and the result would always be the same, you still let the game play out. The game may not be fair like life itself in general or in America, but it must be played by everyone. It may not be a fair shot and there is no equal outcome, but there is equal opportunity out there for each player to be involved even if someone cheats, steals, and comes back to play again. The game exists for everyone to be given a shot at it and if they don’t, that’s against the principle of life itself and life in America.

There are tragic consequences to this craps game for Snot Boogie who loses his life senselessly as well as for the men who will go to jail for it or lose all their money, but the game goes on and it’s open to everyone. Like the witness explains, the game deserves to be played by everyone equally although the outcome may not be something everyone will like or even will cost some people dearly. This excellent opening scene opens with the most prominent themes of The Wire perfectly and almost seems like a graphic novel come to life. Its visuals are striking, the characters are who you can relate to on a human level, and there is a lot of foreshadowing about the rest of the show and its messages to the viewers from this tone-setting scene.

‘The Wire’ is a show about the early stages of 21st century America in its first decade of the 2000s but it is as still as relevant about 20 years later. The metaphor of this opening scene for not just a couple of guys in a craps game gone wrong in the street can pair directly too what can happen when capitalism can go off the rails when someone tries to beat the rules or try to gain an advantage when they are put at a disadvantage to begin with. If the game is rigged from the get-go even if you’re given a shot at it, what’s the point in playing by the rules? If you can beat the system even if there are dire consequences, is it not worth trying?

‘Snot Boogie’s associates knew he was a thief and a cheater because they believed that he still deserved a shot at winning like everyone else even though it was likely rigged so he would never make it after multiple tries. As the opening scene of the greatest television show of all-time shows the viewer, everybody can play the game even if they are a cheater in the sense of having equal opportunity, but what happens when no one is held accountable when the odds are stacked against them from the start of the game and there is no other way to win than by cheating the system and facing serious consequences?

The show may not be defined by its iconic opening scene but as you find as you watch the entire series, the metaphor for what that scene represents about the show and about the ethic that binds American society together long after you finish watching each of its five seasons.

Balboa Park

Camera: iPhone 12

Location: San Diego, California, United States

“…It’s Just A Business” – Anatomy of A Scene

“As one economic system is thrown into recession, other illicit ones, such as illegal gambling tend to flourish in its wake, which is what ‘Killing Them Softly’ does a good job of showing the effects of a recession leading to a boom in the illicit economy.”

“America is not a country, it’s just a business.”

‘Killing Them Softly’ is a 2012 movie that flew under the radar at the time of its release. It may seem on the surface as a movie about the mob regarding unpaid debts, illegal gambling rings, and retribution for those caught in the crossfire, but what makes this movie different is its allegory laid out in the film regarding its relation to the financial system. As the mafia tries to prop up its system of illegal gambling rings and extortion rackets by using different hired hitmen, there are radio and TV clips highlighting the role of different politicians trying to prop up the financial system in the wake of the 2008 financial crisis. To keep the system functioning, drastic measures are taken.

As the U.S. economy suffers, illegal activities flourish and there are those people who get caught up in resorting to crime to keep their head above water. When the illegal system malfunctions such as a Mafia protected card game gets robbed by criminals outside the system, Jackie Cogan (played by Brad Pitt) is called upon as an enforcer hired to restore order to prevent the local criminal economy to collapse.

When any economy, illicit or legal, are ripped from its foundations, there will be enforcers or politicians who will need to clean up the mess left behind. While the allegory is not spelled out in the film, As Jackie is left to clean up the mess of the robbed card game by getting revenge on the small-time criminals who wanted to disrupt the system, many scenes highlight how the U.S. economy needs to be bailed out due to the irresponsible actions of the bankers and financial traders who got the country into this mess. While it may not be the most pertinent allegory, Jackie Cogan, is there to maintain order in their own local illegal gambling racket, similar to how leading politicians in government are called upon to maintain order when the national financial system is ready to crash.

Jackie Cogan is on his own throughout the movie and must rely upon himself to fix the mess left behind from the mob-protected robbed card game’s aftermath. He knows other mob enforcers who could help but they’re jaded, bitter, or too worse for wear having done Jackie’s job multiple times before to keep the mafia afloat. Above all else, Jackie is in it for himself to get paid and survive in an economic situation that is affecting everyone, criminal or civilian.

U.S. political leaders, similarly, were asked to intervene on behalf of the government, to step in to save a system that was being abused by financial firms, but also individuals, who made irresponsible decisions, and even illegal ones, which caused the national economy to crash. To prevent the system from collapsing, former Presidents, George W. Bush, and then Barack Obama had to step in to save the economy even though the system itself was at fault.

In the wake of the financial crisis that still resulted from the bad decisions and greedy actions of its players, when there’s a resulting increase in unemployment and poverty as the film depicts along with the collapse of some communities, some people will inevitably turn to criminal and illegal activities including gambling, extortion, and drug dealing. As one economic system is thrown into recession, other illicit ones, such as illegal gambling tend to flourish in its wake, which is what ‘Killing Them Softly’ does a good job of showing the effects of a recession leading to a boom in the illicit economy.

Without spoiling too much of the film, the ending scene takes place with Jackie and the mafia’s head accountant meeting at a bar to discuss his payment rendered for being an enforcer to keep the Mob card game running afloat after the perpetrators were punished for robbing it. Jackie, like the head Mafia accountant, are using each other for the money and stability of their own enterprises. Jackie Cogan is in it for himself as other enforcers were not able to do what he does, and he wants to be rewarded for it.

The Mob accountant is looking to make sure his illegal enterprise stays afloat without paying more than he needs to. In this scene, Jackie raises the rate of how much he charges for committing the hits on the people who robbed the card game due to the ‘recession.’ The mob accountant counters by saying that what they would him are the ‘recession’ prices and that he’s getting what another enforcer who couldn’t do the job would normally get.

“You know this business is a business of relationships.” The accountant tells Jackie that they want to keep the relationship with him going since every other enforcer is unavailable so he should not ask for more money given he might need to help them again. Jackie isn’t fooled by this plea to continue their ‘working’ relationship because at the end of the day, it’s about getting paid by them and they could not care less what happens to the enforcers who clean up the mob’s mess.

The accountant is listening to the 2008 election night acceptance speech by then-Presidential candidate Barack Obama imploring Americans to see each other as ‘one people’ and ‘out of many, we are one.’ Jackie doesn’t buy it given the circumstances for which he lives out his life in America. The accountant labels him as a ‘cynical’ person but he has reason to be as ends up cleaning up messes violently and criminally to keep the gravy train for others rolling.

Jackie sees even one of the founding Fathers, Thomas Jefferson’ as a hypocrite because while he wanted freedom and liberty for all, he still owned slaves and wasn’t actually fighting for the ideals he espoused in the Declaration of Independence. Despite being known as an ‘American Saint’, Jackie believes Jefferson was out for himself and his own interests and that there are no unifying ideals that bind the country together besides the need for ‘money.’

“Don’t make me laugh…I’m living in America…and in America, you’re on your own. America is not a country, it’s just a business.” Jackie Cogan, after what he goes through in the film, is looking to get paid and survive at the end of the day. He is corrupted and evil but justifies his actions by telling himself and the audience that he’s on his own like many other people were in the financial crisis and must take this blood money from the mafia to make it in America.

When Jackie Cogan hears American politicians say that “we’re all in this together”, “we are one community, one nation”, he believes that no one is looking out for him, not even his mafia employers, and must fight for every dollar he can have because he would not survive otherwise. ‘Killing Them Softly’ is not just about a low-level mafia enforcer keeping a mob-run gambling ring going after doing contract kills on three people who robbed one of the games.

Throughout the film, whether its news clips, radio segments, or the desperate actions of its characters, ‘Killing Them Softly’ is primarily about the larger and looming allegory for the larger failures of the economic system who could not protect many of its citizens from financial ruin in the wake of the 2008 crisis. The effects of this past crisis reverberates even to this day, whose mess created such dire circumstances for people across the country to fend for themselves. While the small-town mafia and Wall Street can get propped up by those who intervene to save it, the film makes it a key point in this ending scene that for too many Americans, they believe they have been left behind by a financial system that does not work for them and for a culture where it’s “winner take all” and if you get left behind, nobody is going to be there to bail you out.

Padres Game at Petco Park

Camera: iPhone 12

Location: San Diego, California, United States

My Thoughts on the ‘Muhammad Ali’ PBS Documentary

“Float like a butterfly, sting like a bee. Rumble, young man, rumble. Ahhhhhh!” This catchphrase from the Greatest boxer of all-time, Muhammad Ali, still ring in my ears as I write about the legend.”

“Float like a butterfly, sting like a bee. Rumble, young man, rumble. Ahhhhhh!” This catchphrase from the Greatest boxer of all-time, Muhammad Ali, still ring in my ears as I write about the legend. After 8-hours of rarely seen footage, insightful interviews from those people who knew him best, and catchy music and news events highlighting the era and period in which the Greatest grew up in, the Muhammad Ali documentary on PBS (American public television) is a real knockout. There is too much television and movies out there to choose from especially with the streaming services but the Muhammad Ali documentary, recently released in September of 2021 is worth a watch.

Eight hours in total length, split into four ‘rounds or parts, the documentary chronicles the entire 74-years old in which Muhammad Ali or Cassius Clay walked among us mere mortals from his childhood in Louisville to his rise to boxing stardom dating from Rome to New York City to Manila to his old age, where he sadly struggled through the progression of the fatal Parkinson’s disease. Ali was a man who was almost too unreal to believe he had existed because of all he said, accomplished, and did during his life.

If you looked in an English idiom dictionary for the expression, ‘larger than life’, a picture and short description about Muhammad Ali should be there as well. The swagger he had when he walked in a room, his way with words as a poet and the ability to dress down his opponent with insults as powerful as his punches, and his commitment to not only his religion but the people around him such as a friends, family, and even random strangers who he would often give money, food, or anything they needed when they were going through a tough time.

Ali was not just talented in the ring, but he was also extremely intelligent, wise beyond his years, and able to be charismatic with many people he would meet. Most boxers would keep to themselves back in the 1960s or 1970s and would not embrace trash-talking, denigrating their opponents, or making bold claims that they weren’t sure would come to fruition. Muhammad Ali did the exact opposite and he built up a reputation to the point where billions of people knew who he was from America to Africa and from Asia to South America. His rants became legendary, and his diatribes were shown to garner a huge amount of press to sell his fights. In my view, he made boxing a global sport and he connected with all people regardless of race, ethnicity, national origin, or religion. He had love for everybody except for the men he would fight against.

The difference with Muhammad Ali compared to other braggart boxers is that he would often back up his predictions by making them real especially in his early days beating boxers like Sonny Liston and Floyd Patterson. He would not only predict that he would win his fight, but he specifically predicted the round in which his poor opponent would be knocked out. His legend grew the more he talked trash and made fun of his opponents and he backed it up in the ring by winning constantly. If he were not Muhammad Ali in terms of talent, hard work, and pure drive to be great, as a boxer, he would have faded away quickly, He simply was a once-in-a-century talent who kept boxing as a world sport in his era and it was the height of its popularity as a sport in America.

Ali, perhaps because of his family upbringing, his change of religion to Islam, or because of an innate sense of right and wrong was a plain-spoken activist who didn’t mince words. He was against racism in all its forms, was against the Vietnam War, and stood up for the poor and disenfranchised people around the world who were without the same opportunities that he had been able to take advantage of because of his boxing talent. While he was a devout member of the group, the Nation of Islam, and had his differences with both Malcolm X and Martin Luther King Jr., because of his affiliation with that group, he often strived to be a critical thinker on issues of race and religion and would dutifully follow his conscience often when expressing himself in public, as he often did in the national and global spotlight.

Sadly, Muhammad Ali, in pursuit of fame, fortune, and women, made serious mistakes along the way to become the greatest boxer of all-time. The constant time spent on the road, the brutal training regimens, the temptations he succumbed to with extramarital affairs, and even his disregard for friendships such as with Malcolm X or neglecting his wife(wives) or children due to his first love of boxing. He was an imperfect man who committed many sins as he puts it in the documentary.

However, even his sins did not stop him from putting in the work to commit more good deeds than sins throughout his life and for which when it came down to his estimation of himself as a Muslim at the end of his life, he felt comfort knowing he committed more rights than wrongs upon his death. The difference too with Ali is that he knew he had done wrong and tried to make amends later in life for his misdeeds. He apologized and atoned for his womanizing, unnecessary insults of other boxers, and his previous disavowal of friends and family like Malcolm X when they conflicted with his loyal membership to the Nation of Islam.

When I think about this documentary, the way it was able to catalog every major event in Ali’s life while simultaneously describing how he must have felt or acted the way he did during those pivotal moments in his life make this documentary the greatest one made about ‘The Greatest’ himself. Few documentaries go into that much detail, use relevant interviews and narration, while maximizing the quality of historical footage to draw the viewer in. If you are new to the good works of Ken Burns, Sarah Burns, Lynn Novick, David McMahon, and the rest of his wonderful documentary team, he is one of America’s greatest filmmakers in this genre.

Having done previous documentaries on ‘Baseball’, ‘Jackie Robinson’, and the other famous American boxer, ‘Jack Johnson’, you can tell that Ken and his team feel as comfortable documenting American sports history as much as his other documentaries on American politics and war history too. The sheer years of effort it takes to create an eight-hour long documentary like this one on ‘Muhammad Ali’ shows you how dedicated to the craft of documentary making Ken Burns and his team are. They have been doing it for over forty years now and it seems like they get better and better with each new documentary. If this documentary is the first you’ve seen by Ken Burns, do yourself a favor and watch the other sports history documentaries and check out his other ones on other aspects of American history.

What I enjoy most about documentaries about sports or political figures done by Ken Burns and team is that they highlight major events, victories, and defeats of that person or the team, but they also make sure to put that figure or people fit in with the swirling tide of history and timeline through the music soundtrack, the relevant footage, and the interviews with those people from the same era or who know that era in history.

The ‘Muhammad Ali’ documentary is not just about ‘The Greatest’ himself but about the times he lived in as an American and how he changed the country just as he was changed by the country himself. He influenced America more than most figures throughout the 20th century and will be remembered by future generations. He will be known not simply as the greatest boxer of all-time but also as a man who stood up for his principles, fought or did not fight for what he believed in, and enacted positive social changes by helping the poor, the disenfranchised, or even the stranger on the street.

He was a larger-than-life figure who transcended both sports, politics, and culture, and this ‘larger than life’ documentary pays great homage to one of the most celebrated and remembered Americans in the nation’s 246-year long and counting history.

Nighttime at Nationals Park

Camera: iPhone 12

Location: Nationals Park; Washington, District of Columbia, USA

Sunset Over The Monuments

Camera: iPhone 12

Location: Arlington, Virginia, USA

Thoughts on ‘Roadrunner’

“If there’s any word in the English language that would sum up the life of Anthony Bourdain, a ‘Roadrunner’ would be quite fitting to remember the man by.”

If there’s any word in the English language that would sum up the life of Anthony Bourdain, a ‘Roadrunner’ would be quite fitting to remember the man by. He was also a husband, father, friend, chef, writer, television host, and a cultural ambassador who made the world his oyster after many years as a cook in hot, windowless, stressful New York City kitchens. For some people, travel is a birthright that they have from a young age but for Anthony Bourdain, it was an unexpected gift at middle age after writing the excellent ‘Kitchen Confidential’ book highlighting his years in the underbelly of those same kitchens, which became a New York Times bestseller, and helped lead him into fame, stardom, and notoriety.

Bourdain’s life would never be the same as he was offered other book deals, his first television contract for the show, ‘A Cook’s Tour’, and started to be recognized around the world from Tokyo to Los Angeles. While his life as a newly minted TV host traveling worldwide, tasting different cuisines, meeting different peoples, he opened the world to those of us who only knew what they had read, learned about in school, or heard from others. Those of us who watched his shows learned about the world through the medium of television, but it was Anthony’s narration, his willingness to listen and empathize with whom he shared a meal that made him stand out from others in the travel show business. Bourdain never sugarcoated things and didn’t mince words about what he saw in his travels especially as the focus became less on food and more on culture, politics, and the trajectory of humanity itself. All this time though, watching his shows and reading his books, we knew more about the man’s reflections on the world and then how the world reflected on him.

The shock of his loss still hurts those who were fans of his works over three years later, I included, among the millions of people who were touched by his words, his spirit, and his lust for life. It is hard even now to reconcile the fact that the man who appeared to have had it all still suffered and that there was no outreach, gesture, or love shown that could have prevented his tragic suicide. Feelings of anger, disbelief, regret, and sadness come to mind when you think of how anyone, especially Anthony Bourdain, could decide to let go of life itself especially when it had enveloped him in such a warm embrace especially after his 2nd life of fame, success, and travel had gone on for almost two decades.

What ‘Roadrunner’, the film documentary on Anthony Bourdain’s life tries to answer is not the ‘why?’ of his death but the ‘how?’ of his illustrious life and how it changed, evolved, shifted, swinged on its ups and downs, which the documentary is successful at achieving. Rather than the director, Morgan Neville, attempt to get all of the answers on an unknowable concept such as what makes a person decide to take their own life, which left his friends, family, and fans devastated and unable to make sense of it either, the ‘Roadrunner’ documentary looks at how his life was, which people changed Anthony for better or worse, how he changed as a person, and how did travel affect him over almost 18 years. As a fan of Anthony’s written and television work, you learn a lot about the world through him, but I never got a full sense of who the man was as a person and I’m sure others can relate to this feeling.

Although he gave his all in his craft and in his vision, he rarely liked to be the center of attention in any room and was a shy, slightly self-deprecating, yet also a kind and generous man that would give more to others than would receive himself in return, and who never seemed fully quite comfortable with the fame, success, and notoriety his works produced. Those who remember him in the documentary talk about how he would always reach out to them to see how they are doing and to be a real people-pleaser but not ask for much in return or would find it difficult to confide in others with problems that may have been affecting him, personal or otherwise. While the film does a great job of capturing what it was like for Bourdain as he went from a line cook to a chef to an author to a television host to a cultural icon, we don’t really get to see much about his personal life beyond bits and snippets of details.

The viewer knows Bourdain came from a stable childhood, summers spent in France, loving parents, and a younger brother who he got along with well. However, you can sense from the documentary that he never grasped what most people would want from a ‘normal life.’ Bourdain was a creative soul who was curious by nature, inquisitive, had a taste for linguistics, and had a big imagination given his literary and musical tastes. He was not a man as Mark Twain would rail against as “vegetating in one corner of the planet” for their whole lives. Once he had the opportunity to do so financially and professionally, he seized it and took full advantage of the gifts that he had been given from a young age.

What was missing from the documentary sadly is Bourdain’s own reflections beyond his travels and perhaps the family he built from scratch. We do not hear much about what his childhood was like, how he got introduced to drugs such as heroin, how did he succumb to his addiction to it, and what how his two marriages and past girlfriends affected his outlook on love and life. During the documentary, we are perhaps best informed about who Anthony was as a cook, as a traveler, as a friend, who he was as a father, but it is hard to know who we were behind closed doors when the cameras were not rolling.

There are some aspects of his personality that you can glean from the documentary such as his addictive habits whether it would be using heroin, drinking alcohol, smoking cigarettes, learning Brazilian Jiu Jitsu, or wanting to hold on to his relationships even perhaps their natural end date. For better or worse, as the film portrays, Bourdain loved experiencing novelty and new things which led him to his legendary status as a globetrotter, but it also could backfire in terms of giving too much of himself to people without getting as much in return. It seemed from ‘Roadrunner’ that Bourdain would seek to please others before pleasing himself and that could have led to some deeper dissatisfaction with life. It can be hard to feel as if you’re giving more than receiving and I do believe that does play a role in depression.

You can also infer from ‘Roadrunner’ that Anthony’s romantic views on life, on love and on travel did not always meet reality. He could be very demanding in his professional career and rude or dismissive of his long-time camera crew and production team. It’s shown that he could make rash decisions about hiring and firing of personnel as well as set very high expectations for his television show, which could not always be met by those who worked with him. It’s also true that in his last romantic relationship with Ms. Argento, he would let his personal desires to please her or work with a famous director like Mr. Feng that led to him putting his crew’s creative input on the back burner. When he expressed his desire to quit traveling a few years before his death, his production team encouraged him to do it if he felt it was time to do so and they wouldn’t stop him, but it was as if Bourdain needed someone to validate his decisions to go through with them.

‘Roadrunner’ succeeds in telling the story of one of our young century’s great explorers and cultural ambassadors. In 2021, there are still some gaps in our knowledge of who Anthony Bourdain was and how he felt about his life. Sadly, we will never know the full story because of his tragic death by suicide and we can only infer on how such a bright life could be extinguished too soon when he had so much more to give to the world, to his family, and to his friends. Unfortunately, not all men make it to a ripe old age to be surrounded by those who matter most to them.

Names like Hemingway, London, and now Bourdain died at middle-aged by in their lives accomplished or saw or did as much as five men combined who lived longer than them. It is not the years in your life that matter but the life in your years and Anthony Bourdain made the most of his life as few could or will do again. Even more than three years after his death, he is sorely missed, and the world is not as well off without him and his impact. From the Congo to Iran to Antarctica to Libya, he was not afraid or reticent of sharing a meal with those who were different than him even when he had nothing personally in common with them.

I hope that the ‘Roadrunner’ documentary becomes part of Anthony Bourdain’s legacy and inspires both young and old people to see the world as it is and to hopefully mold it little by little through travels and meals to change the world bit by bit into the world that we would like it to be. That would be a fine way to honor his legacy and to make the world a little less unknown.

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If you or someone you know is having suicidal thoughts, call the National Suicide Prevention Lifeline at 1-800-273-8255 or contact the Crisis Text Line by texting HOME to 741741.

Juscelino Kubitschek Memorial and Museum

Camera: iPhone 12

Location: Juscelino Kubitschek Memorial and Museum; Brasilia, Federal District (DF), Brazil

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